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    Inprint's birthday

    An ultra hot book party: Tickets for 87-year-old author's reading disappear in an Internet flash

    Tarra Gaines
    May 13, 2013 | 2:42 pm

    Turning 30 usually calls for a blowout birthday party, but for Inprint, Houston’s preeminent literary arts organization, turning 30 was the perfect excuse to create a whole, new party genre, the after-reading, champagne and cupcake signing-line party.

    For a surprise added reading event to their Inprint Margarett Root Brown Reading Series, Inprint brought to town renowned American author James Salter for the only Texas appearance in support of his new novel. That book, All That Is, has garnered rave reviews for the 87-year-old author and is causing critics and fans alike to take one more look at this literary giant.

    When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes.

    Houston fans immediately took notice when Inprint made the announcement that the reading at the Menil Collection would be free but would require a ticket. When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes. The second set was gone in four minutes. Not wanting to disappoint the literature-loving hordes still clambering for seats, Inprint and the Menil decided to audio broadcast the reading onto the front lawn to let guests without a ticket relax out on the grass, while not missing a word.

    Salter was an appropriate choice for this anniversary celebration that ends the 2012-2013 season. The last time Salter published a new novel was over three decades ago, before Inprint’s founding.

    Set in post-World War II New York, All That Is chronicles the life and loves of the novel’s protagonist, a book editor named Philip Bowman. The novel gives a fascinating look at a time when many New York publishing houses were first established. It was era of immense change in the world of writers and books, and so All That Is might resonate profoundly for readers living in our own time of tweeting and blogging authors and books taking form as light on a screen.

    After Salter’s reading everyone was invited to Inprint House, located a block behind the museum. Event goers wandered into the evening air, and quickly turned into partygoers as they streamed into Inprint House.

    No one appeared to mind waiting in the immense line that snaked through the converted house and onto the backyard deck. With cupcakes and champagne to imbibe inside, great conversation among old and new friends to be had beneath the night sky and James Salter waiting to sign books and talk with guests one-on-one, Inprint might have hit upon the perfect line-waiting formula for the future. Here’s to another 30 years of champagne and cupcake line parties.

    Among Houston’s literati attending the event were Kathryn and David Berg, Rick Carrell, Franci Crane, Justin Cronin, Consuelo Duroc Danner, Cece Fowler, Sis Johnson, Kathleen Lee and Tony Hoagland, Karl Kilian, Victoria and Marshal Lightman, Lillie Robertson, Doreen Stoller and Dan Piette, and Mark Wawro.

    James Salter reads from his novel All That Is to a crowd of 250.

    54 Inprint Houston James Salter event May 2013
      
    Photo by Dave Einsel
    James Salter reads from his novel All That Is to a crowd of 250.
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    Movie Review

    'Karate Kid: Legends' has a familiar plot that keeps the action coming

    Alex Bentley
    May 29, 2025 | 2:45 pm
    Ben Wang in Karate Kid: Legends
    Photo by Jonathan Wenk
    Ben Wang in Karate Kid: Legends.

    The Karate Kid franchise has experienced a resurgence in recent years thanks to Cobra Kai, a Netflix series that centers around the rekindled rivalry between the characters played by original stars Ralph Macchio and Billy Zabka. Building off of that renewed interest is the new film Karate Kid: Legends.

    Just like the original 1984 film and the 2010 remake, the story follows a teenage boy who has been uprooted from his home after his mother gets a job in a new city. In this case, Li Fong (Ben Wang) and his mom (Ming-Na Wen) have moved from Beijing to New York City to pursue her career as a doctor. Unfortunately for Li, that also takes him away from Mr. Han (Jackie Chan), who was teaching him kung fu.

    Even though his mom wants him to avoid fighting, trouble seems to find Li. That’s because school bully/karate champion Conor (Aramis Knight) doesn’t like that Li is hanging out with his ex-girlfriend, Mia (Sadie Stanley), and because Li stands up for Mia’s dad, Victor (Joshua Jackson), a boxer-turned-pizzeria owner who owes money to some shady characters.

    The film — directed by Jonathan Entwhistle and written by Rob Lieber — has some unique aspects to it, but it never strays too far from the original. That includes Li deciding to enter a citywide karate tournament — this time called the Five Boroughs — that Conor has won multiple years in a row. The reasons behind Li’s participation are different, but the concept remains the same, right down to the very predictable ending.

    What this film doesn’t get right in the formula, however, is the amount of time spent with the characters to make the audience fully care about them. Instead, the 90-minute film feels custom-made for the TikTok generation, with fast-paced scenes that do little but keep the action moving. Miraculously, the story remains coherent thanks to the time Li spends with Mia and Victor, and consequently their bonds come through the best.

    The filmmakers score points through the action scenes, which are relatively realistic despite some cheesiness. Wong shows great athleticism throughout, making the fight scenes believable. Casting Chan (who also starred in the 2010 remake) is a boon; he remains as spry as ever at 71. Macchio comes back for an extended cameo, and his scenes are effective even if he’s not asked to do very much.

    In addition to his kung fu/karate skills, Wong is a charming performer and he makes a great lead. He’s matched by Stanley, who seems to have a never-ending reserve of effervescence that serves her character well. It’s fun to see Jackson in a supporting role that still shows off his skills. Wen and Knight are given the thankless parts, with neither having enough screentime to flesh out their characters.

    Karate Kid: Legends is watchable, but just barely. The movie relies more on its actors to sell a story that’s been told at least twice before in the series, and while the stars do an admirable job, it shouldn’t have all been on them. While going for a shorter film is welcome, a few more relevant scenes would have made it feel less rushed.

    ---

    Karate Kid: Legends opens in theaters on May 30.

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