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    Guide To Texas Contemporary

    Insider's Guide to Texas Contemporary: Parties, surprises and a focus on the Mexico art scene

    Tarra Gaines
    Sep 30, 2015 | 11:29 am

    It’s one of those pesky problems we Houstonian have to contend with — and no, it's not traffic or heat. Yet another big art or entertainment event comes to town for a weekend and there’s just too much to see.

    Case in point, this year’s Texas Contemporary, the second of the two big fall art fairs. With four days (October 1-4), 60 galleries — from Houston to New York to London — and a plethora of installations, talks, and performances, we’re going to have to strategize our time again.

    So playing everyone’s art scheduling assistant, I contacted Max Fishko, managing partner of Art Market Productions the Texas Contemporary organizers, to find out what’s the good contemporary art word for this year. And what are those art words? Mexico, parties, and surprises.

    The Other Mexico

    A big change this year for the Texas Contemporary is an across-the-border focus on Mexico City. Fishko admits that in the past years, the show “had not previously been tremendously international,” but this year they set out to change that.

    “I was brainstorming with my colleagues and with Bill Arning, Director of the CAM (Contemporary Arts Museum Houston), where many good ideas come from, and we were commenting on how much attention the Mexico City scene was getting,” explained Fishko. With the idea to give the 2015 Texas Contemporary a more international scope, they realized that Mexico would be the ideal start.

    “Won’t it be great because we’re geographically a sort of gateway for that part of the world, to be able to focus on one city at one time,” Fishko said when describing their thinking.

    After talks with the Department of Cultural Affairs at The Mexican Consulate in Houston and bringing in Leslie Moody Castro, an independent curator based in Mexico City who also works out of Austin, they began The Other Mexico project, with a title referencing the Octavio Paz text. This curated show within the show will feature seven galleries and project spaces from the dynamic and innovative art scene in Mexico City.

    “We wound up with a great little cross-section, just a taste, of some of the amazing things that are happening in that art scene and we’re giving them a platform to continue that dialogue here in Houston,” said Fishko.

    A Fair Featuring the Art of Houston

    While once again the George R. Brown Convention Center will be the center of art activity this weekend, the Texas Contemporary will be taking some of that show on the road, or at least into other venues, with performances, programs, parties and even a few exclusive peeks into the exquisite private art collections of some of Houston’s most well renowned collectors.

    “The idea was to bump up the program so that there’s a lot happening around town to get people excited, to make sure it’s a real arts weekend instead of one show in one place,” explained Fishko.

    A live performance by influential LA performance artist Jeffrey Vallance and Houston based Reverend Ethan Acres will be open to the public at the CAM on Saturday (October 3) at 2 pm, but for many of the other off-site programs, including a rare tour of the private collection of Fayez Sarofim, you’ll need a Patron VIP ticket and to RSVP.

    Don’t miss the Thursday night preview party official after party at Houston clubbing institution, Numbers, featuring a performance and world premier of artist Tameka Norris aka Meka Jean’s new EP Ivy League Ratchet.

    Installation Surprises

    Large and many times strange and wild installations are always some of the best parts of this contemporary fair, and this year is no exception. As an art and space (and art of space) fan, I’m especially looking forward to Monument to the First American In Space and Sputnik Returned by Brandon Vickerd. However, when I quizzed Fishko about what his pick will be for that don’t-miss installation, he suddenly got coy.

    The show will be upstairs at the Convention Center this year, instead of the ground floor, and Fishko is promising a surprising large scale installation from a mysterious Houston artist that will be “totally responsive” to the location and space. What will it be? Come on down to see.

    The Texas Contemporary runs from October 1-4 at the George R. Brown Convention Center.

    Brandon Vickerd, Monument to the First American In Space, 2014. Bronze, steel and poplar wood.

    Texas Contemporary 2015 Brandon Vickerd, Monument to the First American In Space
    Courtesy of the artist and Art Mûr
    Brandon Vickerd, Monument to the First American In Space, 2014. Bronze, steel and poplar wood.
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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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