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    Channeling Audrey Hepburn

    A prominent Houstonian is compared to Audrey Hepburn in a star-studded $650,000 gala

    Heather Staible
    Heather Staible
    Sep 7, 2013 | 2:57 pm

    The inaugural UNICEF Audrey Hepburn Society Ball celebrating the philanthropic work of Margaret Alkek Williams was an evening of memorable firsts. Not only was Williams honored with the first Audrey Hepburn Society Philanthropist of the Year Award, but UNICEF also established the Margaret Alkek Williams Humanitarian Award, to be given to future local philanthropic leaders.

    The preferred attire was white-tie and the glamorous crowd complied donning gala finery including opera-length gloves, full ball gowns and, in a nod to Audrey Hepburn, the modern bun was the hairstyle of choice.

    Williams’ dazzling emerald green couture gown came straight from a designer atelier in Rome, specially for the evening, which began in the Wortham Theater.

    Desperate Housewives and Dallas star Jesse Metcalfe served as emcee for the elegant event which included performances by the Houston Ballet, Houston Symphony and Houston Grand Opera, which presented an a capella version of "Moon River" from the Audrey Hepburn film Breakfast at Tiffany’s.

    “This is about helping children on a global level. If I can use my celebrity to make a difference, I will."

    Audrey Hepburn’s son, Sean Hepburn Ferrer, presented Williams with her award and his remarks likening Williams to his mother were a sincere and touching tribute.

    “My mother wanted to give back as a way to return the good fortune she had experienced. Like my mother, Margaret serves to remind us what people are capable of,” he said.

    For her part, Williams was quietly gracious, saying she was honored to continue the legacy of her family. Albert Alkek’s donation of $25 million to Baylor College of Medicine in the 1980s began the family’s dedication to charitable giving to medical institutions. It was fitting then that Williams’ $1 million donation to UNICEF supports the Baylor International Pediatrics AIDS Initiative and led to the creation of the UNICEF's Audrey Hepburn Society in the United States.

    The evening wasn’t all reserved gaiety though. After all, it is Houston, and when the operatic boy band Il Volo wowed the gala-goers with their three-song set, the well-heeled crowd rewarded them with cheers and a standing ovation. Before hopping a plane to Toronto, the teen trio went off script in a cute mix of English and Italian.

    “This is a real pleasure and important for Ms. Williams who has done so much,” Ignazio Boschetto said.

    Metcalfe also took a few liberties at the podium, at one point discussing Houston’s reputation as the energy capital, but noting the lack of energy in the room and then later saying how much Houstonians like to eat. He offered a mea culpa during dinner in Wortham Center Grand Foyer that followed the program in the theater.

    “Not to undercut Houston a second time,” Metcalfe said. “Houston is a great city and is a special place for me because my girlfriend’s family is from here . . . Houston has a giving heart.”

    Wrapped in Metcalfe’s tuxedo jacket, girlfriend Cara Santana said her parents are from Houston and being in town for the UNICEF gala was a bit of homecoming.

    Metcalfe is planning a UNICEF trip in April 2014 to either Africa or South America to continue the work of the organization.

    “This is about helping children on a global level. If I can use my celebrity to make a difference, I will,” Metcalfe said.

    The evening capped off with a five-sorbet birthday cake straight from the Candyland board game and choruses of “Happy Birthday” to Williams.

    Chaired by Donna and Robert Bruni, Molly and Jim Crownover, Rose and Harry Cullen Sr., Dr. Kelli Cohen Fein and Martin Fein, Nancy Calles and Dr. Mark Kline, Leela and Nat Krishnamurthy, Penny and Paul Loyd and Tara and David Wuthrich, the gala raised more than $650,000. Joanne King Herring served as honorary chair.

    Also making the glam scene were Lynn Wyatt on the arm of son Steve Wyatt, Diane Lokey Farb, Dikembe Mutombo, Pat Breen, Kimberly DeLape, Phoebe Tudor, Monsour Taghdisi, Mark Sullivan and an fun girl’s night out table comprised of Deborah Duncan, Alicia Smith, Ericka Bagwell, Ursaline Hamilton and Anne Carl.

    Jay and Gretchen Watkins at the UNICEF gala.

    216 UNICEF Houston gala September 2013 Jay Watkins and Gretchen Watkins
    Photo by © Gary Fountain
    Jay and Gretchen Watkins at the UNICEF gala.
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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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