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    Psychology at the movies

    Great Gatsby director relies on Menninger Clinic doctor to get therapy scenes right

    Allegra Fradkin
    Jun 11, 2013 | 1:11 pm

    Dr. W. Walter Menninger was surprised a couple of years ago when Baz Luhrmann, the famed director, writer and producer of The Great Gatsby, sought out his expertise in the feature film’s development stages —particularly because Menninger had never read the novel from which the film was being adapted.

    In 1919 Menninger’s father, grandfather, and uncle started the Menninger Clinic, a groundbreaking psychiatric practice in Topeka, Kansas. The clinic moved to Houston in 2003 and has since expanded.

    In order to include some of F. Scott Fitzgerald’s original language from the novel, which is written in first person from protagonist Nick Carraway’s perspective, Luhrmann had to find a way for Carraway to be writing in the film. After scouring archives and conducting exhaustive research on the Roaring Twenties, when the story is set, Luhrmann and his team decided it might be plausible for the narrator — overwhelmed by Jazz Age excess — to be in therapy.

    “Luhrmann’s approach very much intrigued me. It made sense—having the patient articulate the story, writing about it if they’re not comfortable talking about it directly."

    Through their research of 1920s psychiatric institutions, they stumbled upon the Menninger Clinic. Luhrmann knew he had to get in touch with Menninger, the retired president of the clinic who goes by “Dr. Walt,” and pick his brain about psychiatric methods from the time period.

    He crossed his fingers that Menninger would confirm that writing was, in fact, a prevalent form of therapy at the time. The two planned a meeting in New York.

    “Luhrmann’s approach very much intrigued me. It made sense—having the patient articulate the story, writing about it if they’re not comfortable talking about it directly,” Menninger told CultureMap. The doctor’s input “was an affirmation for Luhrmann.”

    Luhrmann could breathe a sigh of relief now that he had been given the green light regarding the concept’s validity. He swore Menninger to secrecy and arranged another meeting, this time with the stars of the film, for several weeks later.

    At this get-together Menninger was instructed to do some role-playing with Tobey Maguire, who portrays Carraway in the film. They were to act as therapist and patient, and the session was to be videotaped.

    “Nick had gotten into a social situation with Gatsby that was in its own way corrupting. He was disillusioned with humankind, depressed, discouraged,” Menninger said. “It was a matter of helping him regain some sense of equilibrium and get over the depression.”

    “I talked to him as if he were reluctant to talk,” he said. “I said, ‘Well, write it down.’ ”

    What sort of treatment would Nick receive if he were around in 2013?

    “He’d be given antidepressants and discharged. Maybe there would be a follow-up," said Menninger.

    “Part of the difficulty in today’s world is that there’s a push to have a quick fix in two weeks."

    “Part of the difficulty in today’s world is that there’s a push to have a quick fix in two weeks. People are not taking time to really work out the emotional stress they’re experiencing either by talking it out or writing it down like they did back in those days."

    The Menninger Clinic is the exception in this case. The facility still has a focus on traditional psychotherapy with comprehensive, individualized treatment programs that run for six to eight weeks.

    The premiere

    The movie opens with a scene very reminiscent of Maguire and Menninger's role-play session. The audience gets a glimpse inside an eerily isolated building labeled “The Perkins Sanitarium.” A therapist, portrayed by Jack Thompson, thumbs Nick Carraway’s file, which lists morbid alcoholism, insomnia, fits of anger, and anxiety among his diagnoses.

    “I had no idea that the brief encounter we had would have such an influence on the final product,” Menninger said. “There’s no question [Luhrmann] was most appreciative of my input.”

    Menninger was instructed to do some role-playing with Tobey Maguire, who portrays Carraway in the film. They were to act as therapist and patient, and the session was to be videotaped.

    Menninger attended the movie’s premiere and the party that followed at the Plaza Hotel.

    “It was really a delight to see how they put it together,” he said. “It was so consistent with what I suggested.”

    There were a few aspects of the film that necessitated some outside insight and research for Menninger.

    “I didn’t realize, I must confess, when I went to the premiere, that they had given the psychiatrist my name,” he said. “Dr. Walter Perkins”— the name of the “warm psychiatrist who helps Nick find his voice”—was in fact a nod to Dr. Walt.

    “I didn’t pick up on it, but my daughter recognized that [Jack Thompson] looked just like me,” he said. “Only afterwards did I notice the resemblance, looking in a mirror after the show.”

    There was one aspect of the film that troubled him. How did the English Tudor brick building in Topeka translate to a castle on an island in the movie?

    “I thought they kept the movie tasteful and appropriate. Other than having to cross a moat to get to the sanitarium!” Menninger laughed. "I thought, Oh my goodness, what is that from?"

    After doing some investigating, the doctor discovered the inspiration for the setting choice. In a photo from Kansas’s archives of the early Menninger Clinic, there’s a pond on one side of the building that, from a certain angle, looks fairly imposing.

    Make sure to watch the film’s end credits to see Menninger's shout-out. “You have to stay an extra 15 minutes!” he says.

    Great Gatsby excess leads Nick Caraway to a sanitarium in the movie.

    The Great Gatsby
    Photo courtesy of Warner Bros. Pictures
    Great Gatsby excess leads Nick Caraway to a sanitarium in the movie.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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