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    Tony Award Predictions

    A Kinky Tony awards? Close race for Broadway's top prizes and the winners are....

    Fran Macferran
    Jun 8, 2013 | 2:34 pm

    Editors' Note: For the third year in a row, Hobby Center for the Performing Arts president and Tony Award voter Fran Macferran shares his take on the favorites at the 67th Annual Tony Awards Sunday night with CultureMap readers.

    It’s that time of year again when Broadway is buzzing with new works and big names as the Tony Awards are quickly approaching. As a Tony voter, I have had the privilege to experience some of the best of Broadway this season, and get a preview of productions that could make their way to the Hobby Center here in Houston. My ballot has been cast; here is my breakdown of the top plays and musicals competing for the top awards.

    The Leading Play-ers

    Much like last year, there are many note-worthy actors and actresses who we know best from TV and film that have given stand-out performances on Broadway this year.

    Among these veteran actors is Tom Hanks who proves he is a true character actor in Lucky Guy. In this gritty look at the world of tabloid journalism in 1980s New York City scripted by the late Nora Ephron, Hanks stars as Pulitzer Prize winning journalist Mike McAlary. Hanks easily translates his acting skills from screen to stage – not an easy task – and has a good shot at the win for Best Actor in a Play.

    In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved.

    The Best Actor trophy, however, has tough competition from David Hyde Pierce and Nathan Lane; both actors have previously won Tony Awards in this category. Pierce is nominated for his role as Vanya in Vanya and Sonia and Masha and Spike, which stands out as an unbelievable production. The entire cast is off the charts and is the very definition of an ensemble. It is rare to find an ensemble cast where all of the individual actors are so dynamic. Lane is nominated for his performance as Chauncey Miles in The Nance.

    The two leading ladies in The Assembled Parties are unbelievable and really carry this phenomenal, off-the-charts-awesome show. Last season, Judith Light blew me away with her performance in Other Desert Cities, for which she won a Tony for Best Featured Actress in a Play, and she continues to amaze with her captivating portrayal of Faye in this family drama. This is her third year in a row to be nominated in the Best Featured Actress in a Play category, and I think she might continue as the reigning champion.

    I think most Texans, no matter which side of the aisle they stand on, have a soft spot for former Gov. Ann Richards. In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved. Most plays don’t get a life out on the road, but I am hopeful this one does so more Texans can witness this transformational portrayal of Ann Richards.

    The Famed and Familiar Musicals

    Looking at the nominated musicals, we see not only beloved musicals and familiar names from the entertainment industry, but also several titles from movies and books. Though several names may be familiar, they certainly take on new identities in musical form and make a phenomenal impression.

    Probably one of best-known titles is Annie, up for Best Revival of a Musical. In all my trips to Broadway and years as a Tony voter, this was my first time to see Annie! I’m glad I waited to see this revival’s run and experience Jane Lynch’s portrayal of Miss Hannigan, the character everyone loves to hate. This tried and true musical is worth a second chance for those who think they have already been, there, done that -especially if you get a chance to see it with Lynch.

    Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Also up for Best Revival of a Musical, and definitely my pick, is Pippin. The circus and acrobatic elements are awe-inspiring, and there are many wow factors throughout the show. As the Leading Player, Patina Miller filled the Tony Award winning shoes of original cast member, Ben Vereen, in tremendous fashion. Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Another familiar name, this time from the bookshelf, is Matilda The Musical. Like my experience in Annie, there was one particular actor who stole the show. Bertie Carvel is amazing from the moment he appears on stage as Miss Trunchbull (a dramatic entrance which you must see yourself!), and is my pick to win for Best Performance by an Actor in a Musical. The show has been incredibly successful on London’s West End, and the Broadway incarnation definitely has the legs to stick around for quite a while. Hopefully, it will also make its way on tour to Houston.

    It’s going to be a tight race between Matilda The Musical and Kinky Boots for Best Musical. Interestingly enough, both have British roots. I think Harvey Fierstein will win for Best Book of a Musical and Cyndi Lauper has a shot of winning in the Best Original Score category. These two might put Kinky Boots over the edge to win Best Musical.

    Tony Award votes are cast by secret ballot, but there is of course a lot of speculation and buzz about who will take each award category. The rumored favorites below reflect my opinions only, and not necessarily even my personal favorites:

    Best Musical: Kinky Boots or Matilda The Musical
    Best Revival of a Musical: Pippin
    Best Play: Lucky Guy or Vanya and Sonia and Masha and Spike
    Best Revival of a Play: Golden Boy or The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky Guy
    Best Performance by an Actress in a Leading Role in a Play: Holland Taylor, Ann or Cicely Tyson, The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical
    Best Performance by an Actress in a Leading Role in a Musical: Patina Miller, Pippin

    ----------

    The Gexa Energy Broadway at the Hobby Center 2013 – 2014 season begins in September with The Book of Mormon – a winner of nine Tony Awards, including Best Musical. For more information on the entire season, visit www.thehobbycenter.org.

    The cast of Kinky Boots

    Fran Macferran Tony Awards Predictions June 2013 The cast of Kinky Boots
    Photo by © Matthew Murphy
    The cast of Kinky Boots
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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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