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    Fleetwood Mac Returns

    Thinking about tomorrow: Fleetwood Mac revives great memories — and creates new ones

    Clifford Pugh
    Jun 6, 2013 | 2:23 am

    The lines to get into the Toyota Center Wednesday night for the Fleetwood Mac concert were unusually long and slow as security guards searched handbags for cameras and directed ticket holders inside to check the confiscated items at the counter. At a time when everyone has cell phones that can shoot photos, it seemed like a particularly clumsy directive.

    "They're old people," a security guard explained, referring to the iconic band of the late 1970s as she directed my friend inside. "They don't want (pictures of themselves) out."

    Indeed the band's longtime members, John McVie, Stevie Nicks, Lindsey Buckingham and Mick Fleetwood, are all north of 60 and looked a little long in the tooth as they burst onstage even before a lot of the audience had made it to their seats. But age didn't seem to matter as the band performed like new kids on the block in a nearly three-hour show that covered most of their greatest hits along with some poignant tunes that recalled as much of our wistful past as theirs.

    With unparalleled guitar riffs and a voice that has grown stronger with age, Buckingham is certainly the heart of the band. But even with a diminished voice, Nicks remains the band's soul.

    The band opened with several of their most popular hits, "Second Hand News," a perfect sing-along song, followed by somewhat sluggish versions of "The Chain" and "Dreams."After Buckingham introduced a song, "Sad Angel," from the band's new EP, the band returned to another classic, "Rhiannon," which showcases Nicks' voice but in a lower key, which, sadly to this ear, lacked the warmth and glow of her earlier work.

    Buckingham then took center stage with a couple of songs from the band's experimental 1979 album, Tusk, the punk-tinged "Not That Funny" and the album's title tune, which delighted hardcore Fleetwood Mac fans among the sellout crowd.

    With unparalleled guitar riffs and a voice that has grown stronger with age, Buckingham is certainly the heart of the band. But even with a diminished voice, Nicks remains the band's soul. And as the evening progressed, she dominated the stage, swathed in black, with blonde hair framing her face, a tambourine often on her arm and a whiskey-dipped voice that drew richer with each song.

    She performed the little-known "Sisters of the Moon," also from the Tusk album, noting this song has not been done on a tour since 1981. She took control with a couple of other big hits, "Sara" and the hauntingly beautiful "Landslide," a duet with Buckingham, as the crowd sang along to the words,"I'm getting older, too."

    Nicks dedicated the song to a Houston friend who had apparently fought off a debilitating illness since she was "teeny tiny." "You little Welsh witch, this is for you," Nicks said.

    At this point, the concert was barely half over, but the band seemed to draw energy from the audience through a series of hits, including "Without You," in which Nicks' endearing yet rambling introduction was longer than the song, "Gold Dust Woman," "Gypsy" and "Stand Back." Every time she twirled, the audience roared.

    By the time the band got to "Go Your Own Way," an electric duet between Nicks and Buckingham with undertones of their one-time romantic relationship — the chemistry surely remains — everyone in the audience was up and dancing like they didn't have to go to work today.

    House lights were often raised so the band could make eye contact with the adoring crowd and even after two encores, including the infectious "Don't Stop (Thinking About Tomorrow)," Nicks, Buckingham and drummer Fleetwood didn't want to leave the stage. They lingered, each giving heartfelt thanks to the audience, as Fleetwood, who looks a bit like Santa Claus with a white beard and twinkle in his eye, encouraged everyone to "take care of yourself" and "be kind to one another."

    Is the band as good as the first time I saw them in 1977 in Birmingham, Ala., soon after their monster album, Rumours, hit the top of the charts? I'd have to say no, because we were all younger then, and besides, to fans like me, Fleetwood Mac without Christine McVie really isn't Fleetwood Mac.

    But the current band still left me with goosebumps as their songs unleashed a flood of fond memories — and they're still having a hell of a fun time doing it.

    Stevie Nicks and Lindsey Buckingham embrace at the Fleetwood Mac concert.

    Stevie Nicks and Lindsey Buckingham at Fleetwood Mac concert at Toyota Center June 2013
    Photo by Jane Howze
    Stevie Nicks and Lindsey Buckingham embrace at the Fleetwood Mac concert.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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