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    RodeoHouston 2020

    RodeoHouston welcomes Willie Nelson, Gwen Stefani, and K-Pop stars in 2020 lineup

    Johnston Farrow
    Jan 10, 2020 | 1:00 am
    RodeoHouston 2020 line-up
    RodeoHouston announced its lineup for 2020 at a VIP event on January 9.
    Courtesy RodeoHouston

    It may not have the star-studded impact of the last two years, but RodeoHouston is back with a diverse lineup that still plays to the Houston tent pole event's strengths: big-name country artists.

    Odds pointed to the difficulty of following up two sold-out performances by Garth Brooks, the top-selling country artist of all time, in 2018, followed by an RodeoHouston and NRG Stadium attendance record shattering show by the King of Country (and second highest all-time selling country artist), George Strait, in 2019. Regardless, there's a lot to like about the 2020 edition, especially if you were a fan of previous rosters.

    A second leak of the lineup in the last two years before the announcement took some of the anticipation out to the proceedings at a special VIP event at NRG Stadium's Director's Club, overlooking the home field of the Texans. But there was a sense of elation in the crowd when Reid Ryan of the Houston Astros announced the performers in front of a killer smorgasbord of rodeo-inspired food, especially among the cowboy hat and boot wearing attendees.

    This year's edition runs a little later this year, kicking off on Tuesday, March 3, with Texas country act Midland and closing with still huge solo country star Luke Bryan on March 22. Big names making their first appearance this year are pop queen and The Voice judge Gwen Stefani (March 17), girlfriend to five-time RodeoHouston performer Blake Shelton; R&B pop artist Khalid (March 18), and fast-rising, talented country voice Maren Morris (March 7), set to fill the role that Kacey Musgraves played in 2019.

    "When we began to do the deal, I was hoping for a little pillow talk there [from Blake Shelton], to say, ‘Honey, it’s okay, go ahead and do it," Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo, joked about the Stefani booking.

    Country acts include many familiar faces, many of them past performers. Local legend Willie Nelson will star for Armed Forces Appreciation Day on March 4, making his 11th appearance on the star-shaped stage. Chris Young makes his sixth appearance on March 9. Kane Brown parlayed his well received 2019 set into his second, back-to-back appearance on March 11.

    Cody Johnson will play his fourth RodeoHouston in a row on March 12. Dierks Bentley returns for his seventh appearance on March 15, followed by Keith Urban for the eighth time on March 16. Chris Stapleton is set for March 19, his fourth year in a row. The one-two shot of Brad Paisley (12th slot, seventh year in a row) and Bryan (ninth appearance in a row) closes out the season on March 21 and 22, respectively. Hot C&W star Jon Pardi makes his RodeoHouston debut on March 14.

    Pop is represented by 23-year-old Becky G on March 5. Go Tejano Day, one of the biggest draws of every RodeoHouston, will feature Ramon Ayala on Sunday, March 8. New to RodeoHouston is the bold booking of chart topping K-Pop act NCT 127, a band almost anyone over the age of 21 has never heard of before, but one that will definitely attract a crowd of screaming preteens and teenagers on March 10, made possible by Spring Break for most local school districts falling that week.

    “It’s my job to look over the horizon and see what’s going on out there and you can’t deny that there is a trend," Kane, known for his booking smarts, told CultureMap. "There’s a wave that’s hit these shores. Of course, the leading artist is BTS, but we feel great about NCT 127 — they are starting to breakout. They just did the Today show, they did the Macy’s Thanksgiving Day parade and I feel great about that.”

    Three performers, one hip-hop/R&B, another hip-hop/pop, and an EDM artist, weren't announced at the event. Rather, they will be announced on February 4 in special, smaller events at local schools, which could make for some big clues as to who they'll be. Interestingly, they will all perform on a Friday night. Kane promised some big surprises - addressing the noticeable lack of major headliners.

    “Obviously, the last couple of years, we had Garth, we had George Strait," Kane said. "There’s only so many of them. And once you’ve had them, they don’t always come back around every year. I think when you see the full line-up in its complete form, you’ll see where our star power is.”

