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    Movie Review

    Jurassic World Dominion roars back with fun but needlessly complex story

    Alex Bentley
    Jun 9, 2022 | 5:45 pm
    Chris Pratt in Jurassic World Dominion.play icon
    Chris Pratt in Jurassic World Dominion.
    Photo courtesy of Universal Pictures and Amblin Entertainment

    The biggest problem with the first two Jurassic World movies was the lack of a compelling, coherent narrative. The first never bothered to explain how they went from the cataclysmic events of the original trilogy to a full-blown dinosaur theme park, and the second was two different movies that never coalesced into one. So now comes Jurassic World Dominion, which once again plays on nostalgia for the original Jurassic Park while attempting to bring something new to the table.

    After their escape at the end of Fallen Kingdom, dinosaurs now populate every continent on Earth, bringing with them the expected good and bad actors. On the good side are Owen (Chris Pratt), who wrangles them for scientific purposes, and Claire (Bryce Dallas Howard), still hellbent on saving every dinosaur she can. The two are now an actual couple, shacked up in the wilderness, taking care of Maisie (Isabelle Sermon), who was left an orphan in the previous film.

    On the bad side is Biosyn, led by Lewis Dodgson (Campbell Scott), a company that promises to use genetic advances to help feed the world, but which also unleashes monster locusts onto any crops not grown by them. Ian Malcolm (Jeff Goldblum) is employed by the company, and he invites his old friends Ellie Satler (Laura Dern) and Alan Grant (Sam Neill) to come tour Biosyn’s headquarters, and if they find anything nefarious, then so be it.

    Directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael, the film is packed full of ideas and subplots, some of them more well thought-out than others. Unlike the previous two films, they actually explain what transpired in the four years between the two films, grounding the audience before the chaos that follows. And the reintroduction of Ellie and Alan isn’t overdone, allowing the characters to reintegrate back into the story with little fuss.

    The main roadblock of the film is how overcomplicated it gets. The Owen/Claire duo and Ellie/Alan duo are separated for most of the film, and they hop around to multiple different countries in service of subplots that only make a little bit of sense. Much of it feels like the filmmakers trying to justify the continued separation of the two groups, and so they give them a lot to do at different stops, even if what transpires there is ridiculous.

    Amid the absurdity, however, the film does have the requisite exciting action scenes. One sequence that introduces a new character, pilot Kayla Watts (DeWanda Wise), takes on a James Bond feeling with chases through buildings and tight streets. And naturally there are lots of encounters with and fights among dinosaurs. They attempt to introduce yet another apex predator into the film, but its fearsomeness never really connects.

    The film gets fast and loose toward the end, often making jumps in time that elide certain tense moments. It’s strange how they can make a movie that’s two-and-a-half hours long and still cut narrative corners in order to shoehorn in even more story. Still, most of them are forgivable, especially when they include callbacks to the original Jurassic Park that will have fans cheering.

    No one goes to see a Jurassic World movie for the acting, but it’s still nice to see each of the main actors reprise their roles in believable and fun ways. Wise is a great addition, not only for her calm-under-pressure demeanor but also for her hypnotic eyes. Also scoring points is Mamoudou Athie, who plays Dodgson’s right-hand man, Ramsay Cole. You believe every word that he says even when it’s clear he’s lying, a smoothness that’s rare among actors.

    It may be damning with faint praise to say that Jurassic World Dominion is the best of the Jurassic World trilogy, but at least it seems like they put in the extra effort toward telling a comprehensible story. They don’t always succeed, mind you, but at least the end result doesn’t make you wish for your time and money back.

    ---

    Jurassic World Dominion opens in theaters on June 10.

    Bryce Dallas Howard in Jurassic World Dominion.

    Bryce Dallas Howard in Jurassic World Dominion
    Photo courtesy of Universal Pictures and Amblin Entertainment
    Bryce Dallas Howard in Jurassic World Dominion.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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