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    Rooney or Messi?

    On the ground in Johannesburg: World Cup furor — traffic — already at a fever pitch

    Gerardo Chapa
    May 31, 2010 | 1:53 pm
    The 2010 World Cup is a great cause of pride and a great cause of concern for South Africa.

    Gerardo Chapa is the producer of 20/10, a documentary about the 2010 World Cup. The movie's descriptor reads: "For a month this summer, for 90 minutes at a time, an inexplicable phenomenon will unite people of all ages, creeds and colors. Every four years, beggars and kings, whites and blacks, women and men gather to indulge in the revelry of this sensation. For the first time ever, the catalyst for this fever will take place in Africa."

    Chapa is on the ground in South Africa as the world's biggest sport event looms. Here's his first-person account, exclusive to CultureMap.

    Since our arrival on April 19th, we’ve been bombarded with countdowns of how many days are left before the opening match of the 2010 World Cup. Considering we spend about three hours per day in our rented Hyundai, there’s been no need to ask each other, “How many days do we have to find our characters?”

    An Icelandic volcano had already delayed our arrival and threatened to derail our entire project, but now a more familiar obstacle stood in our way: Johannesburg traffic.

    Initially, the lessening days to the start of the tournament were a source of wonder because of how quickly they diminished. Gradually they became a barometer of the interest levels building in the media and in society in general. Increasingly the words "Twenty Ten" are thrown around as if the World Cup were all South Africa had ever been waiting for.

    As if everything up to now — the demise of apartheid, the birth of the New South Africa, the successful Rugby World Cup in 1995 and the disastrous Cricket World Cup in 2003 had just been rehearsals for the real thing.

    However, after the initial euphoria of being awarded the World Cup had subsided, concerns were raised for the first time about the longevity of the benefits of having the world’s biggest sporting circus in South Africa's backyard. A lot of people questioned the wisdom of building so many huge stadiums that will be difficult, if not impossible, to fill again. An entire film was produced to expose this “sinful misappropriation of resources.”

    But now that there are less than two weeks to go, it seems those concerns have either been dealt with or conveniently shelved, to be faced when the circus moves on.

    It’s been said that the logistical inconveniences would be overshadowed by the hospitality and charm of the hosts, and so far we can almost unequivocally verify this assertion. Sure, we had our GPS system stolen at a traffic light (or "robot," as they call them here), but that was a small price to pay for what we’ve been offered: Meals to eat, people to meet, beds to sleep in, offices to work from and daughters to marry.

    These are indeed a generous people.

    As the opening match between South Africa and Mexico fast approaches, World Cup paraphernalia seems to be growing out of every nook and cranny. Cars are festooned with flags, every conceivable body shape is draped in football shirts and whole buildings are being patriotically painted the colors of the national flag. Street hawkers are doing such a bustling trade that they go from one minute looking like walking Christmas trees — so many of the flags they’re offering for sale hanging off them — to the next looking like trees that have lost all their leaves.

    Names like Drogba, Rooney and Messi are suddenly on everyone’s lips, and it appears that when the first whistle blows, there may even be a few wives who actually understand the offside rule.

    And new concerns have arisen in the popular press. No longer are they worried about wasted expenditure or white elephants, but about whether essential projects will be finished in time. We can’t even drive to the market without running into roadwork and closed lanes — we've learned to add 20 minutes to the estimated time on our TomTom.

    Realizing that the traffic was threatening our sanity, we found new methods of entertainment for our daily travels. The first week, we interviewed strangers in neighboring cars, became the first civilians to test drive the freshly paved highway lanes and tested our off-road capabilities.

    And a new measure of social status has emerged by virtue of which game you hold tickets to — “Oh you’re not going to the final? What a pity ...”

    And of course genuine football fans — now that they are starting to believe it's all real — are beside themselves with excitement. Others, like our local cameraman, are just looking forward to the parties. And most, namely the Soccer City construction workers who sold us the free tickets FIFA had given them for 150 Rand, just want to make a few bucks. No one is expecting to do any work from the 11th of June to the 11th of July, and no one dares go anywhere.

    It's a feeling in the air: “Bring it on — we are ready.”

    All roads seem to lead to the World Cup — and not very quickly — these days.

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    Movie Review

    Wicked: For Good clings to the musical and misses out on movie magic

    Alex Bentley
    Nov 20, 2025 | 1:20 pm
    Ariana Grande and Cynthia Erivo in Wicked: For Good
    Photo by Giles Keyte/Universal Pictures
    Ariana Grande and Cynthia Erivo in Wicked: For Good.

    Splitting the film adaptation of the musical Wicked into two parts makes a certain kind of sense beyond the financial incentive of making fans pay for two films. Like most stage musicals, there’s a definitive break between the two acts, and it’s hard to resist going out on the high note of “Defying Gravity” for the first film. And expanding the story for the films puts the entire story at around 5 hours, much too long for one sitting.

    However, separating them puts a spotlight on the strengths and weaknesses of each act of the musical, and it's a popular opinion that the second act is inferior to the first act. In the awkwardly-named Wicked: For Good, Elphaba (Cynthia Erivo) is firmly ensconced as the Wicked Witch of the West, striking fear in people across Oz. Meanwhile, Glinda (Ariana Grande) has ascended as the protector of the land’s citizens, even as she hides the fact that she doesn’t possess the powers that Elphaba does.

    The story speeds through a number of different arcs, including Elphaba’s sister, Nessarose (Marissa Bode), becoming governor of Munchkinland; Glinda essentially forcing Fiyero (Jonathan Bailey) to commit to marrying her; even more bad revelations involving the Wizard of Oz (Jeff Goldblum) and Madame Morrible (Michelle Yeoh); and more. Hanging over all of it is the tenuous bond between Elphaba and Glinda, which is tested on multiple occasions.

    Director John M. Chu, working from a script by original musical writer Winnie Holzman and Dana Fox, leads the way on the faithful adaptation that is perhaps a bit too faithful. Chu helmed the memorable adaptation of Lin-Manuel Miranda’s In the Heights that brought more life to an already lively production. He accomplished similar results in Wicked part one, but For Good often feels less than cinematic, with many scenes coming off as static and too much like a stage production.

    The second film contains a lot of story movement, including the vague or explicit introduction of the four main characters from The Wizard of Oz, providing plenty of opportunity for creative staging or deeper storytelling. Instead, things just sort of happen, with Holzman and Fox failing to see the necessity of connecting story dots in a movie setting. With lots of extra time to work with (the run time is 2 hours and 17 minutes), giving more information about significant events shouldn’t have been an issue, and yet the filmmakers rarely give the audience that luxury.

    The songs, as they should be, are the showcase of the film, and yet none of the sequences measure up to the ones in the first film. The rushed storylines make it difficult to connect with emotionally-resonant songs like “As Long As You’re Mine” and “No Good Deed.” “No Place Like Home” and “The Girl in the Bubble,” new songs created for the film for Elphaba and Glinda, respectively, are decent but lack power. “For Good” is the one everyone is waiting for, but it too fails to land properly.

    Erivo and Grande certainly give it their all, and when they’re allowed to dig deep into their characters, they make as much of an impact as they did in the first film. Unfortunately, it’s nowhere near as often, and their characters’ bond suffers. Most of the other actors are done no favors by the whirlwind storytelling, but Goldblum still stands out in his various scenes.

    Creating a whole film for the second act of Wicked gave Chu and his team a perfect chance to slow things down and give the events it contains extra meaning. Unfortunately, they turned For Good into something that feels less like an expansive movie and more like a slightly more interesting version of the stage production.

    ---

    Wicked: For Good opens in theaters on November 21.

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