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    The Bard is back

    Beloved Shakespeare festival stages dramatic return to Miller Outdoor Theatre with 2 regal shows

    Holly Beretto
    Jul 21, 2022 | 12:45 pm
    The beloved festival returns to Miller Outdoor Theatre.
    The beloved festival returns to Miller Outdoor Theatre.
    Photo courtesy of University of Houston’s School of Theatre & Dance

    Houstonians knows summer means shows under the stars at Miller Outdoor Theatre, with showcases of dance, theater, and eclectic performing arts groups from across the city and around the world.

    Next week, one of Houston's most-respected, well-loved and home-grown arts festivals is back on the Miller stage. The 48th season of the Houston Shakespeare Festival runs July 28 through August 6. This year's HSF includes productions of King Lear and Cymbeline, running in repertory.

    King Lear will be performed July 28, 30, and August 1, 3, and 5. Cymbeline will take the stage July 29 and August 2, 4, and 6. All performances begin at 8:30 pm and admission is free of charge.

    The Houston Shakespeare Festival is produced by the University of Houston’s School of Theatre & Dance.

    “First and foremost, I'm looking forward to presenting our first live Houston Shakespeare Festival since 2019," said Rob Shimko, HSF executive director and director of the School of Theatre & Dance in a press release announcing the festival. "In 2020 we had to cancel our season due to COVID, and then last year we put on a Shakespeare film festival that was a lot of fun, but not the same as presenting two live plays to our audience. Beyond that, we've assembled a cast of amazing actors as well as a truly outstanding design team. This year's dynamic productions of King Lear and Cymbeline will make audiences feel that HSF is back at full force.”

    The drama King Lear is the story of an aging king who accidentally disowns the wrong child as he's dividing his estate. Exploring family loyalty, madness, and betrayal, it's one of Shakespeare's most-enduring masterpieces.

    Cymbeline, meanwhile, explores the adventures of Princess Imogen and her banished secret husband. With a fairytale vibe, there's a wicked stepmother (natch), a goofy stepbrother, and the powerful King Cymbeline. Secret plots, forbidden love, and mistaken identity round out the romp.

    Founded in 1975, the Houston Shakespeare Festival has drawn more than a million theater-goers and served as a showcase for some of Houston's finest actors, while also attracting national actors and artists to the city. This year, look for incredible set designs and top-flight talent.

    "Both of these plays have a large number of wonderful roles, which is giving all of the performers great lines to say and events to experience – big battles, some of Shakespeare's most resonant lines," said Smiko. "These plays will be a great way for us all to return to Miller Outdoor Theatre.”

    Tickets to the covered seating area for King Lear and Cymbeline are free, but should be reserved in advance on the Miller Outdoor Theatre website two days prior to showtime. No tickets are necessary for seating on the hill.

    For those who can't make the shows, livestreams of both productions will be available here.

    Love is in the air.

    Houston Shakespeare Festival
    Photo courtesy of University of Houston’s School of Theatre & Dance
    Love is in the air.
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    your attention please

    Houston Grand Opera names Rice alum James Gaffigan its next music director

    Tarra Gaines
    Nov 6, 2025 | 9:00 am
    ​Houston Grand Opera names James Gaffigan as next Music Director
    Photo by Claire McAdams
    Houston Grand Opera names James Gaffigan as next Music Director

    Opera lovers in the audience for the Houston Grand Opera’s magnificent season opening production of Porgy and Bess didn’t know it, but they were hearing HGO’s future. James Gaffigan, the acclaimed conductor of the performance will no longer be called an honored guest to the company and our city; instead, he’ll make the Wortham Center his new home.

    HGO announced on Thursday, November 6, that Gaffigan will serve as the fifth music director in its 70-year history, leading the company alongside general director and CEO Khori Dastoor. He replaces Patrick Summers, who announced last year that he would step down as artistic and music director at the end of the 2025-26 season.

    When Gaffigan begins his term as music director designate for the 2026-27 season and then assumes the full role of music director in the 2027-28 season, he won’t find Houston an unfamiliar landscape. Though originally from New York, Gaffigan once lived here while earning his master’s degree from the Shepherd School of Music at Rice University.

    After his time at Rice, he quickly rose to international superstardom in both symphonic and operatic circles. He has conducted some of the greatest orchestras around the country, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony, Los Angeles Philharmonic, and many others. In Europe he has taken the podium at the London Symphony Orchestra, London Philharmonic Orchestra, Deutsches Symphonie Orchester Berlin, and more.

    In 2011, he made both his HGO and American operatic debut with the company’s production of The Marriage of Figaro. He has also become a very welcome guest conductor for national and international opera houses, including the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Lyric Opera of Chicago, and more.

    For the past several years, he has made a home in Europe serving as the general music director of Komische Oper Berlin, and he recently completed his fourth and final season as music director of the Palau de les Arts Reina Sofía in Valencia, Spain.

    Even with such a strong global presence, this Rice Owl continues to migrate back to Houston, guest conducting the Houston Symphony several times. Last year, he lead the first-ever performance by the HGO Orchestra at the annual Eleanor McCollum Competition for Young Singers Concert of Arias.

    Gaffigan’s ties to Houston are so strong that back in 2011, CultureMap’s own society king and classical music expert, Joel Luks, pondered if Gaffigan might be an excellent candidate for Houston Symphony director upon Han Graf ’s retirement. Luks, who attended the Shepherd School at the same time as Gaffigan, lauded the maestro’s sense of musical timing, charisma, and spirit.

    \u200bHouston Grand Opera names James Gaffigan as next Music Director

    Photo by Claire McAdams

    Houston Grand Opera has named James Gaffigan as its next Music Director.

    “He seems to understand music-making in a macro level, presenting a cohesive interpretation, while allowing musicians freedom of expression,” described Luks, also noting Gaffigan’s ability to connect with musicians and audiences, alike.

    It turns out Luks’s prediction for a musical directorship for Gaffigan was only off by 14 years and about a theater district block, the distance from Jones Hall to the Wortham Center.

    “I always knew that the first post I would take in the United States as music director had to be the perfect fit,” Gaffigan said in a statement. “All the boxes needed to be ticked. As I considered which institution, which city, and which community aligned with my dreams and goals for an American institution, I found HGO to be my ideal partner. In my opinion, HGO is the most exciting opera company in the United States. It is rare to find such a healthy institution, with tremendous potential, and a solid foundation on which to build.”

    Gaffigan went on to reminisce that he has admired HGO since his early twenties.

    “When walking into the building, I get a sense of community and excitement for our art form and the importance it has in our lives. I feel the same from the people in the greater Houston area. Houstonians want great art. Under Khori Dastoor’s leadership, the company has flourished, and it has become clear to me that the sky is the limit. I can’t wait to return to this city and start our thrilling new chapter together.”

    Dastoor sings similar praises for Gaffigan.

    “To welcome James Gaffigan back to Houston, and to HGO, as our new music director represents the fulfillment of an ambitious dream,” stated Dastoor. “This fall, Houston audiences have had the incredible opportunity to witness his passion, electric energy, and mind-blowing artistry at the podium. I am overjoyed that today’s leading American conductor — who embodies a new generation of music-making at the highest level — has chosen to invest fully in this company. James was steeped in the art and culture of Houston on his way to finding phenomenal international success. His return is both a testament to our city and a reflection of HGO’s ascendance as a force in the global opera industry.”

    For those wanting to get a taste of that passion and energy Gaffigan will bring to his role as Houston Grand Opera music director, he conducts Porgy and Bess November 7 and 9.

    performing-artshouston grand operajames gaffigan
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