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Divine design

Renovation of Heights home adds a touch of boho chic for new family

Jess McBride, Houzz
Jun 13, 2017 | 10:10 am
Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, gallery wall
Across from the dining table and its wall of windows was prime real estate for a gallery wall.
Photo by Julie Soefer

With a new baby on the way, the Woodall family wanted a fresh makeover for their Houston home — and they knew exactly whom to call for the job. Family friend and interior designer Audrey Moore had a new baby of her own and understood the couple’s style.

The Woodalls already loved the floor plan and character of their turn-of-the-last-century house, with its original architectural details, so no major renovation was required. The mission was to capture a bit of what Moore calls the “nomadic, bohemian vibe” that the homeowners craved.

Houzz at a Glance
Who lives here: Aimee Woodall, founder and owner of The Black Sheep Agency; her husband, an executive with an oil and gas company; and their newborn baby.
Location: The Heights neighborhood of Houston.
Size: About 2,700 square feet (251 square meters).
Designers: Audrey Moore of Audrey Moore Design and Jana Erwin of Nest Design Group.

Repaint Your Kitchen Cabinets for a New Look

When Moore arrived on the scene, the walls were golden yellow and the home had an Arts and Crafts vibe. She started the project by splashing fresh white paint on the walls and repainting the moss-green kitchen cabinets in a glossy white.

Homeowner Aimee Woodall and Moore had been searching Justina Blakeney’s popular design blog Jungalow when they saw an Indian toran valance just like the one that now hangs above the sink. They knew that the kitchen, now predominantly white, could handle the burst of color and pattern.

The team learned that these valances are commonly used to decorate camels, so they wrangled up other camel-inspired swag to sprinkle through the rest of the home. In keeping with the multicultural influences, they purchased the kitchen runner from a Middle Eastern rug dealer.

A vintage range with warming drawers is original to the house.

The living room sofa was a custom order from Cisco Brothers, and the linen daybed was a custom purchase as well. Many other items in the home were purchased locally at antiques shops or home boutiques, including Georgia Brown Home, Stardust Antiques, and the Round Top Antiques Fair.

In the center of the living room is a large metal drum used in a previous life for dying fabric in India. Moore spotted it at Georgia Brown Home and was intrigued by its story. Even the spout on the drum’s right side, where the dye drained out, was intact.

Bring Blue and Turquoise Into Your Home

A blue accent scheme emerged after Woodall found an indigo-dyed African tapestry and bought it with the idea that she would find a place for it in the new design. The textile ended up covering an ottoman, not pictured, and inspiring the rest of the blue additions throughout the home.

In fact, Moore says, the team “just became obsessed with these indigos” and started collecting them, though rather unconsciously — it was always, “Oops, I bought another indigo fabric!” So they took blue and used it as their grounding hue, layering on other colors, like rich browns and the jolts of red found in some of the Turkish and Moroccan rugs.

The floor cushion was picked up locally, and the denim wing chair was found as-is at Kuhl-Linscomb.

Work Neutral Colors in Your Bedroom for an Earthy Feel

In the master bedroom, swing-arm sconces illuminate the couple’s hand-embossed bed from Anthropologie. The palette is soothing whites and neutrals in earthy textures like linen and woven wood. The bench at the foot of the bed came from a local antiques store.

No significant changes were made to the bathroom. The tiling in this space was what sold the Woodalls on the house to begin with. With the spectacular tile and the vanities already in place, attention turned to the wall space above the tub. After trying a few different art pieces, a vintage mirror from Woodall’s existing collection did the trick. A cozy vintage chenille blanket used as a shower curtain (or bathtub drape) is an unexpected touch that serves its purpose and reinforces the bohemian aesthetic.

Something else you’ll notice here and throughout the home are cactuses galore. “Any nook and cranny that needed something, we put a cactus. We couldn’t buy enough! The house just absorbed [them],” Moore says.

Woodall found the antique farmhouse dining table at the Round Top Antiques Fair. The vintage table is paired with new Roadhouse leather chairs by CB2, which were purchased as budget-conscious alternatives to other leather chairs the team had selected.

With the table and chairs in place, the room still didn’t feel quite finished, so the designers added Mexican blankets to the chair backs for additional texture and warmth. Finally, to tie in the blue accents found throughout the house, a blue hutch from Round Top completes the scene.

Across from the dining table and its wall of windows was prime real estate for a gallery wall. Since it’s the side of a staircase, it lacked symmetry and paved the way for a myriad interesting layouts. The wall is covered in art and accessories from the homeowner’s collection of vintage family photos, pieces gathered at the Round Top Antique Fair, and works commissioned from local artists. For example, the wood carving of two eyeballs is by Matt Messinger.

