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    Movie Review

    The Mummy is a monster way to start off a franchise

    Alex Bentley
    Jun 9, 2017 | 11:40 am
    The Mummy is a monster way to start off a franchise
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    Though not all of his films have been great, there is not an actor on earth who works harder to entertain his audiences than Tom Cruise. He's more than willing to put himself in harm's way if it means making the end product that much more believable and sensational for audiences.

    That commitment is once again on display in The Mummy, an endlessly entertaining film that kicks off Universal Pictures' attempt to join the franchise business with a callback to their monster-movie roots. Cruise stars as Nick Morton, a military contractor in Iraq who unearths the ancient tomb of Ahmanet (Sofia Boutella), an Egyptian princess who had been buried far from home after a series of misdeeds.

    Turns out it would've been better for her to remain buried, as a protective curse brings down the plane carrying Ahmanet, Morton, assistant Chris Vail (Jake Johnson), and historical researcher Jenny Halsey (Annabelle Wallis). Now in a state between life and death, Morton must try to prevent Ahmanet from coming back to her full power.

    What the filmmakers, led by director Alex Kurtzman and writing team of David Koepp, Christopher McQuarrie, and Dylan Kussman, get right is taking their time to establish the story. Other films, in an attempt to kick-start the action, would have featured the aforementioned plane crash very early in the movie. Instead, Kurtzman and his team trust that the story they're telling is strong enough to make the audience wait.

    That pacing comes in handy with the rest of the film as well, as they flesh out the arcs of multiple characters, including scientist Dr. Henry Jekyll (Russell Crowe), who's on a monstrous mission of his own. Thanks to this attention to detail, you really feel like you know the main characters, which makes their dialogue and action that much more meaningful.

    There's very little that isn't rousing in The Mummy. The action sequences, particularly the plane crash and an attack by corpses risen from the dead by Ahmanet, are intense and inventive. Though far from a comedy, the film's use of humor is effective, dishing it out in fun ways, especially through Johnson's character.

    If you were to look strictly as his age, 55, you'd wonder how much longer Cruise can keep up this act of being a major action star. But one glance at his seemingly ageless face and toned body show that he has what it takes to keep bringing the heat for at least 10 more years, if not longer.

    The Mummy is the ideal start for a new franchise for Universal. If the makers of future installments take as much care with their movies as they did here, moviegoers will be in for a treat.

    Sofia Boutella in The Mummy.

    Sofia Boutella in The Mummy
    Photo courtesy of Universal Pictures
    Sofia Boutella in The Mummy.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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