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    best september theater

    13 best Houston plays and performances spotlight soaring sensations and delicious drama in September

    Tarra Gaines
    Sep 2, 2022 | 3:45 pm
    Alley Theatre presents Lend Me a Soprano
    The divas have their day in the world premeire, Lend Me a Soprano at the Alley Theatre.
    Photo by Lynn Lane

    The curtain officially rises on 2022-2023 performing arts season this month in Houston, and what a dramatic, comic and musical beginning it will be. With world premieres, soaring classics, timely dramas, and some major theatrical parties, September offers the perfect time to dive back into live, in-person performing arts.

    The Moonlit Princess at Rec Room (now through September 17)
    Though not part of their regular season, Rec Room is hosting this world premiere work conceived and directed by local multidisciplinary artist Afsaneh Aayani.

    Based on the Persian fairytale Mah Pishoon, this family-friendly production with music follows the story of Little Mah as she loses her parents, faces difficulties, all while choosing kindness and in the end finding herself. From magical ghouls to talking frogs, all the elements of fairytale classics will likely delight audiences of all ages.

    Peter Pan from Houston Ballet (September 9-18)
    We have to include this most theatrical of ballets and a dance spin on the classic tale of the boy who refused to grow up from acclaimed choreographer Trey McIntyre who had his own artistic growth spurt in Houston as a former Houston Ballet dancer and choreographic apprentice.

    Look for dance magic on the Wortham stages as the production features flying sequences, swashbuckling sword fights, giant puppets, and costumes inspired by punk fashion.

    Tied from On the Verge Theatre (September 15-October 2)
    The second production from Houston’s newest theater company will be a world premiere from Houston playwright Crystal Rae. Tied tells the spiritual journey of a father of one of the girls who died in the 1963 bombing of the 16th Street Baptist Church in Birmingham.

    On the Verge founders Bruce Lumpkin and Ron Jones plan to stage each show on a different stage or non-traditional location through its first season, with Tied scheduled to presented at Ensemble Theatre.

    Lend Me a Soprano at Alley Theatre (September 16-October 9)
    The first of six world premieres from the Alley this season, Ken Ludwig reworks his contemporary classic comedy Lend Me a Tenor for the 21st century with the divas getting their chance to go to war for the spotlight. Lucille Wiley, Manager of the Cleveland Grand Opera Company, tries to manage the chaos when world-class soprano Elena Firenzi arrives late for her one-night-only starring role in Carmen. Can Wiley’s underdog assistant Jo can save the day?

    Scrambled presented by Mildred’s Umbrella (September 16-18)
    In this one-woman show from Rotem Natchmany, the award-winning Israeli actress/playwright brings audiences along this one woman’s journey to conceive. Natchmany has performed this intimate depiction on international stages and to great acclaim at theater festivals around the world. Describes by critics as “unsettling” poetic and even a “fantasy cabaret,” the production also crowns quickly, so there’s only one weekend to catch it.

    Mapping & Glaciers from Karen Stokes Dance (September 16-25)
    With choreography/film/direction by local choreographer Karen Stokes, the show definitely leaps into our list of theatrical dance this month. Merging film, dance, and music, the production explores human concepts of territory and connection in a world of melting glaciers.

    While questioning the absurdity of human choices, the show also speaks to the resiliency of human nature and creates space for hope, for the possibility of connection and interconnection.

    Trouble in Mind at Main Street Theater (September 17-October 16)
    This partially forgotten, now acclaimed play by the groundbreaking novelist and playwright Alice Childress recently had its Broadway debut, over 65 years after it was originally scheduled to transfer.

    When theater producers in the 1950s asked Childress to tone down Trouble in Mind’s exploration of racism in the theater world, she held her artistic ground. Now MST will be the first Houston company to stage this comedy-drama that theaters across the country are embracing the play for the 21st century.

    Love and Southern D!scomfort at Ensemble Theatre (September 17-October 16)
    Directed by Ensemble artistic director Eileen J. Morris this new musical with soapy delicious drama of estranged family coming home for a matriarch’s funeral in a steamy and sultry town in rural Louisiana. As her heirs reunite and secrets are revealed, the show highlights how love and southern discomfort fuel dissension. Original contemporary music weave a tale of jealousy, joy, pain, and love.