The antique farmhouse dining table is paired with new Roadhouse leather chairs by CB2.

Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, dining room
Photo by Julie Soefer
The antique farmhouse dining table is paired with new Roadhouse leather chairs by CB2.
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A cut above

How vintage finds shaped the look of Houston’s nostalgic new steakhouse

Emily Cotton
Jul 10, 2026 | 11:30 am
Star Rover interior
Courtesy of Rocket Farm Restaurants
“Buffalo Bill” and friends were collected from various antiques stores.

Houston is not a city short on steakhouses. From old guard icons to sparkling new concepts, there has always been something for nearly every vibe. The addition of restaurateur Ford Fry’s new Heights steakhouse Star Rover to the Houston food scene fills a gap few Houstonians were aware was missing — good ol’ fashioned nostalgia.

Inspired by classic 1970s steak joints, Star Rover is reminiscent of the era along with the kitschy interior quirks that come along with them. Red and white checkered tablecloths, spindleback tavern chairs, animal mounts, and even a steak-eating challenge not unlike the one John Candy’s “Chet Riply” takes on in The Great Outdoors converge under dimly-lit milk glass chandeliers and mysterious vintage portraits.

As gaggles of Houstonians have flocked to Star Rover since its opening in February, the question that pops up time and again seems to be: where did they find all this stuff? From the resplendent Marfa-inspired patio to the delightfully-campy interior spaces, Rocket Farm Restaurants’ design director Rose Hanson and assistant design director Erika Askew shared the backstory on Star Rover’s most-photographed vignettes, their inspiration, and where to shop the look.

“A lot of Ford’s inspiration that he shares with us comes from Marfa, TX, and we really tried to conjure up some of that ‘Marfa,’ but a little more whimsical and not so serious for the exterior,” explains Hanson. “We sourced a lot of that in Round Top, which is a lot of fun.”

Indeed, their haul of vintage iron patio sets, funky lounge chairs, patinated tables, and umbrellas decked out in pink and white stripes, playful florals, and bullion fringe could have been plucked straight out of Marfa’s El Cosmico. Quite a feat, as Hanson and Askew were tasked with sourcing the exterior furniture with little more than 24 hours and a box truck. The rest, along with some interior items, came from their favorite — and the oldest — Houston antiques store August Antiques on Heights Boulevard.

“These are things that feel very different or out of place in the landscape, but it all connects to one another and perfectly fits there,” says Askew. “When we were thinking through this Marfa feel, it was really ‘what would a Marfa person do?’ Which is a little gathered and mismatched, but quirky and still Texas.”

From the patio, it may take a moment for eyes to adjust to the moody lighting glowing inside. Diners are greeted by a hefty hostess stand repurposed from an authentic saloon bar, found in an Atlanta Facebook marketplace listing of all places. “We ‘follow the stuff,’ and what we see,” says Hanson. “And that becomes our inspiration most of the time.”

The bar, located to the right of the entry, is a menagerie of vintage bar memorabilia. Retired brand mascots populate the shelf spaces between liquor bottles, and a floor-to-ceiling collection of rare beer mirrors fits together like puzzle pieces. It took the design duo six months and seven states to source them all. In the end, they only had a surplus of two. Surprisingly, the “mural” behind the bar is actually a landscape painting sourced during the trip to Round Top which perfectly aligned with the buildout.

“Once the project gets some momentum and we’re feeling the vibe, then we’ve really got a clear direction and we know it when we see it,” explains Hanson. “We get really excited about cowboy hats and those types of things — it’s hard to stop buying them now.”

On the subject of cowboy hats, the vaulted ceiling in the bar is nearly covered in them. The approximately 160 hats were sourced everywhere from vintage stores to eBay over the span of four months. While the goal was for the collection to look “intentionally unintentional,” assembling the carefully-curated installation took an entire day.

The main dining rooms are where things get really interesting. Lowered ceilings and warm lighting set an intimate scene, while the addition of heavy velvet draperies in deep burgundy serve to separate seating areas, dampen noise, and bring some mystique to the otherwise-casual atmosphere. Pushing the limit on what one may consider an inspired interior and what is merely cheesy theater, Star Rover lands perfectly within the realm of “camp.” It’s thoughtful, it’s quirky, and it’s a heck of a lot of fun.

