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    Uncover the mystery of Sherlock Holmes at thrilling new Houston exhibit and stage show

    Tarra Gaines
    Jul 2, 2018 | 1:12 pm

    Who is Sherlock Holmes? Such is the question posed this summer by Jeffrey Hatcher’s play Holmes and Watson, the final production of the Alley Theatre’s 17-18 season, but it’s also the mystery unraveled within the International Exhibition of Sherlock Holmes at the Houston Museum of Natural Science.

    Fans have been obsessed with the enigmatic detective since Sir Arthur Conan Doyle first set him deerstalking into the world’s collective imagination 130 years ago. In film and television, he and his many contemporary incarnations are more popular than ever. So perhaps it’s no surprise that Houston is getting a cool summer of Sherlock.

    But who is Sherlock Holmes and why do we in Houston continue to love him so? This was the mystery I set out to solve with a day devoted to murder, mayhem, and the master detective, ever ready to put the world to right.

    The game's afoot
    First up, I headed over the Museum District to discover the very dramatic HMNS exhibition unexpectedly had something of an immersive theater feel. Before entering I received a casebook I would need to use along my journey into the dark underbelly of Victorian crime fiction.

    This HMNS exhibition contains manuscripts and artifacts of Doyle’s era which delve into the history of Holmes and give insights into Doyle’s influences, including the writings of Edgar Allen Poe and Doyle’s his real life medical training and studies under Dr. Joseph Bell. The majority of the galleries are organized around a new Holmes mystery, written by noted Doyle biographer Daniel Stashower. The guiding narrative invites visitors to help Holmes solve this latest diabolical case.

    At times working my way through the exhibition did feel as if I had entered into a role playing theatrical piece. The casebook and displays invited me to attempt some observational exercises, documenting all I saw, solve puzzles and work through a series of problems and experiments. The layout of the galleries gives the impression that Holmes himself was always just a few steps in front of me, in the next room.

    One of the most fun parts of the experience was watching kids, ages 5 to 65, diligently and sometimes gleefully filling out their casebooks and working through the steps to solve the mystery. Along the way, the exhibition rather sneakily teaches some Victorian history and forensic science all in the guise of putting us through an audition to become Baker Street Irregulars.

    For fans of the latest onscreen versions of the detective, the exhibition presents several displays of props and costumes from the three most popular current incarnations of the mythology: Guy Ritchie’s steampunk Holmes films starring Robert Downey Jr., the BBC Benedict Cumberbatch Sherlock and CBS’s Elementary.

    Murder at the theater
    Once I felt my observation skills finely honed, I headed over to the Alley to see if I could out deduce Hatcher’s Sherlock, only to find that in the play, it is the good doctor who must play detective.

    Holmes and Watson, directed by Mark Shanahan, begins three years after the notorious Reichenbach Falls case, when Holmes and his archenemy Moriarty fell to their deaths. Or did they?

    Dr. Watson (Jeremy Webb) is invited to a mysterious island asylum by a seemingly concerned, but perplexed Dr. Evans (Bruce Warren). Three inmates (Jay Sullivan, Dan Domingues, and Chris Hutchison) housed there all claim to be Sherlock Holmes. They all have a different story to tell about what happened that fateful night on the Falls and very different motives for telling their tales to Holmes’s best friend, confidant, and biographer. In turn, Watson must discover who is the real Sherlock Holmes, as danger lurks in every night shadow.

    Of course, one of the allures of a good mystery, especially a Holmes play, is seeing if we can keep up with the game and figure out who done it, or in this case who is who, before a Sherlock or Watson explains it all.

    In only 90 minutes, Hatcher, director Shanahan, and the cast create enough quick plot turns that audiences members might find themselves dizzy at the final reveals. Near the end, I did want to give my (imaginary) Baker Street Irregular badge a congratulatory polish because I did spot a few, though not all, of those plot twists leading up to the finale.

    Whether I half-solved the case thanks to the training the International Exhibition of Sherlock Holmes gave me earlier in the day, or it was the years of watching and reading so many versions of the great detective that made me a successful plot sleuth, who, but Holmes, can know.

    Holmes and Watson runs at the Alley Theatre through July 22. The HMNS presents the ticketed International Exhibition of Sherlock Holmes through September 30.

    Make a visit to 221B Baker Street while exploring the International Exhibition of Sherlock Holmes at the Houston Museum of Natural Science.

    HMNS: International Exhibition of Sherlock Holmes
      
    HMNS Courtesy Photo
    Make a visit to 221B Baker Street while exploring the International Exhibition of Sherlock Holmes at the Houston Museum of Natural Science.
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    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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