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    Live Music is Back

    These Houston music venues are rocking out a big return with new shows

    Johnston Farrow
    Johnston Farrow
    May 29, 2020 | 10:20 am
    Armadillo Palace live performance
    Goode Company's Armadillo Palace will start hosting shows Thursday through Saturday.
    Photo courtesy of Goode Co. Armadillo Palace

    After hundreds of cancelled shows and a slew of virtual performances, the slumbering Houston live music scene is showing signs of waking after a long hibernation.

    Several live music venues across the Bayou City are opening their doors this weekend to actual, real-life, in-person performances, but they will look much different from what audiences are accustomed to seeing. They kick-off amidst confusion among club owners over which guidelines to follow.

    Last weekend, Axelrad Beer Garden put on the first live show since March, a sold-out, drive-in concert with music fans watching local indie bands play on the roof of the Midtown venue from parking lots across the street. This week, other music hot spots will dip their toes in the musical waters by inviting patrons into their spaces.

    Venue leaders are emboldened by Gov. Greg Abbott's softening of business restrictions, allowing bars to reopen at 25 percent last Friday, even with restrictions including table-only seating with bar tops blocked off, bar stools removed, and parties limited to six people.

    There has been mixed messages from local government officials with orders requiring live performance spaces to remain shuttered. After dealing with months of lost revenue and mass layoffs, it's the state guidelines that many live music spots are following, instituting new seating layouts, and drink service measures to maintain patron safety.

    Live at the Warehouse
    For rock fans willing to venture out, Eado venue Warehouse Live will return on Friday, May 29, with the aptly named "The Show Must Go On" in its ballroom space featuring Queen tribute act, Queen Legacy, Foreigner tribute, Double Vision, and Police tribute, Syncronicity. Doors will open at 7 p.m. and tickets are free with some VIP tables carrying a fee.

    Marketing manager Ashly Montgomery tells CultureMap the staff is taking "every precaution" to follow the state's orders and Center for Disease Control guidelines, especially after last weekend when other Houston venues and clubs seemingly showed little restraint, forcing Mayor Sylvester Turner to call the fire marshal to enforce the 25 percent capacity rule.

    "Our GM sent out emails to the Governor's office just to clarify that we were able to open under the guidelines of the bar scenario," Montgomery says. "The setup will look different — it looks like the most intense game of chutes and ladders, it looks crazy, but it makes sense. If you look at the orders, it says you have to have tables and chairs with people sitting, so we have everything marked out, we have hand sanitizers and disinfectant everywhere. No concern is too small for our staff and customers."

    Shows at Warehouse Live will be cut the capacity of 1,750 people to only 200 seats with tables situated throughout the venue and no general admission standing room. Patrons are encouraged to wear masks, staff will be required to wear personal protective equipment and anyone who enters the space will have their temperature checked. Those with temperatures over 100.1 not allowed to enter. Once patrons enter, they will be designated a particular spot on the floor from which they and their group — limited to six people — may not move into another attendee's space, a measure that will be strictly enforced by security.

    "We're excited to be open and back into the swing of things, even if we have to do it a little bit different," Montgomery said. "It's reassuring because it's one more step towards normalcy."

    The Rustic is back
    Country singer Pat Green's downtown honky-tonk, The Rustic, hosted it's first show last weekend and will continue offering live music from a variety of artists and genres throughout the weekends. The venue is well situated for social distancing guidelines with a cavernous space that can easily be modified for smaller crowds. All shows are free admission.

    Goode to see you
    Goode Company's Armadillo Palace
    is geared up for weekend live performances suited for country fans with Houston based retro country act Broken Spokes this Friday evening and four-time Texas Female Vocalist of the Year Bri Bagwell with Bo Brumble doing an acoustic song swap. Shows are scheduled Thursday through Saturday evenings throughout the summer.

    Scouting a return
    For harder rock fans, Scout Bar in Clear Lake is booking local and regional acts, most of them at a reduced ticket rate.

    A secret no more
    The Secret Group in EaDo has been hosting comedy acts, but will start offering seated DJ shows, including this Saturday's Dial-Up: 90s and Y2K Party.