“We definitely had the challenge of trying to create some of that nostalgia and authenticity without it being too conjured up or curated to make it feel staged,” says Hanson. “We tried to get it to the point where we brought in a lot of drama. Our restaurants integrate with other people’s lives and become a good memory for them. More than anything, we want to leave people with a warm feeling and a warm belly.”

The main dining area is mostly table seating, plus a hardwood-canopied bank of three booths. The antique milk glass chandeliers that hang within were sourced — for just $150 a pop — from local salvage shop Saltaire Architectural Antiques just outside of Lazybrook, as were the metal lampposts that serve as decorative columns throughout the space.

“You can’t create age on something,” says Askew of incorporating architectural salvage. “The charm of a space that’s been there forever is knowing it has been there forever. We wanted it to be like a living, breathing design that didn’t feel too perfect and allowed the age itself to happen and take over the space over time on its own. So it has a sense of nostalgia, but has so much room to grow into a place that’s been around forever.”

The pink-and-red-striped wallpaper is quickly becoming a guest favorite for Instagram posts. The pattern, with rows of whimsically-drawn turnips sprouting bouquets of flowers, also serves as a backdrop to one of the many vignettes of vintage collections. Taxidermy populates Star Rover as a whole, but guests find one grouping of particular interest, as the unfortunate former animals have taken on personalities of their own.

Names like Phil the pheasant, Douglas the deer, two ducks — aptly named Donald and Donna — and a gold-chain-wearing DJ Squirrel have garnered the unlikely squad a fandom all their own. Not to mention Buffalo Bill, the water buffalo that has taken up residence amongst the many mounts on the far back wall. One deer hoof holding out a fan of playing cards continuously receives a chuckle.

“We find ourselves having to create a lot of collections. Like the beer mirrors, the hats, the taxidermy, and some of the portraits,” explains Askew. “We strategically placed pieces of art and little cheeky items around so that every time a guest comes back in, they can kind of discover something new that maybe they didn’t notice before. Every time a guest comes back they feel a little rewarded by the design because they get to see a pop of something different.”

The antique portrait gallery and additional portraits placed throughout the spaces are of particular interest to new customers. The little blonde boy was the first in what would become a string of portrait purchases. With absolutely zero provenance to speak of, the designers chose to name the portrait “Baby Ford,” after proprietor Ford Fry, and go from there. Each new acquisition became a long lost family member with expressions and personalities to match, and with a growing fondness for them from the team.

“That little cheekiness and kind of laughing about this portrait of someone we didn’t know, and turning it into someone we do know kind of led to the rest of the findings,” explains Askew. “These were ideas we had, but that one piece opened the path for us for when we would find the other pieces. We found him and then we followed the next trail to a fun portrait, and then it became this portrait wall with a life of its own. What would it feel like to look at them when you’re in there? Even though we didn’t know who they are, we still knew them.”

Even the restrooms at Star Rover are a vintage design experience. More portraits and framed needlepoint works decorate the walls, while a graphic geometric wallpaper pattern is repeated on the fabric vanity aprons. The vanities themselves are — believe it or not — vintage replicas. The wide-bodied lime green sinks that perfectly imitate Bakelite, as well as the European-style brass vanity stands are none other than…Home Depot?

“We aren’t above or below going to Home Depot or to the fanciest store in town — if it’s the right thing, it’s the right thing,” says Askew. “Again, it was that feeling we got that we couldn’t deny and we knew that feeling would pass along to the guests when they enter the space.”

Clearly an important lesson in “high-low” design, Star Rover has something for everyone. From the nostalgic food and cocktail menus, to the comfy aesthetics of the 70s, and even the two vintage Skee-Ball machines tucked away near the patio, no detail has been overlooked.

“It’s an experience that each person gets to have individually when they walk in. It’s definitely going to take you back, not in an overdramatized way, but it will invoke the feeling of the places you’d go to with your parents as a kid, and now you’re bringing your kids,” shares Askew. “The nostalgia is there that makes people feel comforted; you don’t feel like you have to try hard. It’s always going to have a comfortable feel at whatever level you enjoy it at: drinks on the patio, snacks at the bar, dinner in the restaurant. It’s perfectly welcoming no matter what.”

As for their fellow vintage fans, Hanson weighs in on the question that’s usually on every thrifter’s mind during a hunt: “Is this cool, or is this garbage? Sometimes that line is a little blurry, and we aren’t afraid to ride that a bit.”

Star Rover interior

Courtesy of Rocket Farm Restaurants

“Buffalo Bill” and friends were collected from various antiques stores.

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