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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 13, 2019 | 1:00 pm

    The week before many local schools start is traditionally a slow one for live music in Houston. Not many folks are venturing out when school supplies need to be bought, apparently. But for those without kids or in need of blowing off steam before a new school year (ahem, teachers), there are a few options to get what you need, including a massive lawn show at White Oak Music Hall (see below).

    CultureMap's biggest, best, and most notable shows of the week include:

    Pedro the Lion
    Revered indie singer-songwriter David Bazan gained a dedicated base of fans following the early beginnings of his project Pedro of Lion, starting off as a Christian artist, before embracing a more adventurous indie sound. 1998's It's Hard to Find a Friend, was widely considered a classic upon it's release, it's quieter, low-fi production striking a chord among emo fans and alt-rockers alike.

    After three more well-received albums, including the fantastic Achilles' Heel in 2004, Bazan embarked on a solo career, never achieving those same heights. Thankfully, Pedro the Lion's back with this year's aptly-titled Phoenix, much to the delight of old fans and new. They'll be joined on stage by MewithoutYou, another cult fave with Christian roots.

    Pedro the Lion and Mewithoutyou co-headline at White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 13. The Interrupters, Dreamers, and Bikini Trill open. Tickets start at $24, plus fees. Doors open at 7 pm.

    Social Distortion and Flogging Molly
    One of the hardest-working acts in the business, punk band Social Distortion has been a going concern for over 40 years, led by the indomitable Mike Ness, the gravel-voiced, tattooed singer-guitarist that has seen the ups-and-downs of the music industry and drug addiction, and somehow still keeps mounting huge tours. First gaining massive popularity in the '90s with the wave of California punk acts taking over airwaves, Social D — a band whose sounds are built on melodies of the Clash mixed with Americana storytelling — continues to put on great shows even if the band's output has been spotty.

    Los Angeles act Flogging Molly has also steadily built a following on tireless touring, incorporating Celtic instruments and folk-rock into its punk ethos, much in the same vein of The Pogues. Tales of late, hazy nights and the working class endeared them to fans outside of their Irish sounds all the way back to their thrilling 2000 debut, Swagger, and their hit single, "Drunken Lullabies."

    Social Distortion and Flogging Molly co-headline Revention Music Center, located at 520 Texas Ave., on Wednesday, August 14. The Devil Makes Three and Le Butcherettes open. Tickets start at $49.50, plus fees. Doors open at 5:30 pm.

    CultureMap recommends: Lyle Lovett and His Large Band at Smart Financial
    Anyone who witnessed Lyle Lovett opening for George Strait during the largest show in NRG Stadium history knows the Houston-born musician has tremendous talent. He never sold a lot of records compared to his counterparts, but it was apparent from his classic debut, self-titled album that he would push country into new, forward-thinking directions with notes of Americana, R&B, and gospel, something that was sorely needed in a genre that relied on tradition to top the charts.

    He has been recognized for his ingenuity with four Grammy awards and the respect of the finest songwriters in the game. In an over-commercialized industry, that amounts for something. His latest album is his 2017 Greatest Hits collection. Expect to hear a lot of those when he makes his debut at Smart Financial Centre at Sugar Land.

    Lyle Lovett and His Large Band perform the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Wednesday, August 14. Tickets start at $59.50, plus fees. Show starts at 8 pm.

    CultureMap show of the week: Vampire Weekend at White Oak Music Lawn
    Somewhere along the way, Vampire Weekend, those men of popped Polo collars, sweet melodies, and Afro-inspired rhythms, became one of the biggest bands in the world. Right out of the gate with their 2008 self-titled debut, the New York-based band was herald by music press as the next great hope for indie music, and it immediately catapulted them near the top of festival bills and theater-sized shows around the world.

    Two follow-ups, 2010's Contra and 2013's Modern Vampires of the City maintained their status as the kings of the indie circuit. But the sameness of their sound led the band to take a break and one member, Rostam Batmanglij, to depart to pursue a successful production and solo career. When they reemerged this year with the hyped Father of the Bride, it featured new sounds, including the Madchester-house influenced lead track "Harmony Hall," the Ezra Koenig-led band all the much better for it. Make no mistake: this will be one of the biggest shows of the summer.

    Vampire Weekend plays the White Oak Music Hall lawn, located at 2915 N. Main St., on Saturday, August 17. Special guests Christone "Kingfish" Ingram opens. Tickets start at $79.50, plus fees. Gates open at 6:30 pm.

