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    Beyoncé's Big Night

    Beyoncé's big night: Superstar singer returns home and feels the love at high-energy show

    Clifford Pugh
    By Clifford Pugh
    Jul 16, 2013 | 2:44 am

    There are a lot of bleary-eye Beyoncé fans this morning. The superstar singer brought The Mrs. Carter Show World Tour to her hometown Monday night and just about blew the roof off the Toyota Center with a high-energy, thrill-packed, two-hour show that lasted until almost midnight and left the sold-out crowd exhausted from a nearly non-stop sing-along dance marathon.

    "I'm home," she said to deafening applause just before launching into her third song of the evening, "Flaws and All." "Houston means so much to me. No matter where I go, it's who I am. I hope I make you guys proud."

    "I'm home," she said to deafening applause. "Houston means so much to me. No matter where I go, it's who I am. I hope I make you guys proud."

    The singer has been on tour nearly non-stop since April, having already appeared in 47 European and U.S. cities on an extended jaunt that will last through December. Yet she made it seem like she was performing the show for the first time with an undisguised glee to be in front of a hometown crowd and a near-pathological desire to entertain.

    Backed by an 11-piece female band, three back-up singers known as The Mamas, several female dancers and two male dancers called Les Twins, Beyoncé whipped through 24 songs — a mix of hip hop-tinged hits, female empowerment anthems and irresistible dance tunes (how can you not shake to "Single Ladies (Put a Ring on It)?") — and eight costume changes. She and the dancers almost never stopped moving (she should patent a workout program of knee bends and hair flips) and while some of the numbers were a little cheesy — as she sang "Diva," the dancers twirled around her with feather fans like a Busby Berkeley musical —they were almost always riveting.

    The set-up of the show played to her strengths. The entire floor of the Toyota Center was general admission standing room only, so fans packed close to the main stage at one end and a secondary stage at the other end. Nothing kills a show faster than older people who have paid a lot for floor seats and never stand up (Eric Clapton's spring show was a prime example); that certainly wasn't a problem here as the enthusiasm of the crowd, mostly under 35 and a mosaic of Houston's diversity, provided an electric spark that seemed to energize the singer.

    Toward the end of the show, she flew above the crowd like Peter Pan to the other stage even closer to the audience, where she sang three of her biggest hits, "Irreplaceable," Love on Top," and the Destiny's Child hit, "Survivor," and declared, "I love this part of the show because I'm close to you guys."

    As a gift to her Houston audience, she threw in “Bow Down,” a chopped and screwed ode to her present success and her childhood in H-Town. It's the first time she has performed the song in concert.

    She also positioned ecstatic fans near the stage for the closer, the hit "Halo," and waded among her admirers as she hit all the high notes.

    While other singers might be loathe to play other performers' dance hits before they take to the stage, Beyoncé had no such worries. The audience grooved to songs by Robin Thicke and Justin Timberlake and the whole side of the arena stood up and danced The Wobble as they waited for the singer to take the stage around 9:40 p.m. By the time she launched into her first song, "Run the World (Girls)," with all-out dance choreography, the audience was primed and ready to party.

    And she didn't stop. Whether it was writhing atop a piano in a sequined blue catsuit and matching heels to the sensual song "1 + 1," channeling her Sasha Fiercest in a green leopard mini and shimmying like Tina Turner to "Why Don't You Love Me?" or adding a military cadence to a mashup of "If I Were a Boy" with The Verve’s “Bittersweet Symphony," Beyoncé commanded the crowd's attention.

    As a gift to her Houston audience, she threw in “Bow Down,” a chopped and screwed ode to her present success and her childhood in H-Town. It's the first time she has performed the song in concert.

    By the time she got to "Halo," preceded by a Whitney Houston-worthy version of "I Will Always Love You," her voice was almost spent. But she wouldn't stop and closed the concert with a powerhouse vocal performance.

    Earlier in the evening, she told the audience that she was so lucky to have their support. "I will never take it for granted," she vowed.

    We believe her.

    Beyonce fans lined up outside the Toyota Center and waited to get in to see their Queen Bey.

    Beyonce Toyota Center outside
    Photo by Chinh Phan
    Beyonce fans lined up outside the Toyota Center and waited to get in to see their Queen Bey.
    unspecified
    news/entertainment

    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

    moviessportspickleballfilm
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