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Movie Review

Val documentary dives deep into life and career of Val Kilmer

Alex Bentley
Jul 23, 2021 | 3:01 pm
Val documentary dives deep into life and career of Val Kilmer
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There are some movie stars whose time at the top is seemingly never-ending, but for the majority of actors, being an A-list celebrity lasts for a relatively short period of time. Val Kilmer was as big a star as there was in the 1980s and ’90s, headlining movies like Top Gun, The Doors, Tombstone, and Batman Forever.

But, even though he’s continued to work steadily, his last film of note was 2005’s Kiss Kiss Bang Bang, a very fallow period for a man who’s still only 61 years old.

As the new documentary Val shows, one big reason his work has fallen off in recent years is a battle with throat cancer, which has left him with limited speaking abilities. Now saddled with a semi-permanent breathing tube, he’s unable to speak more than a few raspy words at a time. And yet the film is filled with his words, as his son Jack stepped in to record a voiceover of Kilmer’s thoughts for him.

The film is a retrospective of Kilmer’s life, but it’s much more than just a glorification of his past self. Since he was a child, Kilmer has recorded thousands of hours of video, ranging from home movies he made with his two brothers to audition tapes to behind-the-scenes footage from all of his movies. All of those and more are culled together by directors Ting Pool and Leo Scott for an intimate look at a complicated man who’s still trying to make sense of his life.

As any good documentary should, the film illuminates things that cannot be seen when viewing someone like Kilmer through the filter of his various roles or talk show appearances. The footage shows him as someone who’s innately curious, perhaps to a fault. His constant recording, while yielding some fantastic snapshots of real life, also seems to be a crutch, a way to put something in between him and the world around him.

The film is catnip for movie lovers, with all of Kilmer’s stories and unvarnished video. He captured a young Kevin Bacon and Sean Penn when the three of them starred in the 1983 Broadway play Slab Boys. He made very involved audition tapes for movies like Full Metal Jacket, Goodfellas, and The Doors. And he chronicled revelry on the sets of Top Gun, Willow, and Tombstone, among others.

Best of all is behind-the-scenes footage from the set of the infamous The Island of Dr. Moreau. Kilmer’s camera finds much drama on the set, from Marlon Brando being replaced by a stand-in for certain scenes to arguments with director John Frankenheimer. Kilmer and co-star David Thewlis are shown commiserating with each other over the nightmare shoot, a rare glimpse at actors being brutally honest about how bad their movie is.

The documentary fast-forwards through Kilmer’s post-Island career until his phase playing Mark Twain on stage started in 2012, essentially discounting almost everything he did during that time. Kilmer is obviously a very complex person, and doesn’t deny that he has been a difficult man to work and live with through the years. But he’s also a devoted father whose two children, including daughter Mercedes, remain very close to him.

At one point, Kilmer talks about trying to write a great movie to cement his legacy. The irony is that, even though that film has not come to fruition, he ended up making a fantastic film about his own life by filming anything and everything that interested him. Val is a deep dive into the soul of an enigmatic man and a fun look at the Hollywood history he witnessed along the way.

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Val opens in select theaters on July 23 and debuts on Amazon Prime Video on August 6.

Val Kilmer in Val.

Val Kilmer in Val
Photo courtesy of Amazon Studios
Val Kilmer in Val.
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Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Alex Bentley
Jan 2, 2026 | 2:30 pm
Everett Blunck in The Plague
Photo courtesy of IFC
Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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