    Once again, Kane is banking on the seemingly left-field bookings to drawing in new fans to NRG Stadium and the rodeo grounds.

    “My one goal would be to fill the stadium for something different like our K-Pop offering and bring people to the rodeo that have never been here before," he said. "I think we did some of that last year for Cardi B, and I think we have a great chance of doing that again with this year’s lineup.”

    Tickets go on sale Thursday, January 16 at 10 am at rodeohouston.com. Friday performances will go on sale February 6 at 10 am. The online waiting room will open at 9:30 am; customers in the waiting room will be randomly selected to enter the store to purchase tickets at 10 am, according to RodeoHouston.

    Pop queen Gwen Stefani makes her RodeoHouston debut on March 17.

    Gwen Stefani
    Courtesy RodeoHouston
    Pop queen Gwen Stefani makes her RodeoHouston debut on March 17.
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    Movie Review

    Fawning Michael Jackson biopic Michael ignores the singer's complexities

    Alex Bentley
    Apr 23, 2026 | 1:30 pm
    Jaafar Jackson in Michael
    Photo by Glen Wilson
    Jaafar Jackson in Michael.

    Michael Jackson remains among the most complicated figures in pop culture history. On one hand, he’s responsible for some of the most enduring music of all time, thrilling generations with his voice and dance moves. But his later years were marred by accusations of child sexual abuse and erratic behavior, including his premature death at the age of 50.

    So the new biopic Michael is a tough one to judge from a critical standpoint, not least because director Antoine Fuqua and writer John Logan have elided — perhaps temporarily — the thornier parts of Michael’s history. Instead, this film focuses on the 20-year period in which Michael (played as an adult by Michael’s nephew Jaafar Jackson) goes from the prepubescent lead singer of the Jackson 5 to one of the biggest music superstars of all time.

    That choice puts an overly sympathetic tint to Michael’s story, as he spends most of that time under the thumb of his domineering father, Joseph (Colman Domingo). Joseph has a vision for Michael and his brothers, and he pushes them hard in a quest to become rich and famous. Even when they achieve that goal, though, Joseph refuses to let up, holding onto Michael even when it’s clear he should go out on his own.

    As a reminder of the enormous impact Michael Jackson had on the music industry and world at large, the film is successful. Fuqua and Logan include plenty of music, naturally, but they seem to be most interested in depicting Michael as a human being. They lay it on thick, whether it’s showing him spending time among his family members away from the stage, hanging out with bodyguard Bill Bray (KeiLyn Durrel Jones), or visiting sick kids in hospitals. The message that Michael is a harmless, good person couldn’t be clearer.

    The film hints at but doesn’t really explore Michael’s oddities. His obsession with kids literature and movies, especially Peter Pan, are seen as inoffensive quirks, as is his menagerie of animals, including a creepy CGI version of Bubbles the chimp. His arrested development seems to be partially blamed on his parents treating him like a child well into his adulthood, and the resulting fallout is not (yet) addressed.

    Many viewers will be most interested in the music sequences, and — save for some repetitive shots of fans fainting at the mere presence of Michael — they are handled well. Whether it’s at home, in the studio, on the set of the “Thriller” video, or at live performances, the film manages to fully get across just what a phenomenon Michael was at his peak. The staging and editing of each scene is dynamic, complementing Michael’s other-worldly abilities well.

    If there is one reason to see the film, it is the performance of Jaafar Jackson. Whether he’s capable of doing any other kind of role is undetermined, but his portrayal of his uncle is compelling, as he demonstrates singing, dancing, and acting skills in equal measure. He’s aided by an equally great performance by Domingo, who — with the help of facial prosthetics — overcomes the trope of the bad father. Nia Long and Larenz Tate are also good in smaller roles, but Miles Teller is an odd presence as Michael’s manager.

    There are reports that legal complications prevented the filmmakers from using previously-shot scenes delving into accusations against Michael, and there are rumors that a second film will be made about the last 20 years of his life. But that speculation can’t absolve Michael of showing all the positive aspects of Michael Jackson’s life and not even touching any of the negative ones.

    ---

    Michael opens in theaters on April 24.

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