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    welcome to the terminal

    Houston's hottest new entertainment destination rocks out downtown

    Craig Lindsey
    May 14, 2021 | 4:15 pm

    Come this fall, downtown Houston will have yet another venue open for people to finally have some post-pandemic fun.

    Live Nation has revealed the first details of The Terminal, a 5,000-capacity live music venue slated to open this November. This would make it the area’s largest performance venue. (Bayou Music Center is close behind with under 3,500.)

    Housed in the city’s latest, major downtown development project Post Houston, The Terminal will be a key anchor in the transformation of the historic, former Barbara Jordan Post Office into a hub for culture, food, shopping, and recreation.

    The building is designed with advanced architecture that will create a distinctive, one-of-a-kind experience for artists and fans by replicating the same intimate feel of a small club. When artists stand on stage, in their line of sight, guests will literally appear to “wallpaper” the room, with virtually no visible blank spaces or gaps, as all balcony aisles and walkways have been designed at angles so that the artist never sees the aisles—only people.

    Above the general admission space, there will be seated balconies called “Tribune Tiers” that have been designed and constructed to provide fans with a striking concert-viewing experience. This new state-of-the-art design will provide guests with an intimate viewing experience, despite not being on the floor of the venue.

    Designed by internationally renowned firm OMA, led by partner Jason Long, The Terminal will feature an innovative venue designed to create a sense of intimacy between the artist on stage and guests.

    “The Terminal will be a great addition to the live music scene in Houston, giving artists and fans more options to connect at concerts,” said Venue Nation president Sherri Sosa in a press release. “We look forward to The Terminal bringing hundreds of shows to the city once it opens its doors, not only delivering some great live music but also creating new jobs for the community.”

    The Terminal’s show schedule is expected to be announced in July. For more information, visit the venue’s website here.

    The Terminal will be downtown's largest concert venue.

    The Terminal Barbara Jordan Post Office
    Rendering courtesy of OMA/Live Nation
    The Terminal will be downtown's largest concert venue.
    concertsmusic
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

    moviesfilm
    news/entertainment
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