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    Live Music is Back

    These Houston music venues are rocking out a big return with new shows

    Johnston Farrow
    Johnston Farrow
    May 29, 2020 | 10:20 am
    Armadillo Palace live performance
    Goode Company's Armadillo Palace will start hosting shows Thursday through Saturday.
    Photo courtesy of Goode Co. Armadillo Palace

    After hundreds of cancelled shows and a slew of virtual performances, the slumbering Houston live music scene is showing signs of waking after a long hibernation.

    Several live music venues across the Bayou City are opening their doors this weekend to actual, real-life, in-person performances, but they will look much different from what audiences are accustomed to seeing. They kick-off amidst confusion among club owners over which guidelines to follow.

    Last weekend, Axelrad Beer Garden put on the first live show since March, a sold-out, drive-in concert with music fans watching local indie bands play on the roof of the Midtown venue from parking lots across the street. This week, other music hot spots will dip their toes in the musical waters by inviting patrons into their spaces.

    Venue leaders are emboldened by Gov. Greg Abbott's softening of business restrictions, allowing bars to reopen at 25 percent last Friday, even with restrictions including table-only seating with bar tops blocked off, bar stools removed, and parties limited to six people.

    There has been mixed messages from local government officials with orders requiring live performance spaces to remain shuttered. After dealing with months of lost revenue and mass layoffs, it's the state guidelines that many live music spots are following, instituting new seating layouts, and drink service measures to maintain patron safety.

    Live at the Warehouse
    For rock fans willing to venture out, Eado venue Warehouse Live will return on Friday, May 29, with the aptly named "The Show Must Go On" in its ballroom space featuring Queen tribute act, Queen Legacy, Foreigner tribute, Double Vision, and Police tribute, Syncronicity. Doors will open at 7 p.m. and tickets are free with some VIP tables carrying a fee.

    Marketing manager Ashly Montgomery tells CultureMap the staff is taking "every precaution" to follow the state's orders and Center for Disease Control guidelines, especially after last weekend when other Houston venues and clubs seemingly showed little restraint, forcing Mayor Sylvester Turner to call the fire marshal to enforce the 25 percent capacity rule.

    "Our GM sent out emails to the Governor's office just to clarify that we were able to open under the guidelines of the bar scenario," Montgomery says. "The setup will look different — it looks like the most intense game of chutes and ladders, it looks crazy, but it makes sense. If you look at the orders, it says you have to have tables and chairs with people sitting, so we have everything marked out, we have hand sanitizers and disinfectant everywhere. No concern is too small for our staff and customers."

    Shows at Warehouse Live will be cut the capacity of 1,750 people to only 200 seats with tables situated throughout the venue and no general admission standing room. Patrons are encouraged to wear masks, staff will be required to wear personal protective equipment and anyone who enters the space will have their temperature checked. Those with temperatures over 100.1 not allowed to enter. Once patrons enter, they will be designated a particular spot on the floor from which they and their group — limited to six people — may not move into another attendee's space, a measure that will be strictly enforced by security.

    "We're excited to be open and back into the swing of things, even if we have to do it a little bit different," Montgomery said. "It's reassuring because it's one more step towards normalcy."

    The Rustic is back
    Country singer Pat Green's downtown honky-tonk, The Rustic, hosted it's first show last weekend and will continue offering live music from a variety of artists and genres throughout the weekends. The venue is well situated for social distancing guidelines with a cavernous space that can easily be modified for smaller crowds. All shows are free admission.

    Goode to see you
    Goode Company's Armadillo Palace
    is geared up for weekend live performances suited for country fans with Houston based retro country act Broken Spokes this Friday evening and four-time Texas Female Vocalist of the Year Bri Bagwell with Bo Brumble doing an acoustic song swap. Shows are scheduled Thursday through Saturday evenings throughout the summer.

    Scouting a return
    For harder rock fans, Scout Bar in Clear Lake is booking local and regional acts, most of them at a reduced ticket rate.

    A secret no more
    The Secret Group in EaDo has been hosting comedy acts, but will start offering seated DJ shows, including this Saturday's Dial-Up: 90s and Y2K Party.

    Duck in for a good show
    Those into lower key, acoustic fare will have their chance for a live music experience at McGonigel's Mucky Duck next week when the Kirby spot starts up its concert schedule with Adam Hood on June 4.

    Other venues are taking a wait and see approach, whether its due to financial reasons or the fact their space doesn't work with social distancing guidelines.

    White Oak Music Hall doesn't have a performances scheduled until June 20 but a source at the popular Heights venue promised noteworthy events on the horizon.

    Storied Main Street space, The Continental Club, is also being cautious with live shows, with Damien Jurado on June 24 listed as the first show back. Instead, it has been been hosting virtual shows every week from its stage with popular standbys, including country singer Luba Dvorak with his Wednesday night "Luba's Quarantine Ramble Live Stream" series, and '60s Liverpool Fab Four inspired act Beetle on Thursdays.

    The Rustic in downtown Houston featured their first show last weekend and will continue to book shows at all Texas locations.

    The Rustic beer glass sign
    The Rustic/Facebook
    The Rustic in downtown Houston featured their first show last weekend and will continue to book shows at all Texas locations.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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