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    Movie Review

    An Inconvenient Sequel: Truth to Power puts climate change in stark relief

    Alex Bentley
    Aug 11, 2017 | 9:00 am
    An Inconvenient Sequel: Truth to Power puts climate change in stark relief
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    A lot has happened politically since former Vice President Al Gore’s Oscar-winning documentary, An Inconvenient Truth, came out in 2006.

    Barack Obama was elected in 2008, bringing with him an administration that was more environmentally friendly than that of George W. Bush. However Donald Trump, since taking office in January 2017, has already rolled back many of the initiatives that Obama and, by extension, Gore worked to enact.

    The viewpoints of all three men and more are heard in An Inconvenient Sequel: Truth to Power. Because of the multiple times Gore is shown reading about or listening to Trump during the 2016 presidential campaign, as well as the final note detailing Trump’s decision to pull out of the 2015 Paris Climate Agreement, it’s easy to view the film in strictly political, left vs. right terms. But doing so minimizes the rest of the film's message.

    Directors Bonni Cohen and Jon Shenk follow Gore around the world as he takes his Climate Reality Leadership Corps training program to multiple cities and countries. He also makes stops in various spots where the effects of climate change can be easily seen, whether it’s the melting glaciers of Greenland or the flooding streets of Miami.

    Each visit enhances Gore’s authority on the topic of global warming, as well as his obvious passion for the issue. No longer beholden to strictly political interests, Gore is free to appeal to people from all walks of life: liberal or conservative, American or foreign, rich or poor. More often than not, if someone is willing to actually listen to Gore’s ideas, he finds a way to convince them that climate change is something worthy of their attention.

    There are times where the film can make Gore come off as self-aggrandizing, especially when it revisits his defeat in the 2000 presidential election. Whether you supported him then or not, dredging it up again seems apropos of nothing in terms of his ongoing mission. In fact, Gore tends to deflect such questions in promotional interviews for the film, so the choice by Cohen and Shenk to include it seems questionable.

    When the focus is on the obvious realities of climate change and the fast-moving technologies that can combat it, the movie shines. Gore’s presentations are highly effective, laying out points that easily refute the most hardened deniers. And since solar and wind power are shown to be much more cost-effective, widely available, and capable of producing jobs and energy than they were 11 years ago, it’s fair to wonder what the source of continuing objections actually are.

    Some may not see An Inconvenient Sequel because they view it as repetitive, and some may not see it because they object to Gore and his viewpoints on principle. But if you’re willing to listen to what it has to offer, prepare to find yourself shopping for solar panels and looking for other ways to help the environment right away.

    Canadian Prime Minister Justin Trudeau and Al Gore meet in Paris in An Inconvenient Sequel: Truth to Power.

    Justin Trudeau and Al Gore in An Inconvenient Sequel: Truth to Power
      
    Photo courtesy of Paramount Pictures
    Canadian Prime Minister Justin Trudeau and Al Gore meet in Paris in An Inconvenient Sequel: Truth to Power.
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    Brooks & Dunn Review

    Country legends Brooks & Dunn take RodeoHouston to the '90s with nostalgic set

    Craig Hlavaty
    Mar 22, 2025 | 6:28 pm
    Brooks & Dunn RodeoHouston 2025
    Courtesy of Houston Livestock Show and Rodeo
    Brooks & Dunn performed in front of this year's largest crowd to date.

    I’ve probably overstated it to an annoying degree this year, but country from the ‘90s and early ‘00s has been the prevailing vibe at NRG Stadium in 2025, from Zach Top’s stadium-sized mustache-country revival to Post Malone’s pyro-packed pop twangers.

    On Saturday, March 22, Brooks & Dunn pulled into NRG Stadium armed with 15 of their greatest hits to remind 71,265 fans of the duo's stranglehold on the country charts during the Clinton era.

    Starting with the one-two punch of 1991’s “Brand New Man” and 1993’s “Hard Workin’ Man” releases. Each chart-topper came with big choruses, crunchy guitars, hair metal drums, and politely raunchy wordplay perfect for honky tonk dance floors and arenas. They were so prolific that by 2009, when all was said and done, a career-spanning greatest hits compilation spanned two discs.

    Kix Brooks, 69, and Ronnie Dunn, 71, debuted next door at the Astrodome during RodeoHouston’s 1992 stand, and they remained an annual mainstay through 2010. Their iconic back-to-back stage pose is imprinted indelibly on generations of fans over 19 shows. The pair disbanded for close to a half-decade (personally coaxed back to the stage by Reba McEntire) and made their return to NRG Stadium in 2019 and 2023. The duo’s merchandise in the concourse turns the clock back to the ‘90s, complete with purple lightning and cow skulls.

    Brooks & Dunn’s latest releases have included two editions of the Reboot album series, which has paired the duo with some of the biggest country acts on the scene, including Morgan Wallen, Kacey Musgraves, Megan Moroney, and Jelly Roll to reimagine hits like “Neon Moon” and “Boot Scootin’ Boogie” with new moods and attitudes. The best-selling country duo of all time hasn’t released an album of new material since 2007’s Cowboy Town, but they have teased the prospect of writing new songs in recent interviews.

    Kicking off just after 5 pm, B&D launched into an extra punchy “Brand New Man,” delivering a wall of surgically catchy Nashville sound. Brooks hit the mic for “You’re Gonna Miss Me When I’m Gone,” boosting it with some extra long notes, showing off a voice that’s now aged like a fine wine from the rodeo wine garden.

    For most fans, Ronnie has always been the voice, while Kix has been the heart. The former handles the rascally tunes, and the latter laments his troubles at the end of the bar. Entering five decades into their partnership, their biggest hits now come with an additional helping of rumpled road-weariness. Brooks offered up a stripped-down “Lost And Found” after recounting the pair's early days over a cold can of beer, giving the fans a B&D history lesson.

    “Hard Workin’ Man” got a hard rock makeover with four guitars upfront and some Motley Crue-biting drums. My theory has always been that the ‘90s country sound has more in common with ‘80s hair metal than we give it credit for, the mullet being the common denominator. “Play Something Country” from 2005’s “Hillbilly Deluxe” was released as a reaction to that era’s identity crisis, and 20 years later, its a quaint time capsule with the P. Diddy mention.

    The crowd-pleasing “Neon Moon” provided the biggest singalong of the late afternoon, while “Rock My World - Little Country Girl” featured Brooks testing the limits of his lung capacity with an extended roadhouse harmonica solo.

    With just one day left on the schedule, this year’s top drawing act has been Brooks & Dunn, with Parker McCollum, Journey, Zach Top, Grupo Frontera, Carin Leon, and Post Malone following close behind. We’ll see how Luke Bryan does at tomorrow’s final show.

    • Brooks & Dunn: 71,265
    • Parker McCollum: 71,205
    • Journey: 70,978
    • Zach Top: 70,865
    • Grupo Frontera: 70,775
    • Carin Leon: 70,603
    • Post Malone: 70,094

    Setlist

    Brand New Man
    My Next Broken Heart
    You’re Gonna Miss Me When I’m Gone
    Ain’t Nothin’ ‘Bout You
    Red Dirt Road
    Lost And Found
    Never Forgive My Heart
    Hard Workin’ Man
    Play Something Country
    Cowgirls Don’t Cry
    Neon Moon
    Rock My World - Little Country Girl
    My Maria
    Boot Scootin’ Boogie
    Only In America

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