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    here comes the sun

    Legendary Houston DJ presents Loveletter to his hometown with can't-miss, star-studded performance

    Steven Devadanam
    Jul 22, 2022 | 6:00 am
    DJ Sun performs his Loveletter on Saturday, July 23 at Moores Opera House.
    DJ Sun performs his Loveletter on Saturday, July 23 at Moores Opera House.
    Photo by Mark Sabinin

    Cool, cosmopolitan, and more chill than his signature smooth sounds, DJ Sun has been a fixture in Houston’s music scene since the mid-’90s, boasting a diverse and loyal fan base that far transcends the city.

    A respected purveyor of soul, lounge, and groove, DJ Sun (born Andre Sam-Sin) first nurtured his following with his Soular Grooves radio show on KPFT nearly 30 years ago, as well as his wildly popular DJ sets and residencies (his jam-packed Friday night sets at The Flat in Montrose are a local tradition).

    Now, the DJ/producer/musician/host is set to release his third studio album, a figurative love note to his fans, Houston, and the world. Loveletter drops on Saturday, July 23. To mark the release that same day, the talented DJ and a cast of elite musicians will perform Loveletter: Red Hook to Rotterdam, a multi-disciplinary show at the University of Houston’s Moores Opera House.

    The ensemble includes a 14-piece orchestra conducted by the acclaimed Marlon Chen, rapper Fat Tony, spoken word by Houston Poet Laureate Outspoken Bean and DJ Sun’s daughter SAM-SIN, and renowned Houston native Chris Dave — who has drummed for superstars Beyoncé, Adele, and D’Angelo and whom famed drummer Questlove of The Roots calls “the most dangerous drummer alive” — and his band The Drumhedz.

    Also adding serious star power is bassist Tim Ruiz, a three-time Grammy Award winner with famed Tejano band La Mafia. Notably, Dave, Ruiz, and Chen (currently the music director of the Manila Symphony Orchestra) are graduates of the High School for the Performing and Visual Arts.

    Other names include Louis Morales (lead singer of reggae band DEM) and astrologer Jasmine Richardson. To add to the immersive experience, corresponding videos and projections will be created by Justice Tirapelli-Jamail and Tamirah Collins. Navarro Stark serves as the event’s creative director.

    Tickets for the star-studded performance are a mere $5 and are available online.

    Fans can expect Sun’s trademark Lo-Fi grooves, clever and tasty samples, and atmospheric, retro vibe — made all the more lush and immersive with the orchestra and corresponding visual displays in a refined setting.

    A top-tier production, this Loveletter showcase is co-produced by the Blaffer Art Museum at the University of Houston and should rightly command a top-tier ticket price. But the benevolent DJ and UH grad — born in the Netherlands, raised in Suriname, and now decades-long Houstonian — ensured through a UH grant and his own investment that prices would be accessible to all, as a thank-you.

    “Houston has just been amazing to me — not just good, but amazing — because of the diversity that we have here,” DJ Sun tells CultureMap. “I call this a Loveletter because really, we could all use that right now.”

    -----

    DJ Sun and company perform Loveletter: Red Hook to Rotterdam at the Moores Opera House at the University of Houston (3333 Cullen Blvd.) on Saturday, July 23. Doors open at 6:30 pm; concert begins at 8 pm. Individual tickets are $5 and can be purchased online or by phone at 713-743-3388.

    The perfornance marks the release of DJ Sun's third studio album, Loveletter.

    LoveLetter DJ Sun album cover
      
    Photo courtesy of DJ Sun
    The perfornance marks the release of DJ Sun's third studio album, Loveletter.
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    Movie Review

    Disturbing new horror film Bring Her Back will shock fans of the genre

    Alex Bentley
    May 30, 2025 | 4:00 pm
    Sally Hawkins and Sora Wong in Bring Her Back
    Photo courtesy of A24
    Sally Hawkins and Sora Wong in Bring Her Back.

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

    ---

    Bring Her Back is now playing theaters.

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