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    Movie Review

    Fear Street Part Two: 1978 camps it up in second part of trilogy

    Alex Bentley
    Jul 9, 2021 | 12:45 pm
    Fear Street Part Two: 1978 camps it up in second part of trilogy
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    Sequels for horror movies have been standard since the 1980s when franchises like Halloween, Friday the 13th, and A Nightmare on Elm Street each churned out multiple entries. The connection between the subsequent films, and the resulting quality, often varied wildly, something that is not the case with the second of Netflix’s unique horror trilogy, Fear Street Part Two: 1978.

    Whereas the first film was an homage to the original horror parody, Scream, Part Two pays tribute to Friday the 13th by taking place mostly at a summer camp, Camp Nightwing. Shadysiders and Sunnyvalers continue their never-ending rivalry at the camp, with kids from the two cities engaging in a variety of competitions and pranks.

    The camp, however, just so happens to be on the site where the accused witch Sarah Fier was killed in 1666, and the curse she put on the land on that date infects Tommy Slater (McCabe Slye), who proceeds to go on a killing spree. Among those terrorized are Tommy’s girlfriend, Cindy Berman (Emily Rudd), her sister Ziggy (Sadie Sink), camp counselor Nick Goode (Ted Sutherland), and many others.

    Written and directed again by Leigh Janiak, with help this time from co-writer Zak Olkewicz, the film advances the overall Sarah Fier storyline while taking on the feel of the traditional slasher movie. Per tradition for those types of films, having sex almost immediately leads to someone being killed, and the killer is an unstoppable force with his chosen weapon – in this case an axe – even after he has seemingly been vanquished.

    What’s most impressive about this film and the series in general so far is how much care has been taken in telling a good story, and not just relying on the bloody murders to carry the day. The plot is deceptively simple, but the filmmakers make sure to get the audience invested the characters. Save for a couple of scenes, the film has a whole new group of characters, and they become just as interesting thanks to the time devoted to telling us who they are.

    The actual horror part of the film is filled with standard issue jump scares foretold by ominous musical cues, but we already know they’re not trying to reinvent the wheel. Just like the first film, Part Two is filled with a plethora of era-appropriate songs, so much so that you wonder what they’re going to do in Part Three when they can’t artificially set the tone with rock or pop songs since it’s set in 1666.

    Except for Sink, whose fiery red hair and equally fierce spirit played as big a part in Stranger Things as they do here, the cast is once again filled with unfamiliar faces. But the casting department did its job well, as each person fulfills their purpose strongly, especially Rudd, Slye, Sutherland, and Ryan Simpkins.

    Many of the actors from the first and second films will be playing multiple characters in the finale, due on July 16, and given how well the filmmakers have done so far, there’s little doubt they will be able to integrate the characters successfully. Making good horror movies, and especially sequels, has proven difficult for many, but Janiak and her team are showing how it can be done.

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    Fear Street Part Two: 1978 debuts on Netflix on July 9.

    Ted Sutherland and Sadie Sink in Fear Street Part Two: 1978.

    Ted Sutherland and Sadie Sink in Fear Street Part Two: 1978
    Photo courtesy of Netflix
    Ted Sutherland and Sadie Sink in Fear Street Part Two: 1978.
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    Movie Review

    The Super Mario Galaxy Movie serves fans with Easter Eggs galore

    Alex Bentley
    Apr 1, 2026 | 1:30 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers — directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel — have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy — sometimes using game mechanics, sometimes not — to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    This critic has long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover, and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word — “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

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    The Super Mario Galaxy Movie is now playing in theaters.

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