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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 28, 2019 | 6:00 am

    There's a cold front on the show calendar the week ahead of Labor Day, so let's start off with an incident that has a lot of local music fans hot.

    Massive hometown rap star Travis Scott made a special guest appearance at James Harden's charity concert on Friday, August 24, to a Revention Music Center full of young fans. Despite photographers being told by the venue they could shoot the show, Scott wasn't having any of it, threatening assault on and physically shoving the cameras of professional photographers in the photo pit.

    One video posted on Instagram by local radio station 93.7 The Box shows Scott winding up to kick one photographer before he stops himself, instead deciding to push the likely expensive gear down from their face. Shortly after that, someone motions from the stage for photographers to immediately clear out, whether for their own safety or at the request of Scott's handlers (maybe both).

    View this post on Instagram

    #TRAVISSCOTT just turned #JHTownWeekend19 upside down 🚀🚀🚀 #Houston #HTX 🎥: @ashleeonair

    A post shared by 93.7 The Beat (@937thebeat) on

    Aug 23, 2019 at 10:30pm PDT

    Scott's move toward the dark side is reminiscent of a late-2017 incident when Queen of the Stone Age frontman Josh Homme kicked the camera into the face of a working photographer, which drew international press and general condemnation from everyone, and led Homme to publicly apologize for his behavior.

    It's one thing to not want photographers in the pit. That's something that can be sorted out ahead of time by publicists and managers. And many shows place a song limit on photographers before they have to stop shooting. But sources told CultureMap that venue management placed no such limitations on photographers that night.

    Hopefully, the artists at the following shows will have a little more professional courtesy. CultureMap's biggest, best, and most notable shows of the week are as follows:

    CultureMap show of the week: The Backstreet Boys at Toyota Center
    Backstreet's back, alright! Long after the boy band heyday, one of the biggest acts of the Total Request Live era, the Backstreet Boys, is still going strong and selling out arenas with now-middle aged (mostly) female fans with extra money to blow. Their fantasy crushes will no doubt croon and grind to their biggest hits — and there were plenty of them. To put it in perspective, the 1999 record by Nick, Brian, A.J., Kevin, and Howie, Millennium, sold more than 30 million copies worldwide on the strength of singles "I Want It That Way," "Larger Than Life," and "Show Me the Meaning of Lonely."

    While tastes quickly faded many other imitators into pop culture oblivion, the Boys stuck with it, kept releasing music, mounting big-scale tours. Amazingly, they hit No. 1 in the U.S. for the first time in 20 years with this year's DNA. Husbands and boyfriends, be ready to partake in some big, cheesy fun. You never knew the mother of your children could scream so loud.

    The Backstreet Boys are back at Toyota Center, located at 1510 Polk St., on Saturday, August 31. Tickets start at $45, plus service fees. Doors open at 7 pm.

    Neon Indian at WOMH
    Denton, Texas native, Alan Palomo aka Neon Indian has been steadily building a fanbase in Houston with his icy cool synth-pop. He'll headline the ¡Eso Es! Concert tour, which show organizers describe as "acts that represent a mix of Latinx artists making waves both regionally and nationally."

    While Neon Indian hasn't put out anything since 2015's critically acclaimed Vega Intl. Nigh School, he makes frequent stops in the Bayou City to packed audiences. He'll be joined by the equally impressive Los Angeles artist Empress Of, whose 2018 album, Us, was an enjoyable slice of Robyn-esque electro-pop. Selena fans will want to check out her tribute act with the spot on name, Bidi Bidi Banda.

    Neon Indian headlines the ¡Eso Es! Concert line-up at White Oak Music Hall, located at 2915 N. Main St., on Thursday, August 29. Empress Of, La Goony Changa, Tickets start at $25.50, plus fees. Doors open at 6 pm.

    Rascal Flatts at Smart Financial
    Let's let the official bio from Rascal Flatts do the talking: "One band. Ten albums. Sixteen Number One hits. Over 23 million records and 10 million tickets sold." Not too shabby for a country act from Columbus, Ohio. The trio formed in the late-'90s and immediately rose up the country charts upon their 2000 self-titled debut, becoming the biggest selling country act of the mid-aughts with uncanny pop crossover skills. They are huge in Houston too, having played to a massive RodeoHouston audience in 2018. Expect to hear the hits, "I'm Movin' On," "These Days," and "Bless the Broken Road."

    Rascal Flatts play Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land on Thursday, August 29. Jimmie Allen will play as well. Tickets start at $35.50, plus fees. The show starts at 8 pm.

    DJ Pauly D and Afrojack
    Long weekends are for raving, apparently, as local EDM venue Stereo Live opens its doors for two high-profile shows, one from a reality TV star and the other from an actually great DJ. DJ Pauly D made his name as a highly accessorized Italian-American kid on the inexplicably huge MTV show Jersey Shore. He flipped that fame into an inexplicably successful DJ career, keeping those party nights going and hair spray manufacturers in business. He'll take to the stage on Friday night.

    Meanwhile, Danish producer Afrojack aka Nick van de Wall is regularly named by EDM publications as one of the best live performers in the game, plying his trade in house anthems that regularly fill clubs and festivals across the globe. He'll play Sunday night and, for our money, is the better pick of the two, if you like to get sweaty to big beats and laser light shows.

    DJ Pauly D and Afrojack are at Stereo Live, located at 6400 Richmond Ave., on Friday, August 30, and Sunday, September 1, respectively. Tickets for Pauly D start at $15 and Afrojack starts at $40. Doors open at 10 pm for both shows.

    Neon Indian will play White Oak Music Hall on Thusday, August 29.

    Neon Indian
    Neon Indian/Facebook
    Neon Indian will play White Oak Music Hall on Thusday, August 29.
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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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