    Ain’t Misbehavin’ from Theatre Under the Stars (September 20-October 2)
    Get ready for some Roaring ’20s as TUTS invites Houstonians to the ultimate Jazz-age party. The Tony-winning best musical from the late ’70s takes audiences back to the Harlem Renaissance and nights sizzling nights at the Cotton Club filled with the music of Fats Waller. Staged like a concert and nightclub experience, this musical is set to become the ultimate September party.

    Miss Maude at A.D. Players (September 21-October 23)
    This next season opener that’s also a world premiere is set to make the jump to Broadway sometime after its Houston run. Based on the real story of photographer and remarkable subject, playwright Martin Casella’s Miss Maude chronicles the relationship between LIFE Magazine photographer, W. Eugene Smith and South Carolina nurse and midwife, Maude Callen.

    Sheldon Epps, who served as TUTS artistic advisor for the 2016-2017 season and now is senior artistic advisor at Ford’s Theatre in Washington D.C, will direct the show.

    Good Vibrations from Houston Ballet (September 22-October 2)
    Peter Pan might have flown off to Neverland, but the Houston Ballet leaps back on the Wortham stage for its second production this month, a mixed-rep performance of three good vibing dances including the world premiere Good Vibrations from award-winning choreographer, Arthur Pita and set to a commissioned score by Christopher Austin, with references to The Beach Boys’ legendary “Good Vibrations.”

    Also on the program is Red Earth from Houston Ballet artistic director Stanton Welch which celebrates Australian artistry, transporting audiences to a world where adversity is expressed through movement. Also back is The Letter V originally created by choreographer superstar Mark Morris on Houston Ballet dancers in 2015, to the music of Joseph Haydn’s Symphony No. 88 in G Major.

    Or/And at Asia Society (September 23-24)
    Not exactly theater, but we’re definitely intrigued by this world premiere chamber operatic poem by Taiwanese-Houstonian composer Shih-Hui Chen about a composer who finds her voice only when she accepts the seeming contradictions of her immigrant identity.

    The chamber opera chronicles the journey struggling to write a piece of music inspired by two events half a world apart — a sacred ceremony of the indigenous Paiwan people of Taiwan and the Women’s March in Houston.

    Happy Days at Catastrophic Theatre (September 23-October 15)
    Catastrophic Theatre and Infernal Bridegroom Productions return to toast 30 years and 139 abstract theater productions. Fittingly, the company kicks off its 30th season with Samuel Beckett’s existential tragicomedy. The show centers on the plight of Winnie, a middle-class, middle-aged woman who is quite literally stuck, buried to her waist in crusted earth.

    Meanwhile, her husband Willie lives in a hole behind her mound, physically, and emotionally out of reach. Even in his company she is hopelessly alone. Winnie, who carries a shopping bag of everyday items and routines, a series of half-remembered stories, songs, and prayers, and confounding optimism, she presses through each day with an impossibly hopeful exclamation: “Oh this will be another happy day!” (Editor’s note: Quite the analogy for marriage, eh?)

    Tamarie Cooper plays Winnie and Jason Nodler directs, both reprising their roles from the Infernal Bridegroom production some 22 years ago.

    Mildred's Umbrella presents the internationally acclaimed one-woman show Scrambled.

    Scrambled
    Photo courtesy of Mildred's Umbrella Theater Company
    Mildred's Umbrella presents the internationally acclaimed one-woman show Scrambled.
    operadancetheater
    news/arts

    best October art

    Where to see art in Houston now: 10 exhibits and shows opening in October

    Tarra Gaines
    Oct 9, 2025 | 1:48 pm
    Gyula Kosice, La ciudad hidroespacial (The Hydrospatial City) [detail], 1946–72, acrylic, paint, metal, and light, the Museum of Fine Arts, Houston, museum purchase funded by the Caroline Wiess Law Accessions Endowment. © Fundación Kosice – Museo Kosice, Buenos Aires
    Photo courtesy of Museum of Fine Arts, Houston
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    The best art shows in October might also be the best explorations into scientific realms Houstonians will see all year. Nature, time, and the secret connective patterns of the universe seem to be major themes of artists and exhibitions this month. Art lovers can journey into orbital space habitats, dive into quantum landscapes, speed amid stars, and question the meaning of time.

