Flipping out

Olympics' biggest stars join Houston's Simone Biles for thrilling gymnastics showcase in Houston

Jordan Chiles, MyKayla Skinner, Jade Carey, and Grace McCallum won a trove of Olympic medals in Tokyo — and now they're coming to Texas entertain fans in a thrilling gymnastics "spectacular." Nearly every member of the Team USA gymnastics squad (minus one, sadly, Sunisa Lee) will join headliner Simone Biles on the Gold Over America Tour stopping at Toyota Center on October 8.

According to an August 19 news release, also performing will be 2016 Olympic gold and silver medalist and Dancing With The Stars champion Laurie Hernandez; All-American, NCAA National Champion and viral video sensation Katelyn Ohashi; winner of three gold medals in 2019 and 2020 at the Tokyo World Cup Morgan Hurd; elite gymnast Shilese Jones; former USA Gymnastics Women's Athlete of the Year Chellsie Memmel (who mounted a comeback at Nationals in Fort Worth); 2021 French Olympian Melanie De Jesus dos Santos; and 2018 NCAA National Champion from UCLA where she achieved 10 perfect 10’s, Peng-Peng Lee.

“The Athleta Presents Gold Over America Tour will match athleticism and entertainment,” Biles says in the release. “The show embodies the themes of empowerment and togetherness, which was on display in Tokyo. Together, all the gymnasts on this tour want to inspire the next generation of women and athletes.”

Beyond being a demonstration of eye-popping twists and flips, the show promises to promote values of empowerment, friendship, positive body image, mental health awareness, and self-confidence, organizers say.

But let's be real. We're there for the eye-popping twists and flips, too — and we know this dream lineup can raise the roof with them.

For those who need an Olympics refresher:

(Deep breath)

Houston's Biles — the most-decorated gymnast of all time — experienced a medical issue called "the twisties" after qualifying rounds, which made her death-defying stunts too dangerous to compete safely. When she suddenly dropped out of the team final, her Texas training mate Chiles and calm-and-collected teammate McCallum delivered some unscheduled clutch performances that helped win the team silver medal.

And then ... when Biles couldn't compete in the vault final, Skinner — who hadn't qualified, announced her retirement, and packed her bags to leave Tokyo — got the call to compete in Biles' spot and won herself a silver medal.

And then ... Carey, who'd flubbed her vault in the same final where Skinner won the silver medal, came charging back the next day with a stunning floor exercise and won herself a gold medal.

And then ... Biles returned triumphantly on the very last day of competition with a "twist-less" balance beam routine she could compete safely, and won herself a bronze medal.

(Exhale)

These shining stars of the Games will each perform some of their most famous routines mixed with career highlights, personal videos, and social media interactions; "the show is a high-energy, gymnastics-meets-pop-concert spectacular," the release says. A crew of gymnastic dancers under bright LED video screens and lights will heighten the adrenaline, and some ticketholders will get to join them onstage at the end.

It could be fans' last time to see Skinner perform, as she still plans to retire. Biles has not yet announced her future plans, but there was much pre-Olympics speculation that she'd hang up her leotard after this year, too. Both women are a "grandmotherly" 24 in a sport dominated by teenagers.

Local fans of Hernandez will be happy to see her back on the mats, too, as an injury in warmups at the National Championships took her out of the Fort Worth competition; she served as an NBC commentator at the Olympics. (Follow her comeback journey, as well as those of Hurd and other elite gymnasts, in the excellent docu-series Golden, streaming on NBC's Peacock app — one episode goes inside Dickies Arena for Nationals.)

The 35-city tour, which starts September 21 in Tucson, Arizona will also make Texas stops in San Antonio on October 6 and Houston on October 8.

Tickets for the Houston show start at $30, available through Ticketmaster.

To sign up for more information about VIP packages and a chance to dance in the show finale, visit www.GoldOverAmericaTour.com. Follow on Instagram & Facebook @GoldOverAmericaTour, Twitter @GoldOverAmerica and YouTube. #GoldInAllOfUs

It could be MyKayla Skinner fans' last time to see her perform.

Photo by John Cheng

It could be MyKayla Skinner fans' last time to see her perform.

tours sports

Movie Review

Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

Photo courtesy of 20th Century Studios

Emma Mackey in Ella McCay.

The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

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Ella McCay opens in theaters on December 12.

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