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    Mondo Cinema

    Lake Bell finds the funny in voice-over movie: In a World... makes even Eva Longoria entertaining

    Joe Leydon
    Aug 23, 2013 | 3:02 pm

    In a world where talented but underemployed people often become multitaskers to control their own destiny . . . Lake Bell has given herself a world-class showcase, and created something hugely entertaining in the bargain, by writing, directing and starring in… In a World…

    Even if you recall her scene-stealing turns in What Happens in Vegas and It’s Complicated . . . even if you’ve been amused by her antics in the cable series Children’s Hospital . . . you won’t be prepared for her pitch-perfect performance in this wise and witty dramedy.

    She triumphs over adversity . . . defies conventionality . . . strikes a blow for non-sexist rationality . . .

    Like many of the better screen comedies, In a World… is at heart a coming-of-age story about a character who gradually, sometimes painfully, emerges out of arrested adolescence.

    And if you’ve ever wondered about the folks who spout such hyperbolic come-ons for a living on every other movie trailer you’ve ever seen . . . well, you’ll have even more reason to sing Lake Bell’s praises for In a World… (showing at Sundance Cinemas in Houston).

    Bell smartly cast herself — and wrote some very funny dialogue for herself — as Carol Solomon, a struggling thirtysomething voice-over artist, who’s still living at home with her father, Sam (Fred Melamed), a living legend in the world of voice-over artistry, and feeling more than a little uncomfortable and intimidated while in his imposing shadow.

    Dad is the worst sort of overbearing egotist — that is, the kind who assumes he is irresistibly charming even while he’s at his most selfish — but grant him this: He indirectly shakes Carol out of her day-to-day drudgery of complacency and underachievement when he tells her it’s time to move out of his place. To be sure, he does this for typically self-serving reasons — he wants Carol out of the way so his much younger girlfriend (Alexandra Holden) can move in — but the eviction serves not only as a means to propel the plot, but also as additional incentive for Carol to push even harder to establish herself in a field traditionally dominated by men like her father.

    And, not incidentally, like Gustav Werner (Ken Marino), Sam’s evident heir apparent in the world of voice-overing, a preening cad whose charms make him unfortunately irresistible, briefly, to Carol.

    Movie Characters Galore

    Like many (if not most) of the better screen comedies these days, In a World… is at heart a coming-of-age story about a character who gradually, sometimes painfully, emerges out of arrested adolescence. But even though Carol is a captivating and fascinating lead character, and even though Bell the actor plays her with immensely appealing charm and an impressive arsenal of comedic skills, Bell the writer-director is too savvy and generous a filmmaker to make Carol the sole focus in In a World…

    Among the well-cast and vividly drawn satellites in Carol’s orbit: Dani (Michaela Watkins), Carol’s sister, who’s just discontent enough with her predictable life to consider an assignation with a guest at the hotel where she works; Moe (Rob Corddry), Dani’s supportive but unexciting husband, whose reaction to his wife’s contemplation of infidelity provides one of the movie’s most potent emotional impacts; Louis (Demetri Martin), a sound engineer who’s sweet on Carol, but too nice a guy to immediately make his intentions known; and Eva Longoria, who’s a tremendously good sport about playing . . . well, herself.

    In a World… persuasively depicts various specifics of the world where Sam is a god, Gustav is an ascending star, and Carol would settle for being gainfully employed. (In addition to detailing voice-over work for trailers, the film also includes glimpses at similar voice-overing for commercials and video games, and vocal coaching for actors who should really think twice about attempting accents.) The quirks and competitiveness of this world seem as real — and as engaging — as the idiosyncrasies and aspirations of the characters who populate it.

    In other words: Chalk up In a World… as a triumph on both sides of the cameras for Lake Bell.

    In a world where indie filmmakers still take the personal approach to the publicizing their pictures.. Lake Bell visited Houston a few weeks ago to promote In a World… She introduced a preview screening at the Sundance Cinemas, then stuck around for a Q&A hosted by a fellow who, as you will see in this video, probably will never land his own voiceover gig, in this or any other world.

    Lake Bell in a scene from In a World.

    In a World with Lake Bell August 2013 movie
    In a World Facebook
    Lake Bell in a scene from In a World.
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    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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