    Head back to Earth for Menil television, a look at a Jewish family's evolution, and a massive art show in Memorial Park. Finally, Anya Tish Gallery says goodbye with an era-ending show.

    “Spectral Field” presented by Diverseworks (now through November 8)
    Explore the nature of everything with this plasma art installation from Austin-based, Iranian-American artist Anahita (Ani) Bradberry in the art gallery at MATCH. These large sculptural pieces attempt to imagine unfathomable vastness, or at least put the viewer in the contemplative space to explore the cosmic scales of stars, time, particles, displacement, loss, and interconnectedness. In keeping with the interconnectedness of Texas art and science, the installation will include aspects of Bradberry’s collaboration with scientist and Rice physics and astronomy professor, Christopher M. Johns-Krull, as part of the Open Interval Cohort — a collaborative program for artists, scientists, and art organizations — awarded by the Simons Foundation’s Science, Society and Culture division.

    “Fractal Worlds” at Artechouse (now through November)
    This Artechouse collaboration with cutting edge Dutch artist Julius Horsthuis takes guests on an adventure into the world of fractals, those complex patterns that repeat at every scale in nature from the branching of trees to our lungs, from the spiral of galaxies to sea shells. Along with this immersive cinematic journey, the exhibition will feature a Fractal Lab, with nine interactive works, an Infinity Room offering Horsthuis’ kaleidoscopic loops built from fractal formulas, and the meditative installation “Nascense,” Horsthius’ exploration of how nature is able to give rise to complexity.

    "Growing Up Jewish – Art & Storytelling” at Holocaust Museum Houston (now through December)
    This exhibition of acclaimed contemporary artist Jacquelline Kott-Wolle’s figurative paintings will chronicle one North American Jewish family’s story through five generations from 1925 to the present. Kott-Wolle’s parents and grandparents arrived in Canada in 1949 after the Holocaust, and their history has influenced the artist’s own identity and creative enterprises. The exhibition includes Kott-Wolle’s spoken stories about her family, as well as artwork depicting scenes of Jewish holidays, moments at Hebrew school, family vacations, and other milestone celebrations. Together they depict a rich mosaic of a family starting over in a new land, living, and thriving after surviving one of modern history’s darkest chapters.

    CraftTexas 2025 at Houston Center for Contemporary Craft (now through January 31, 2026)
    The 12th edition of this series will feature 50 works from 49 Texas craft artists. The craftwork in this year’s show will touch on a diversity of themes, like caregiving, expanded approaches to quilting, and landscape exploration.

    "The artists featured in CraftTexas 2025 demonstrate that craft remains a vital and relevant means of cultural expression, addressing contemporary concerns while honoring deep material traditions. These selected works collectively highlight that Texas continues to nurture some of the most compelling voices in contemporary craft,” juror Abraham Thomas, Curator of Modern Architecture, Design, and Decorative Arts at New York’s Metropolitan Museum of Art said in a statement.

    "Lines of Resolution: Drawing at the Advent of Television and Video” at Menil Drawing Institute (now through February 8, 2026)
    This extraordinary showcase at the Menil Drawing Institute will examine how artists responded to television's invasion into individual households from the 1950s into the height of the “network era” during the 80s. During this dawn and zenith of network programming power, the nature of people's responses to recorded imagery changed. Artists chronicled, were inspired, and sometimes rejected those changes.

    With a special focus on drawing, the exhibition features 50 works on paper, video, mixed media sculpture, and an immersive installation, created by 25 artists from 10 countries. Look for several works that have never been exhibited in the U.S., including the groundbreaking “raster pictures” of German artist Karl Otto Götz, and the room-sized installation “4 mensajes [4 messages],” by Peruvian artist Teresa Burga.

    “The works on display in Lines of Resolution present new opportunities that artists found for drawing through its relationship to and its interactions with the small screen,” explains Kelly Montana, the exhibition’s co-curator. “Some of the artists featured used the screen as a surface, a mirror, and as an interface — prefiguring our use of screens today. Others used drawing to critique and deconstruct the power television exerts over its audience.”

