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    Inprint's birthday

    An ultra hot book party: Tickets for 87-year-old author's reading disappear in an Internet flash

    Tarra Gaines
    May 13, 2013 | 2:42 pm

    Turning 30 usually calls for a blowout birthday party, but for Inprint, Houston’s preeminent literary arts organization, turning 30 was the perfect excuse to create a whole, new party genre, the after-reading, champagne and cupcake signing-line party.

    For a surprise added reading event to their Inprint Margarett Root Brown Reading Series, Inprint brought to town renowned American author James Salter for the only Texas appearance in support of his new novel. That book, All That Is, has garnered rave reviews for the 87-year-old author and is causing critics and fans alike to take one more look at this literary giant.

    When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes.

    Houston fans immediately took notice when Inprint made the announcement that the reading at the Menil Collection would be free but would require a ticket. When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes. The second set was gone in four minutes. Not wanting to disappoint the literature-loving hordes still clambering for seats, Inprint and the Menil decided to audio broadcast the reading onto the front lawn to let guests without a ticket relax out on the grass, while not missing a word.

    Salter was an appropriate choice for this anniversary celebration that ends the 2012-2013 season. The last time Salter published a new novel was over three decades ago, before Inprint’s founding.

    Set in post-World War II New York, All That Is chronicles the life and loves of the novel’s protagonist, a book editor named Philip Bowman. The novel gives a fascinating look at a time when many New York publishing houses were first established. It was era of immense change in the world of writers and books, and so All That Is might resonate profoundly for readers living in our own time of tweeting and blogging authors and books taking form as light on a screen.

    After Salter’s reading everyone was invited to Inprint House, located a block behind the museum. Event goers wandered into the evening air, and quickly turned into partygoers as they streamed into Inprint House.

    No one appeared to mind waiting in the immense line that snaked through the converted house and onto the backyard deck. With cupcakes and champagne to imbibe inside, great conversation among old and new friends to be had beneath the night sky and James Salter waiting to sign books and talk with guests one-on-one, Inprint might have hit upon the perfect line-waiting formula for the future. Here’s to another 30 years of champagne and cupcake line parties.

    Among Houston’s literati attending the event were Kathryn and David Berg, Rick Carrell, Franci Crane, Justin Cronin, Consuelo Duroc Danner, Cece Fowler, Sis Johnson, Kathleen Lee and Tony Hoagland, Karl Kilian, Victoria and Marshal Lightman, Lillie Robertson, Doreen Stoller and Dan Piette, and Mark Wawro.

    James Salter reads from his novel All That Is to a crowd of 250.

    54 Inprint Houston James Salter event May 2013
    Photo by Dave Einsel
    James Salter reads from his novel All That Is to a crowd of 250.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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