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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 13, 2019 | 1:00 pm

    The week before many local schools start is traditionally a slow one for live music in Houston. Not many folks are venturing out when school supplies need to be bought, apparently. But for those without kids or in need of blowing off steam before a new school year (ahem, teachers), there are a few options to get what you need, including a massive lawn show at White Oak Music Hall (see below).

    CultureMap's biggest, best, and most notable shows of the week include:

    Pedro the Lion
    Revered indie singer-songwriter David Bazan gained a dedicated base of fans following the early beginnings of his project Pedro of Lion, starting off as a Christian artist, before embracing a more adventurous indie sound. 1998's It's Hard to Find a Friend, was widely considered a classic upon it's release, it's quieter, low-fi production striking a chord among emo fans and alt-rockers alike.

    After three more well-received albums, including the fantastic Achilles' Heel in 2004, Bazan embarked on a solo career, never achieving those same heights. Thankfully, Pedro the Lion's back with this year's aptly-titled Phoenix, much to the delight of old fans and new. They'll be joined on stage by MewithoutYou, another cult fave with Christian roots.

    Pedro the Lion and Mewithoutyou co-headline at White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 13. The Interrupters, Dreamers, and Bikini Trill open. Tickets start at $24, plus fees. Doors open at 7 pm.

    Social Distortion and Flogging Molly
    One of the hardest-working acts in the business, punk band Social Distortion has been a going concern for over 40 years, led by the indomitable Mike Ness, the gravel-voiced, tattooed singer-guitarist that has seen the ups-and-downs of the music industry and drug addiction, and somehow still keeps mounting huge tours. First gaining massive popularity in the '90s with the wave of California punk acts taking over airwaves, Social D — a band whose sounds are built on melodies of the Clash mixed with Americana storytelling — continues to put on great shows even if the band's output has been spotty.

    Los Angeles act Flogging Molly has also steadily built a following on tireless touring, incorporating Celtic instruments and folk-rock into its punk ethos, much in the same vein of The Pogues. Tales of late, hazy nights and the working class endeared them to fans outside of their Irish sounds all the way back to their thrilling 2000 debut, Swagger, and their hit single, "Drunken Lullabies."

    Social Distortion and Flogging Molly co-headline Revention Music Center, located at 520 Texas Ave., on Wednesday, August 14. The Devil Makes Three and Le Butcherettes open. Tickets start at $49.50, plus fees. Doors open at 5:30 pm.

    CultureMap recommends: Lyle Lovett and His Large Band at Smart Financial
    Anyone who witnessed Lyle Lovett opening for George Strait during the largest show in NRG Stadium history knows the Houston-born musician has tremendous talent. He never sold a lot of records compared to his counterparts, but it was apparent from his classic debut, self-titled album that he would push country into new, forward-thinking directions with notes of Americana, R&B, and gospel, something that was sorely needed in a genre that relied on tradition to top the charts.

    He has been recognized for his ingenuity with four Grammy awards and the respect of the finest songwriters in the game. In an over-commercialized industry, that amounts for something. His latest album is his 2017 Greatest Hits collection. Expect to hear a lot of those when he makes his debut at Smart Financial Centre at Sugar Land.

    Lyle Lovett and His Large Band perform the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Wednesday, August 14. Tickets start at $59.50, plus fees. Show starts at 8 pm.

    CultureMap show of the week: Vampire Weekend at White Oak Music Lawn
    Somewhere along the way, Vampire Weekend, those men of popped Polo collars, sweet melodies, and Afro-inspired rhythms, became one of the biggest bands in the world. Right out of the gate with their 2008 self-titled debut, the New York-based band was herald by music press as the next great hope for indie music, and it immediately catapulted them near the top of festival bills and theater-sized shows around the world.

    Two follow-ups, 2010's Contra and 2013's Modern Vampires of the City maintained their status as the kings of the indie circuit. But the sameness of their sound led the band to take a break and one member, Rostam Batmanglij, to depart to pursue a successful production and solo career. When they reemerged this year with the hyped Father of the Bride, it featured new sounds, including the Madchester-house influenced lead track "Harmony Hall," the Ezra Koenig-led band all the much better for it. Make no mistake: this will be one of the biggest shows of the summer.

    Vampire Weekend plays the White Oak Music Hall lawn, located at 2915 N. Main St., on Saturday, August 17. Special guests Christone "Kingfish" Ingram opens. Tickets start at $79.50, plus fees. Gates open at 6:30 pm.

    Grace VanderWaal
    We're questioning the decision why anyone would book a show featuring the 15-year-old phenom that won America's Got Talent the day before school starts, robbing much of the audience the opportunity but nonetheless, the show must go on for Grace VanderWaal, who rolls into town behind a new, more mature sounding single, "Waste My Time," and more skills in her ukulele-playing pinkie finger than most people do in their entire body.

    Her run as a 12-year-old on the Simon Cowell-led reality competition remains one of the high watermarks in this often low-tread form of television and we dare anyone to get through a recap of her coming out party without the use of a Kleenex.

    Grace VanderWaal is at Warehouse Live, located at 813 St. Emanuel St., on Sunday, August 18. Jade Johnson opens. Tickets start at $28.50, plus fees. Doors open at 8 pm.

    Social Distortion leads a stacked lineup at Revention Music Center on Wednesday, August 14.

    Social Distortion
    Social Distortion/Facebook
    Social Distortion leads a stacked lineup at Revention Music Center on Wednesday, August 14.
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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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