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    Houston Fine Art Fair

    A Fair to Remember: Insiders's Guide on what not to miss at Houston Fine Art Fair

    Tarra Gaines
    Sep 8, 2015 | 11:16 am

    Happy Fair season, Houston While we can’t promise you’ll be able to buy your favorite fried something on a stick, you might be able to find the next love of your life, if you are an art lover. Yes, it’s time once again to get your art on for the Houston Fine Art Fair.

    With four days (September 9-12) and over 40 local, national and international galleries, plus numerous art organizations and institutes represented there’s almost too much to see. So I went to the expert, Rick Friedman, president of Hamptons Expo Group to discover the state of the fair for 2015.

    Friedman believes HFAF is continuing to be “international in scope” with a “broad spectrum of paintings, works on paper and sculpture” that will inspire. However, this year they’re also trying something new, which is something old. Well, not exactly old as much as traditional. Friedman wants HFAF to be true to their motto of being “The City’s Art Fair” and therefore a fair of many artistic flavors, that it should have “something for everyone.” He’s talked with advisors and designers that know Houston well and decided to bring in more offerings for those with perhaps more conservative tastes.

    “This year we’ve introduced a little bit of modern, maybe even Texas school. The idea was if there are people who have interior design in their homes that are more traditional and conservative, Southern interior design and maybe those pieces might work better for them,” Friedman explained, going on to say he believes that the Fair should also be offering art for those who aren’t necessarily going to prefer more “cutting edge contemporary” works.

    Beyond a wider range of galleries and offerings, there’s a wealth of programming, exhibitions and installations. To help you plan your Fair-going experience at NRG Center, here's our own curated list of what not to miss.

    Opening Night Party
    Art is meant to be celebrated, which is may be why some of the best parties throughout the year seem to happen at museums and galleries. There will be two chances to party with the art Wednesday night, September 9. First, at 6 pm, the Fair's Black Card holders will receive a 90 minute private access first look. The wine should still be flowing at 7:30 pm for the VIP preview party. The evening benefits FotoFest International.

    Houston Artists Hall of Fame
    Take time from perusing the Fair’s collection of galleries both national and international to appreciate some very local art at the second edition of the Houston Artist Hall of Fame exhibition, curated by art critic and Contemporary Art in Texas author, Patricia Johnson. The Hall of Fame will showcase works by seven new inductees: David Aylsworth, Gertrude Barnstone, Mark Flood, Joseph Glasco, Havel/Ruck Projects, Aaron Parazette, Gael Stack, Richard Stout, Troy Woods, Ed Wilson and Dick Wray.

    Do we have enough great artists in this city past and present to keep building extensions on this hall of fame every year? Yes, says Friedman.

    “Patricia Johnson, who has been an astute observer of the scene for many years, felt that there’s more than just 15 [from the 2014 Hall of Fame], that there are several more people who have contributed,” Friedman said. “The idea is that it’s an historical retrospective from the '70s to present day and I think we needed two years to do it.”

    Dorothy Hood Retrospective
    Keeping that Texas focus will be a very special sneak peek at the Art Museum of South Texas (Corpus Christi) exhibition Dorothy Hood (1918-2000) The Color of Being/El Color del Ser, scheduled for September 2016. Though the Bryan-born, Houston-raised modernist artist who spent decades in Mexico hanging out with artists like Diego Rivera and Fahlo is considered to be a pioneering and influential abstract surrealist painter, her work has sometimes been “overlooked” according to Friedman.

    Don’t miss the documentary film Dorothy Hood: The Color of Life followed by a talk with Joe Schenk, Director of the Art Museum of South Texas on Saturday.

    Paper Today
    We might think of paper as only that mostly two dimensional, dead tree stuff that artists draw and paint atop, but when manipulated and sculpted, paper can become beautiful 3D sculptures, and even large installations. This exhibition of contemporary works that use paper as a medium will include four Latin-America artists, Alfredo Gisholt, Maribel Portela , Miler Lagos who specialize in creating drawings and sculptures in and with paper.

    Look, Listen and Ask
    During my talk with Friedman, he continued to stress that he wants HFAF to inspire all kinds of art lovers that they can also become collectors.

    “It’s not just a show for the 500 art aficionado in town,” he asserted. “We’re really reaching out to thousand and thousand of people, young professional, educated, cultural people who really want to learn about art, get involved and would like to acquire a piece and begin building a collection.”

    Part of that reaching out involves offering advice and information in the forms of talks and panel discussions for both experienced collectors and novices alike. Whether you’ve been buying art for years or almost (maybe, perhaps) ready to make your first purchase, you might want to check out: “What You Need to Know About Collecting Latin American Art” moderated by Rose Salum, Editor/Owner of Revista Literal (Mexico) on September 10 and “I’ll Take It–From Looking to Acquiring” moderated by curator and collector Clint Willour on September 11.

    Above all, Friedman is hoping this year’s HFAF will bring more excitement to the city, giving Houstonians the “fun, thrill and satisfaction of collecting art.”

    Dorothy Hood, Untitled. Oil on canvas

    HFAF Dorothy Hood, Untitled
    Houston Fine Art Fair Courtesy Photo
    Dorothy Hood, Untitled. Oil on canvas
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    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

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