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    New Winter Festival

    Free Press Houston announces explosive winter festival where digital art and music collide

    Elizabeth Rhodes
    Sep 10, 2015 | 10:42 am

    Free Press Houston — known for organizing the massive annual music event, Free Press Summer Fest — and New York-based creative agency Work-Order are introducing Day For Night, a two-day winter art and music festival set to rock musical traditions.

    Taking place in and around Silver Street Studios on December 19 and 20, the cool temperatures expected for the winter event should be in stark contrast to the near-100 degree heat experienced at the summer festival. Day For Night will feature world-class musicians — on par with those seen at Summer Fest — as well as leaders in various disciplines of digital art. The festival environment will be specifically designed around merging technology and sound and the way audiences experience them together.

    "We always knew we wanted to produce a large scale winter event but we don't want to put on just another festival," festival producer Omar Afra said in a press release. "This one has to be different."

    "What we aim for here is the wonder, the jaw-dropping allure, the accoutrements that make a festival fun: socially relevant risk-taking art and the surprises that catch participants off guard to let the magic in," Afra adds.

    Immersive lighting, projection and video art will be displayed in two controlled environments with stages serving as indoor performance halls featuring live musical performances. A third outdoor stage will showcase continuous artistic content including music, original video installations, projections and lighting.

    "The entire campus will be an active experience with visual and experiential art installations," said Kiffer Keegan, creative partner of Work-Order and Houston native.

    Curating the visual component of this event is Alex Czetwertynski, a digital artist and creative director working in the fields of creative technology, interactive and experiential design.

    The listing of performers set to appear at the festival will be released on September 17. Blind pre-sale tickets, priced at $135 for general admission and $350 for VIP go on sale today. The pricey VIP ticket is loaded with perks including front of stage pit access with private bar, complimentary beverages and small plates, access to private lounge, rapid entry and a commemorative lanyard.

    Day for Night, to be held in late December, promises to be way cooler than the Free Press Summer Fest.

    Free Press Summer Fest drew big crowds at NRG Park
    Photo by © Michelle Watson/CatchLightGroup.com
    Day for Night, to be held in late December, promises to be way cooler than the Free Press Summer Fest.
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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