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    Movie Review

    Bodies Bodies Bodies hit the floor in hilarious horror comedy

    Alex Bentley
    Aug 10, 2022 | 1:07 pm
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodies
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodies.
    Photo by Gwen Capistran

    People behaving badly can sometimes be among the most entertaining types of films, as the spectacle of them giving in to their basest instincts is great escapism for many who would rarely, if ever, dare to indulge in such activities. That kind of story also gives the audience permission to pass judgment over the characters, condemning their actions while still being entertained by the malfeasance.

    The filmmakers behind Bodies Bodies Bodies know this, and they load their story with all sorts of scenarios that the audience can second-guess. A group of entitled twenty-something friends has gathered for a hurricane party, hoping to have some blackout revelry as the storm rolls through. The group includes Sophie (Amandla Stenberg) and her girlfriend Bee (Maria Bakalova), couple David (Pete Davidson) and Emma (Chase Sui Wonders), new couple Alice (Rachel Sennott) and Greg (Lee Pace), and the solo Jordan (Myha’la Herrold).

    Along with the drinking and the drugs, they decide to play a game called “Bodies Bodies Bodies,” in which the lights are turned off, one person is secretly designated as “the killer,” and that person “kills” someone else simply by touching them. But when one of them actually turns up dead, confusion about the circumstances of that person’s death reigns supreme, and it’s not long before people starting turning on each other.

    Directed by Halina Reijn and written by Sarah DeLappe, the film is a really fun play on the horror/comedy genre, accompanied by some nice digs at modern-day youth culture. The filmmakers establish early on that the group has a lot of internal strife, and the level of trust among them is relatively low for people who claim to be friends. Old rifts rise to the surface quickly, especially when things start to hit the fan.

    We don’t get to know any of the characters that well, but that’s a plus for the story they’re trying to tell. Characters have over-the-top reactions to both small and big things, indicating both a hidden history among the group and the impetuousness of youth. Among the many hilarious things about the movie is the way it pokes fun at the psyches of members of Generation Z, using buzzwords like “triggered,” “safe space,” and others.

    Though the film has some horror movie trappings — remote location, spotty cell service, blackouts — it’s clear that it’s not playing by strict horror movie rules. Sparse lighting in the form of glowsticks and smartphone flashlights ups the tension, often keeping the audience literally and figuratively in the dark, but the scenes induce laughter as much as they do fear. Violent acts that occur can be intense, but the petty infighting that accompanies the scenes helps lighten the mood.

    The young cast is led by higher-profile actors like Stenberg, Davidson, and Bakalova, but they become a true ensemble as the film goes along. Davidson plays true to his Saturday Night Live persona, which is perfect for his role. Sennott stands out thanks to her character’s hysterics, and she steals many of the scenes she’s in. Pace is the odd man out as the oldest one of the group, but the age difference — and his performance — plays well for the story.

    Bodies Bodies Bodies is a great antidote to a summer blockbuster season in which many films didn’t live up to their promise. It does a lot with a little, showcasing its cast and clever story to the utmost.

    ---

    Bodies Bodies Bodies opens in theaters on August 12.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies
    Photo by Eric Chakeen
    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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