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    Happy Birthday to WOMH

    Hot Heights music venue rocks out with free 5-year anniversary blowout bash

    Johnston Farrow
    Johnston Farrow
    Aug 18, 2021 | 3:30 pm

    After surviving the hardest 18 months in music industry history, one buzzy Bayou City venue has a big reason to party. Five reasons, specifically.

    White Oak Music Hall, the Near Northside independent live music venue, will celebrate its fifth anniversary on Saturday, August 21 with a free, fan appreciation bash featuring some of the city's best bands.

    The lineup showcases the diversity of the venue's music programming with folk-rock act Ruckus, indie rock/pop band Camera Cult, singer-songwriter Marley Moon, hip-hop act iLL LiaD, and DJ Hiram, the latter playing a montage of artists that performed on White Oak stages.

    Launched by local investors — including the minds behind Pegstar Concerts following a departure from booking shows at the now-shuttered Heights club, Fitzgerald's — White Oak Music Hall has since become one of the most popular music venues in Houston.

    Opening in 2016 on five acres at the intersection of North Main and North streets (2915 N. Main St.), the live music spot hosted close to 1,700 concerts and 1,000,000 concertgoers over the next five years. Deft bookers have consistently lined up large international touring acts as well as nurturing local performers across a wide spectrum of music genres — whether on the expansive, 42,000 square-foot lawn and its breathtaking backdrop of downtown Houston, or on two indoor stages.

    In a difficult industry, White Oak has overcome numerous challenges over the past half-decade. Those include a since-resolved legal challenge from neighbors over noise issues, the after-effects of Hurricane Harvey, a seemingly annual tradition of cancelled shows due to springtime torrential rains, and the global COVID-19 pandemic that shuttered doors for months on end and forced a temporary reduction in staff.

    But the tenacity and dedication of White Oak staff only endeared the concert space to a city of music fans, evidenced by sold-out lawn shows in early-2021 that required grid-like, socially distanced seating in conjunction with COVID-19 protocols laid out by the City of Houston.

    Thankfully, the venue is set to bounce back in a big way. Since May of this year, White Oak announced 145 shows on sale, including a venue record 57 in June alone, figures that stand in stark contrast to the less than 50 shows offered between March 2019 and March 2020.

    “I think celebrating five years of shows after having been largely closed for the past 18 months is humbling and inspiring," White Oak Music Hall co-managing partner and Pegstar Concerts principal Jagi Katial tells CutlureMap. “When we had to shut down and go without, it drove home how much live music contributes to peoples’ overall sense of well-being. And we are excited to bring that back.”

    ---

    The White Oak Music Hall fifth-anniversary event will include giveaways, merch and swag, $3 beers, and alcohol-infused cake pops. The show kicks off at 7 pm and will be free for those over 21 years-old; $5 for those under 21. An RSVP is required to attend.

    Early photos show the construction of White Oak Music Hall in it's Heights location over five years ago.

    White Oak Music Hall
    Courtesy White Oak Music Hall
    Early photos show the construction of White Oak Music Hall in it's Heights location over five years ago.
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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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