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Live Music Now

These are the 5 best concerts in Houston this week

Johnston Farrow
Johnston Farrow
Aug 28, 2019 | 6:00 am

There's a cold front on the show calendar the week ahead of Labor Day, so let's start off with an incident that has a lot of local music fans hot.

Massive hometown rap star Travis Scott made a special guest appearance at James Harden's charity concert on Friday, August 24, to a Revention Music Center full of young fans. Despite photographers being told by the venue they could shoot the show, Scott wasn't having any of it, threatening assault on and physically shoving the cameras of professional photographers in the photo pit.

One video posted on Instagram by local radio station 93.7 The Box shows Scott winding up to kick one photographer before he stops himself, instead deciding to push the likely expensive gear down from their face. Shortly after that, someone motions from the stage for photographers to immediately clear out, whether for their own safety or at the request of Scott's handlers (maybe both).

View this post on Instagram

#TRAVISSCOTT just turned #JHTownWeekend19 upside down 🚀🚀🚀 #Houston #HTX 🎥: @ashleeonair

A post shared by 93.7 The Beat (@937thebeat) on

Aug 23, 2019 at 10:30pm PDT

Scott's move toward the dark side is reminiscent of a late-2017 incident when Queen of the Stone Age frontman Josh Homme kicked the camera into the face of a working photographer, which drew international press and general condemnation from everyone, and led Homme to publicly apologize for his behavior.

It's one thing to not want photographers in the pit. That's something that can be sorted out ahead of time by publicists and managers. And many shows place a song limit on photographers before they have to stop shooting. But sources told CultureMap that venue management placed no such limitations on photographers that night.

Hopefully, the artists at the following shows will have a little more professional courtesy. CultureMap's biggest, best, and most notable shows of the week are as follows:

CultureMap show of the week: The Backstreet Boys at Toyota Center
Backstreet's back, alright! Long after the boy band heyday, one of the biggest acts of the Total Request Live era, the Backstreet Boys, is still going strong and selling out arenas with now-middle aged (mostly) female fans with extra money to blow. Their fantasy crushes will no doubt croon and grind to their biggest hits — and there were plenty of them. To put it in perspective, the 1999 record by Nick, Brian, A.J., Kevin, and Howie, Millennium, sold more than 30 million copies worldwide on the strength of singles "I Want It That Way," "Larger Than Life," and "Show Me the Meaning of Lonely."

While tastes quickly faded many other imitators into pop culture oblivion, the Boys stuck with it, kept releasing music, mounting big-scale tours. Amazingly, they hit No. 1 in the U.S. for the first time in 20 years with this year's DNA. Husbands and boyfriends, be ready to partake in some big, cheesy fun. You never knew the mother of your children could scream so loud.

The Backstreet Boys are back at Toyota Center, located at 1510 Polk St., on Saturday, August 31. Tickets start at $45, plus service fees. Doors open at 7 pm.

Neon Indian at WOMH
Denton, Texas native, Alan Palomo aka Neon Indian has been steadily building a fanbase in Houston with his icy cool synth-pop. He'll headline the ¡Eso Es! Concert tour, which show organizers describe as "acts that represent a mix of Latinx artists making waves both regionally and nationally."

While Neon Indian hasn't put out anything since 2015's critically acclaimed Vega Intl. Nigh School, he makes frequent stops in the Bayou City to packed audiences. He'll be joined by the equally impressive Los Angeles artist Empress Of, whose 2018 album, Us, was an enjoyable slice of Robyn-esque electro-pop. Selena fans will want to check out her tribute act with the spot on name, Bidi Bidi Banda.

Neon Indian headlines the ¡Eso Es! Concert line-up at White Oak Music Hall, located at 2915 N. Main St., on Thursday, August 29. Empress Of, La Goony Changa, Tickets start at $25.50, plus fees. Doors open at 6 pm.

Rascal Flatts at Smart Financial
Let's let the official bio from Rascal Flatts do the talking: "One band. Ten albums. Sixteen Number One hits. Over 23 million records and 10 million tickets sold." Not too shabby for a country act from Columbus, Ohio. The trio formed in the late-'90s and immediately rose up the country charts upon their 2000 self-titled debut, becoming the biggest selling country act of the mid-aughts with uncanny pop crossover skills. They are huge in Houston too, having played to a massive RodeoHouston audience in 2018. Expect to hear the hits, "I'm Movin' On," "These Days," and "Bless the Broken Road."

Rascal Flatts play Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land on Thursday, August 29. Jimmie Allen will play as well. Tickets start at $35.50, plus fees. The show starts at 8 pm.

DJ Pauly D and Afrojack
Long weekends are for raving, apparently, as local EDM venue Stereo Live opens its doors for two high-profile shows, one from a reality TV star and the other from an actually great DJ. DJ Pauly D made his name as a highly accessorized Italian-American kid on the inexplicably huge MTV show Jersey Shore. He flipped that fame into an inexplicably successful DJ career, keeping those party nights going and hair spray manufacturers in business. He'll take to the stage on Friday night.

Meanwhile, Danish producer Afrojack aka Nick van de Wall is regularly named by EDM publications as one of the best live performers in the game, plying his trade in house anthems that regularly fill clubs and festivals across the globe. He'll play Sunday night and, for our money, is the better pick of the two, if you like to get sweaty to big beats and laser light shows.

DJ Pauly D and Afrojack are at Stereo Live, located at 6400 Richmond Ave., on Friday, August 30, and Sunday, September 1, respectively. Tickets for Pauly D start at $15 and Afrojack starts at $40. Doors open at 10 pm for both shows.

Neon Indian will play White Oak Music Hall on Thusday, August 29.

Neon Indian
Neon Indian/Facebook
Neon Indian will play White Oak Music Hall on Thusday, August 29.
music concerts column nightlife
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Movie Review

Meta-comedy remake Anaconda coils itself into an unfunny mess

Alex Bentley
Dec 26, 2025 | 2:30 pm
Jack Black and Paul Rudd in Anaconda
Photo by Matt Grace
Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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news/entertainment

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