    Duck in for a good show
    Those into lower key, acoustic fare will have their chance for a live music experience at McGonigel's Mucky Duck next week when the Kirby spot starts up its concert schedule with Adam Hood on June 4.

    Other venues are taking a wait and see approach, whether its due to financial reasons or the fact their space doesn't work with social distancing guidelines.

    White Oak Music Hall doesn't have a performances scheduled until June 20 but a source at the popular Heights venue promised noteworthy events on the horizon.

    Storied Main Street space, The Continental Club, is also being cautious with live shows, with Damien Jurado on June 24 listed as the first show back. Instead, it has been been hosting virtual shows every week from its stage with popular standbys, including country singer Luba Dvorak with his Wednesday night "Luba's Quarantine Ramble Live Stream" series, and '60s Liverpool Fab Four inspired act Beetle on Thursdays.

    Warehouse Live will be one of the first rock venues to open to live shows in Houston following stay at home measures.

    Warehouse Live exterior place
      
    visithoustontexas.com
    Warehouse Live will be one of the first rock venues to open to live shows in Houston following stay at home measures.
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    Movie Review

    Final Destination: Bloodlines reboots cult favorite horror franchise

    Alex Bentley
    May 15, 2025 | 4:30 pm
    Kaitlyn Santa Juana in Final Destination: Bloodlines
    Photo by Eric Milner
    Kaitlyn Santa Juana in Final Destination: Bloodlines.

    On the surface, the Final Destination films really shouldn’t work. There is no villain other than the concept of death itself, and nearly every death that occurs is foreshadowed so heavily that it removes the normal suspense that comes in horror films. And yet the franchise was successful enough to spawn five films over 11 years in the early 2000s, and now a reboot, Final Destination: Bloodlines.

    A fantastic opening sequence set in the 1960s sets both the tone and the plot of the film, in which Stefani (Kaitlyn Santa Juana) has a recurring nightmare about a disaster that her grandmother, Iris (Gabrielle Rose), helped to avert. A visit to the reclusive Iris convinces Stefani that she and her family should not exist, and that each one of them is destined to meet a grisly end in the near future.

    Met with resistance from her family members, Kaitlyn is unsurprisingly proven right as the film goes along, with different people dying in a variety of bizarre ways. A visit to William Bludworth (the late Tony Todd), a mortician who’s been the one constant in the series, provides a glimmer of hope that they can cheat death. But will they figure it out before it’s too late?

    Directed by Zach Lipovsky and Adam B. Stein, and written by Guy Busick and Lori Evans Taylor, the film does not try to reinvent the wheel for the concept. The entire point is to get as creative as possible with the death scenes, and the filmmakers take that mandate seriously, with each successive death becoming increasingly gruesome. The Rube Goldberg-like manner in which each death occurs makes the scenes come off as entertaining instead of off-putting.

    The idea of Death hunting down an entire family line due to the actions of the family elder is a solid twist on the series’ central premise, and that change keeps the film from feeling repetitive. The story also introduces the possibility that the entire series is connected due to Iris’ actions, with the character possessing a scrapbook that references well-known incidents from previous films, a fun Easter egg for longtime fans.

    The creativity of the kill sequences does not carry over to the overall story, though. Almost every character in the film only exists in order to meet a horrific end, so anything that they have going on outside of being stalked by Death is purely window dressing. Consequently, it’s hard to really care about anybody, even if they are all related to one another.

    Because characters are so easily dispatched in the film, the cast is devoid of well-known actors. This is by far Santa Juana’s biggest role to date, and she does well enough to want to see more of her in the future. Adults like Alex Zahara and Rya Kihlstedt are character actors who bring some history with them, while the younger group is composed of people still trying to make names for themselves.

    Final Destination: Bloodlines is a solid return for the franchise, even if it feels more like a one-off film rather than a justification for more stories in the future. But given how easily the concept can be adapted into new circumstances, don’t be surprised if another movie pops up in a couple of years.

    ---

    Final Destination: Bloodlines opens in theaters on May 16.

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