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    Movie Review

    Texas-set 12 Mighty Orphans loses inspiration with fumbled storytelling

    Alex Bentley
    Jun 11, 2021 | 4:00 pm
    Texas-set 12 Mighty Orphans loses inspiration with fumbled storytelling
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    It seems like anytime someone decides to make an inspirational sports movie, it’s released by Disney. The studio has had a monopoly on the genre for years, churning out films like Remember the Titans, The Rookie, Miracle, Invincible, Secretariat, and more. They have the formula down to a tee so much that anytime anyone else tries their hand at a similar film, as is the case with Sony Pictures Classics’ 12 Mighty Orphans, it becomes difficult to measure up.

    The film has particular significance to Fort Worth, as it centers on the Mighty Mites, a high school football team built from nothing by coach Rusty Russell (Luke Wilson) at the Masonic Home & School, an orphanage located in what is now the southeastern quadrant of the city. As the film tells it, Russell and his wife, Juanita (Vinessa Shaw), arrive at the school in 1938, and Russell quickly establishes himself as a leader both on and off the field.

    Per sports movie tradition, the players are a ragtag bunch, with zero playing experience and attitude problems aplenty. But Russell is able to quickly get them into playing form with the help of school doctor/assistant coach Doc Hall (Martin Sheen), utilizing a then-unique spread formation that flummoxed coaches at rival schools. Along the way, Russell and the players face multiple challenges, including an abusive administrator, a league reluctant to let them play, and more.

    Directed by Ty Roberts and written by Roberts, co-star Lane Garrison, and Kevin Meyer based on local sportswriter Jim Dent’s nonfiction book, the film is long on ambition but short on accomplishment. It ticks all the boxes of your typical sports movie, but it does such a poor job of telling the story that any inspiration one might get from it vanishes into thin air.

    Moments that would normally prove rousing for audiences are handled clunkily, and the filmmakers push much too hard trying to show how much the team was loved.

    Roberts and his team try to demonstrate that the team provided a measure of hope to a region and country still going through the Great Depression. And while that may or may not have been true in real life, the news of their success spreading across the country comes across as laughable. They’re barely two wins into their season before none other than President Franklin D. Roosevelt (Larry Pine) is being briefed on their rise by Fort Worth Star-Telegram publisher Amon Carter (Treat Williams), a sequence of events that strains credulity, at best.

    Worse than the believability factor, though, is the fact that viewers barely get to know the players at all. Aside from stars like running back Hardy Brown (Jake Austin Walker) and quarterback Wheatie (Dallas actor Slade Monroe), the players never stand out. The film is also filled to the brim with corny dialogue, typified by an early game scene where the PA announcer makes disparaging comments about the Mighty Mites over the loudspeaker while the game is being played.

    There are so many other issues with the film — it features anachronisms like people listening to FDR’s 1933 inaugural address in 1938; the voiceover by Sheen is more like a TED talk about Russell’s innovative mind than helpful storytelling; villains played by Wayne Knight and Garrison are so over-the-top that you cringe just watching them — that it’s hard to know when to stop.

    Strangely, though, most of the main actors come across well. Wilson and Sheen make for a fun duo, and even though we barely get to know the players, all of the actors portraying them feel authentic. The hamminess of Knight and Garrison is counterbalanced by the professional nature of Williams and, in a cool cameo, the 90-year-old Robert Duvall.

    The real story of Mighty Mites took place across more than a decade, and the decision to compress and exaggerate their success into one season proves fateful for 12 Mighty Orphans. A story that should have been simple is made needlessly complicated by filmmakers who tried to overreach.

    ---

    12 Mighty Orphans is now showing in local theaters.

    Luke Wilson, Jacob Lofland, and Martin Sheen in 12 Mighty Orphans.

    Luke Wilson, Jacob Lofland, and Martin Sheen in 12 Mighty Orphans
    Photo by Laura Wilson / courtesy of Sony Pictures Classics
    Luke Wilson, Jacob Lofland, and Martin Sheen in 12 Mighty Orphans.
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    FOOD FOR THOUGHT

    Netflix foodie Phil Rosenthal brings tasty Texas tour to Houston

    Brandon Watson
    Nov 24, 2025 | 2:00 pm
    Phil Rosenthal
    Phil Rosenthal/ Facebook
    Phil Rosenthal films in Adelaide, Australia.

    Somebody give Phil Rosenthal a few Houston lunch suggestions. The sitcom writer-turned-food personality just announced a whirlwind tour through Texas, including a stop at Houston's 713 Music Hall on January 24, 2026.

    In a moderated discussion, Rosenthal will tell stories from his remarkable career. His Hollywood break was in acting before he switched to production work on shows like Coach with Craig T. Nelson. But he is best known as the creator of CBS's smash hit Everybody Loves Raymond, for which he earned a pair of Emmys.

    In 2015, he made another career change to become a food television host, with a six-episode PBS series, I'll Have What Phil's Having. The show was reworked into Netflix's Somebody Feed Phil, which released its eighth season in June.

    The docuseries follows Rosenthal as he travels around the globe, highlighting regional specialties and nonprofit organizations doing good work in each region. Each week, he is joined by special guests, including some of the biggest names in TV like Ray Romano, Ted Danson, Fran Drescher, and Paul Reiser.

    The show has only visited Texas once for an Austin episode in the sixth season, where he visited institutions like Amy's Ice Cream and the Continental Club and newer upstarts like Distant Relatives. Maybe a few of his fans can convince him that Dallas, Houston, and San Antonio deserve their own episodes.

    Tickets are on sale now for $53-$186.50, with the latter including a meet-and-greet.

    The complete dates for Rosenthal's Texas mini-tour are as follows:

    • January 21, 2026 — Majestic Theatre, Dallas
    • January 22, 2026 — Paramount Theatre, Austin
    • January 23, 2026 — The Aztec Theatre, San Antonio
    • January 24, 2025 — 713 Music Hall, Houston
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