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    U2 in Concert at NRG

    Everything old is new again at powerful U2 concert, with an ending surprise

    Eric Sandler
    May 25, 2017 | 6:34 am

    “How long must we sing this song?”

    Bono and the members of U2 have been asking that question for a long time — since 1983 when “Sunday Bloody Sunday” debuted as the first song of the band’s third album, War.

    In the wake of the terrorist attack at the Ariana Grande concert in Manchester and a correspondingly beefed up security presence around NRG Stadium, the question seemed more relevant than ever. “We’re so sick of it,” Bono shouted over Larry Mullen, Jr’s propulsive drumming and The Edge’s soaring guitar.

    But then, everything old is new again for the famous Irish foursome. Bono once said, “There’s no reverse gear on this tank,” but the band’s new tour celebrates the 30th anniversary of their iconic album The Joshua Tree. "New Year’s Day" and "Pride (In the Name of Love)" quickly followed Sunday. Then the band began to play the album in sequence: every song from "Where the Streets Have No Name" to "Mothers of the Disappeared."

    Highlights included The Edge’s thundering solos on “Bullet the Blue Sky” and “In God’s Country,” Bono’s self-described “shite harmonica play” on “I Trip Through Your Wires,” and Adam Clayton’s classic bass line on “With Or Without You.”

    Just as "Sunday Bloody Sunday" feels more relevant than ever, so too do the songs written when conservative leaders in both America (Reagan then, Trump now) and the U.K. (Thatcher then, May now) have reignited debates about whether we should commit to “Carry each other / Carry each other” (yeah, I just album hopped).

    While the days of the band dressing up like the Village People and emerging from a gigantic, lemon-shaped mirror ball are long behind — so are the songs from Boy, October, Rattle & Hum, Zooropa, Pop, How to Dismantle an Atomic Bomb, No Line on the Horizon and their most recent work, Songs of Innocence — the stage setup still impresses with both its scale and its simplicity. No pyro, no fancy light shows: just a massive screen, 200 feet long and 45 feet tall, that displayed the band’s performance and a series of short films created by frequent U2 collaborator Anton Corbijn using new footage from places like Death Valley and Zabriskie Point.

    The ultra-widescreen and 8k visuals provided a stunning backdrop for the band, at times displaying a dusty road for “Where the Streets Have No Name” or women holding candles during “Mothers of the Disappeared.” The screen also served as a backing band for “Red Hill Mining Town,” courtesy of a Salvation Army brass ensemble that played along with the song.

    After U2 reached the end of The Joshua Tree, two songs from the '90s received fresh interpretations. “Miss Sarajevo” from the Passengers album has been renamed “Miss Syria (Sarajevo)” and featured footage filmed at the Zaatari Refugee Camp in Jordan, where some 80,000 Syrian refugees currently live, according to information provided by the band. "Ultra Violet (Light My Way)", an Achtung Baby deep cut about the redemptive power of love, has been reinterpreted as a tribute to great feminists throughout history, including Texas icons Laura Bush and Ann Richards.

    Speaking of the former first lady, Bono made sure to acknowledge both her and former President George W. Bush’s efforts to support the ONE campaign that made it possible for 18 million HIV/AIDS patients in Africa to receive life-saving medicine.

    While it’s strange not to hear hits like “Mysterious Ways” and “Desire,” to say nothing of personal favorites like "Out of Control" and "Stay," the band played enough familiar tunes during the encore — "Bad," "Beautiful Day," "Elevation," and "One" — to ensure that no one left unsatisfied. As expected, the multi-generational crowd ranged from eight to 80 — Lynn Wyatt sat a few rows in front of me — and most people seemed to know all the words to all the songs.

    But just in case anyone was feeling too nostalgic, Bono had a surprise. The band closed with a new song titled “The Little Things That Give You Away.”

    Maybe they still have a few tricks up their sleeves after all.

    Setlist:

    Sunday Bloody Sunday
    New Year’s Day
    Pride (In the Name of Love)

    The Joshua Tree
    Where the Streets Have No Name
    I Still Haven’t Found What I’m Looking For
    With or Without You
    Bullet the Blue Sky
    Running to Stand Still
    Red Hill Mining Town
    In God’s Country
    I Trip Through Your Wires
    One Tree Hill
    Exit
    Mothers of the Disappeared

    Encore 1:
    Miss Syria (Sarajevo)
    Bad

    Encore 2:
    Beautiful Day
    Elevation
    Ultra Violet (Light My Way)
    One
    The Little Things That Give You Away

    But just in case anyone was feeling too nostalgic, Bono had a surprise. The band closed with a new song titled “The Little Things That Give You Away.”

    Bono at U2 concert at NRG stadium
    Photo by Jason Daring
    But just in case anyone was feeling too nostalgic, Bono had a surprise. The band closed with a new song titled “The Little Things That Give You Away.”
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    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

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