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Tour de Force Performance

Lily Tomlin is brash and unforgettable in Oscar-worthy turn as Grandma

Alex Bentley
Sep 4, 2015 | 9:00 am
Lily Tomlin is brash and unforgettable in Oscar-worthy turn as Grandma
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As the old saying goes, absence makes the heart grow fonder. Even though Lily Tomlin has continued to have a presence on television, including her new Netflix show Grace and Frankie, her days of being anything more than a supporting actor in movies seemed to be long gone.

But it only takes one filmmaker and a special role to make people realize what they’ve been missing, and for Tomlin, writer/director Paul Weitz and her starring turn as Elle Reid in Grandma are it. Elle is an aging poet whose granddaughter, Sage (Julia Garner), comes to her for help when she gets pregnant.

Sage needs money to have an abortion, but since both she and Elle are near broke, they must call in favors far and wide to scrounge up the necessary funds. It’s a day-long journey that forces Elle to confront many of her personal demons, including a recently ended relationship with the much younger Olivia (Judy Greer), her testy bond with her daughter Judy (Marcia Gay Harden), and other things she thought she had left in the past.

To say that Tomlin’s performance is a tour de force is putting it mildly. Weitz has gifted her with a role that plays to all of her strengths, but more importantly, one that never reduces her to a pile of clichés. Elle is brash and foul-mouthed, smokes pot, and has a checkered romantic history, but she is never defined by any one of those things.

Instead, they all add up to a perfectly complex character, a person who more often than not leads with her heart instead of her head. But she’s far from unintelligent, and the decisions she makes throughout her day with Sage are ones designed to get them to their goal, even if it costs Elle some temporary pain.

Tomlin is as funny as she’s ever been in the role, but it’s her level of dramatic emotion in the film that carries the day. Whether it’s Elle’s reaction to her break-up with Olivia, the way she interacts with Sage, or her confrontation of old wounds, Tomlin never fails to impress with her range. She was nominated for an Oscar nearly 40 years ago, and she wholeheartedly deserves another nod for this part.

The supporting actors are mostly strong, though none match Tomlin’s power. Garner is a rising star who only stands to get better. Greer and Harden are great in limited roles, as is Sam Elliott in an extended cameo. Laverne Cox and Nat Wolff are fine in their small roles, but they don’t make much of an impression.

Grandma is the Lily Tomlin show through and through. After bearing witness to a performance like this, anybody who ever doubted Tomlin’s talent should bow their head in shame.

Julia Garner and Lily Tomlin in Grandma.

Julia Garner and Lily Tomlin in Grandma
Photo by Aaron Epstein, courtesy of Sony Pictures Classics
Julia Garner and Lily Tomlin in Grandma.
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Movie Review

Timothée Chalamet cements star status in new movie Marty Supreme

Alex Bentley
Dec 23, 2025 | 4:30 pm
Timothée Chalamet
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Timothée Chalamet

In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

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Marty Supreme opens in theaters on December 25.

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