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    Movie Review

    Netflix's Senior Year cements Rebel Wilson as a comedic force

    Alex Bentley
    May 13, 2022 | 12:34 pm
    Netflix's Senior Year cements Rebel Wilson as a comedic force
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    Ever since Rebel Wilson had her breakout in 2011’s Bridesmaids, her comedic persona has been built on her quick wit, her natural Australian accent, and her physicality due to her body size being larger than her co-stars. But Wilson made a choice in 2020 to lose a good amount of weight, and her new Netflix film Senior Year is her first chance to show that she’s funny at any size.

    Wilson plays Stephanie, a 37-year-old woman who comes out of a 20-year coma after a high school cheerleading accident. Obsessed with being popular when she was younger, she convinces her best friend Martha (Mary Holland), who’s now the principal at their high school, to let her complete her senior year.

    She’s soon confronted by the fact that the world, and specifically high school life, has changed mightily during her absence. Smartphones and social media now dominate the landscape, and popularity is dependent on things like the number of Instagram followers someone has rather than, say, being the captain of the cheerleading squad. But Stephanie is no wallflower, and she sets out to bring as much of 2002 to 2022 as she can.

    Directed by Alex Hardcastle and written by Andrew Knauer, Arthur Pielli, and Brandon Scott Jones, the film is notable for how well it plays with the tropes of high school movies while subverting them at the same time.

    Stephanie becomes quick friends with Janet (Avantika), an Indian girl; Yaz (Joshua Colley), a gay boy; and Neil (Jeremy Ray Taylor), a slightly chubby boy, an oddball group that would normally be played for laughs because of their outsider status. But it soon becomes clear that they have forged their own path and are completely comfortable with their spots in the social structure of their school.

    Likewise, Stephanie’s new nemesis, Brie (Jade Bender), is the daughter of her old nemesis, Tiffany (Zoë Chao), but the film presents her as a multi-dimensional person. She still wields her popularity like a queen with a scepter, but she also believes in protecting the environment and has a boyfriend, Lance (Michael Cimino), who’s unafraid to play with gender norms in his clothing.

    The filmmakers also do a great job making jokes about obvious things and then quickly moving on. Much could be made about how Stephanie is unfamiliar with technological advances, but after a series of small jokes, she’s using them just like anyone else. They also don’t dwell much on her being older than everyone else; her interactions with old classmates is enough to drive home the point, and so they just let her act like a normal student while at school.

    One of the best decisions the filmmakers make is allowing time to set up the story properly. The film begins with the story of the younger Stephanie (Angourie Rice), and they spend a good 15 minutes detailing every aspect of her life. They lay the groundwork for many of the jokes that come later in the film here, and those jokes wouldn’t work nearly as well had the opening sequence been just a few minutes. It also allows for the filmmakers to continually compare and contrast life in the early 2000s to life in 2022, jokes that land nearly every time they bring them out.

    Wilson has always been a very confident actor, and she controls the action in every scene that she’s in. While her newly svelte body plays a factor in how the character is portrayed, it’s her charisma and fearlessness that make her extremely funny. The long list of supporting actors complement her fantastically, with special notice going to Chris Parnell as her dad, Chao, Bender, Colley, and Avantika.

    Senior Year could have been just another high school comedy that uses the stereotypical jokes we all recognize. But it rises way above that level thanks to some stellar writing and a lead performance by Wilson that cements her as one of the best comedic actors of her generation.

    ---

    Senior Year debuts on Netflix on May 13.

    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year.

    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year
    Photo by Boris Martin/Netflix
    Jeremy Ray Taylor, Rebel Wilson, Avantika, and Joshua Colley in Senior Year.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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