    Bayou City Art Festival in Memorial Park (October 10-12)
    The festival always gives art lovers and collectors a chance to meet artists, view original works, and purchase artwork from more than 270 artists across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more at prices for everyone. Special treats this year include an interactive art portal from Meow Wolf Houston’s Radio Tave, the iconic “Be Someone” graffiti transformed in a sculpture, and art cars from Houston Art Car Klub. Also look for selfie stations, some mini-sized mini golf, a beer garden and wine bar, live entertainment throughout the day, and a food truck park.

    "Temporal Estrangement: A Path to No Place” at Lawndale Art Center (October 17-November 15)
    Inspired by traditions of Mahayana and Theravada Buddhist art, Black queer Southern dance performance (J-Setting) and Afrofuturist soundscapes Houston-based artist Christopher Paul explores ideas of changing identities through self-portrait collages. This multidisciplinary exhibition will feature projection mapping, video, sound, and works on paper and textile. Paul’s artistic ambition is to create a space of “no-place” that is neither here nor there, where time is unraveled and the self is dissolved into the cosmic unknown.

    "The House of Pikachu: Art, Anime, and Pop Culture” at Asia Society (October 17-March 15, 2026)
    Japanese animation, a.k.a anime, has taken over global popular culture and our imaginations in recent years. But some of the aspects of anime – particularly the flatness, saturated colors, and stylized features – have also been an inspiration and influence on artists for decades. This new exhibition will explore that influence of Japanese animation on contemporary art, presenting the work of 25 national and international artist including creators from Japan, Brazil, China, Mexico, Côte d'Ivoire, and Texas. Highlights of the exhibition include work from animator Yoshitaka Amano, renowned for his work on Speed Racer the Final Fantasy game series, Houston-based artist Gao Hang, who creates retro-futurist pieces that mine the language of '90s video games, and acclaimed artist Monsieur Zohore, who is creating for the exhibition the monumental painting “Houston, We Have A Problem.” Look for iconic Japanese artist Yoshitomo Nara’s large scale sculpture “Your Dog” on special lone for the show.

    “End of an Era” at Anya Tish Gallery (October 24-December 31)
    After the death in 2024 of its influential founder, Anya Tish, the gallery continued to present diverse and intriguing shows, but the time has come for the gallery to close. This final group show will be a chance for the gallery and the whole Houston art community to look back with artists and artwork that still define the present and the future of contemporary art. The show will feature artists who have shaped the gallery’s program and their expansive range of works, including figurative and abstract paintings, sculptures in various mediums, video art, light installations, animations, photography, and drawings.

    “Gyula Kosice: Intergalactic" at Museum of Fine Arts, Houston (October 26-January 25, 2026)
    From the opening of its doors five years ago, one of the stars of the MFAH’s Kinder Building has been international avant-garde artist Gyula Kosice’s masterpiece, “The Hydrospatial City,” the room-sized sculptural installation that depicts utopia orbital cities of the future. The mammoth installation will go on a journey this month as the centerpiece of “Intergalactic,” a traveling exhibition of the art and artistic experiments of pioneering sculptor, painter, poet, and theorist, Gyula Kosice. Co-organized by the MFAH and Museo de Arte Latinoamericano de Buenos Aires, this first large-scale survey of Kosice’s art in the U.S. will feature more than 70 two-dimensional works and kinetic sculptures made of acrylic materials, air pumps, water, light components, and neon gas tubes.

    “Gyula Kosice’s radical vision continues to challenge us, with novel ideas about society, the environment and art that seem as forward-thinking now as they were more than a half-century ago,” MFAH’s curator of Latin American art, Mari Carmen Ramírez, said in a statement. “Kosice’s fascination with technology, and his commitment to expressing the possibilities of a hopeful future, led to the groundbreaking works of art that we are presenting.”

    Gyula Kosice, La ciudad hidroespacial (The Hydrospatial City) [detail], 1946\u201372, acrylic, paint, metal, and light, the Museum of Fine Arts, Houston, museum purchase funded by the Caroline Wiess Law Accessions Endowment. \u00a9 Fundaci\u00f3n Kosice \u2013 Museo Kosice, Buenos Aires
    Photo courtesy of Museum of Fine Arts, Houston

    Museum of Fine Arts, Houston presents Gyula Kosice: "Intergalactic"

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