    Grace VanderWaal
    We're questioning the decision why anyone would book a show featuring the 15-year-old phenom that won America's Got Talent the day before school starts, robbing much of the audience the opportunity but nonetheless, the show must go on for Grace VanderWaal, who rolls into town behind a new, more mature sounding single, "Waste My Time," and more skills in her ukulele-playing pinkie finger than most people do in their entire body.

    Her run as a 12-year-old on the Simon Cowell-led reality competition remains one of the high watermarks in this often low-tread form of television and we dare anyone to get through a recap of her coming out party without the use of a Kleenex.

    Grace VanderWaal is at Warehouse Live, located at 813 St. Emanuel St., on Sunday, August 18. Jade Johnson opens. Tickets start at $28.50, plus fees. Doors open at 8 pm.

    Lyle Lovett plays the Smart Financial Centre at Sugar Land on Wednesday, August 14.

    ACL Hall of Fame 2015 Lyle Lovett
    Photo by Scott Newton
    Lyle Lovett plays the Smart Financial Centre at Sugar Land on Wednesday, August 14.
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    Movie Review

    Fawning Michael Jackson biopic Michael ignores the singer's complexities

    Alex Bentley
    Apr 23, 2026 | 1:30 pm
    Jaafar Jackson in Michael
    Photo by Glen Wilson
    Jaafar Jackson in Michael.

    Michael Jackson remains among the most complicated figures in pop culture history. On one hand, he’s responsible for some of the most enduring music of all time, thrilling generations with his voice and dance moves. But his later years were marred by accusations of child sexual abuse and erratic behavior, including his premature death at the age of 50.

    So the new biopic Michael is a tough one to judge from a critical standpoint, not least because director Antoine Fuqua and writer John Logan have elided — perhaps temporarily — the thornier parts of Michael’s history. Instead, this film focuses on the 20-year period in which Michael (played as an adult by Michael’s nephew Jaafar Jackson) goes from the prepubescent lead singer of the Jackson 5 to one of the biggest music superstars of all time.

    That choice puts an overly sympathetic tint to Michael’s story, as he spends most of that time under the thumb of his domineering father, Joseph (Colman Domingo). Joseph has a vision for Michael and his brothers, and he pushes them hard in a quest to become rich and famous. Even when they achieve that goal, though, Joseph refuses to let up, holding onto Michael even when it’s clear he should go out on his own.

    As a reminder of the enormous impact Michael Jackson had on the music industry and world at large, the film is successful. Fuqua and Logan include plenty of music, naturally, but they seem to be most interested in depicting Michael as a human being. They lay it on thick, whether it’s showing him spending time among his family members away from the stage, hanging out with bodyguard Bill Bray (KeiLyn Durrel Jones), or visiting sick kids in hospitals. The message that Michael is a harmless, good person couldn’t be clearer.

    The film hints at but doesn’t really explore Michael’s oddities. His obsession with kids literature and movies, especially Peter Pan, are seen as inoffensive quirks, as is his menagerie of animals, including a creepy CGI version of Bubbles the chimp. His arrested development seems to be partially blamed on his parents treating him like a child well into his adulthood, and the resulting fallout is not (yet) addressed.

    Many viewers will be most interested in the music sequences, and — save for some repetitive shots of fans fainting at the mere presence of Michael — they are handled well. Whether it’s at home, in the studio, on the set of the “Thriller” video, or at live performances, the film manages to fully get across just what a phenomenon Michael was at his peak. The staging and editing of each scene is dynamic, complementing Michael’s other-worldly abilities well.

    If there is one reason to see the film, it is the performance of Jaafar Jackson. Whether he’s capable of doing any other kind of role is undetermined, but his portrayal of his uncle is compelling, as he demonstrates singing, dancing, and acting skills in equal measure. He’s aided by an equally great performance by Domingo, who — with the help of facial prosthetics — overcomes the trope of the bad father. Nia Long and Larenz Tate are also good in smaller roles, but Miles Teller is an odd presence as Michael’s manager.

    There are reports that legal complications prevented the filmmakers from using previously-shot scenes delving into accusations against Michael, and there are rumors that a second film will be made about the last 20 years of his life. But that speculation can’t absolve Michael of showing all the positive aspects of Michael Jackson’s life and not even touching any of the negative ones.

    ---

    Michael opens in theaters on April 24.

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