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    lap of luxury

    Houston real estate stars partner with Italian design house to elevate Upper Kirby living

    Roxanna Asgarian
    May 30, 2018 | 9:35 am
    Giorgetti Todd Blitzer, Giovanni del Vecchio, Jacob Sudhoff, Jerry Hooker, Will Stolz, Alec Stolz
    Todd Blitzer, Giovanni del Vecchio, Jacob Sudhoff, Jerry Hooker, Will Stolz, and Alex stolz at the Giorgetti groundbreaking.
    Photo by Michael Charlton

    It all started with a chair. When Jacob Sudhoff and Jerry Hooker were furnishing their home two-and-a-half years ago, they selected a white chair from Italian brand Giorgetti for their foyer. They were smitten with its elegant shape and exquisite finishes, and started looking into its Italian designer.

    They discovered in Giorgetti a 120-year-old brand which handcrafts everything from furniture to marble countertops to lighting fixtures to cabinets from its workshop in Meda, north of Milan.

    “The only other company that provides the scope of products for a home, from the kitchens to the bathrooms, is IKEA,” Sudhoff laughs. So like IKEA — but for the ultra-wealthy, from one-of-a-kind marble slab tables to plush velvet chairs to sleek, hand-tooled cabinetry.

    Hooker, a principal at Mirador Group, an architecture, interiors and landscape company, and Sudhoff, the CEO of his eponymous company that provides sales and marketing for builders and developers, were uniquely situated to see the potential Giorgetti might bring to a different kind of project here in the states. They brought in developer Stolz Partners and got to work.

    The result is the Giorgetti, an ultra-high-end condo project in Upper Kirby that has recently broken ground and is under construction. Every detail of the project has been intricately designed in a partnership between Giorgetti, the Houston-based Mirador and Sudhoff companies, and Georgia-based Stolz Partners.

    The design of the building itself, a low-slung seven stories filled with 32 custom residences, is modeled after a popular Giorgetti cabinet. Each feature of the home is customizable based on the owner’s preferences, and Giorgetti’s craftsmanship will be seen in every room of the home. “When it comes to details,” says Giorgetti managing director Giovanni del Vecchio, while thumbing a vein in a single-slab marble countertop in the company’s soon-to-open showroom space in West Ave, “we have a maniac passion.”

    The building’s 50 percent sold, and many of the owners have already been to Meda to visit the Giorgetti workshop. “We found it was hard to explain the scope of the craftsmanship without really seeing the artisans at work,” Will Stolz, founder of Stolz partners. After buyers tour Giorgetti’s factory floor, they’re sold. “We’re creating apostles,” Stolz laughs.

    The building’s units are going for between $1.5 and $4.5 million, and move-ins are expected at the start of 2020.

    If you can’t wait to get a look at the high-quality craftsmanship, Sudhoff and Hooker have opened CASA, a 10,000-square-foot retail outlet to showcase of some of the finest Italian brands, including Giorgetti; Poltrona Frau, which provides the leather interiors for Ferrari; premium hardwood purveyor Listone Giordano; and others, each with their own mono-brand concept space.

    “We want to bring superior-quality products and services to Houston, under one roof, as a one-stop solution for homeowners and developers alike,” says Hooker.

    The Girogetti lobby.

    Giorgetti lobby
    Courtesy image
    The Girogetti lobby.
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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

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