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    The CultureMap Interview

    Raunchy comedian with a shocking signature line dishes on straight boys, offended cougars & battling bullies

    Joel Luks
    May 8, 2014 | 12:04 pm

    You can't help but fall in love with the, shall we say, flamboyantly unrestrained disposition of this petit Tennessee southern gent with a spirit as sultry as a summer's eve in Knoxville. Funny guy Leslie Jordan, adored for his roles in Will and Grace, Sordid Lives and Boston Legal, is experiencing a rise in popularity as his personal story is current with social trends that champion individuals who have the strength to be authentically themselves.

    Jordan is on his way to Houston to perform a comedy set with Varla Jean Merman, a drag character personified by actor Jeffery Roberson. He describes the show, scheduled for Saturday at the Hobby Center for the Performing Arts, as a dog-and-pony act in which anything goes.

    CultureMap chatted with Jordan over the phone ahead of his big Houston night.

    CultureMap: What makes you laugh?

    Leslie Jordan: I have the exact same sense of humor as my friend Del Shores, who wrote Southern Baptist Sissies and Sordid Lives. Have you ever heard of Greater Tuna? That's the hardest I've ever laughed — ever. Del took me to see it and we laughed so hard that we got shushed. We would scream at everything and people would tell us to be quiet.

    For me, it has to be some kind of Southern humor. And I find the oddest things funny.

    I was watching August: Osage County starring Julia Roberts and Meryl Streep on a plane. It's kind of a sad story, but I laughed all the way through it. People kept looking over at me while I screamed out in laughter. I thought Margo Martindale was the funniest of all of them.

    I think it's really interesting the things on the Internet that make me laugh. I posted a picture of a naked woman lying on a tree with a caption that read, National Geographic photo of a cougar resting on a tree. I put it on my website and women came after me, telling me that I was awful, telling me to take it down. I took it down — I am always being asked to take things down.

    So my sense of humor is somewhat subversive.

    CM: Does your family have a similar sense of humor?

    LJ: I come from a long line of laughers. My mother can make me laugh out loud even when she's not trying.

    My dad was killed in a plane crash when I was 11, which is a horrible time for a boy to lose his daddy. We laughed all the way to the funeral home. My uncle was cracking jokes. That's just the way we deal with things.

    When you are bullied as a kid, when you can make the bullies laugh, they'll leave you alone.

    CM: So laughter is a coping mechanism for you.

    LJ: Being funny was also my defense mechanism. When you are bullied as a kid, when you can make the bullies laugh, they'll leave you alone. I was always the class clown and I was always making people laugh to keep the bullies at bay. It was a coping mechanism and a defense mechanism.

    I've noticed that as an adult, if I'm in a situation where I'm not real comfortable, I'll jump right into it and try to be funny, to be the center of attention. If I can make you laugh, you don't get too close. I learned that in recovery 17 years ago, when I quit drinking and doing drugs.

    CM: Happy birthday is in order. How did you celebrate your 59th?

    LJ: I didn't do much, as if 59 is a big celebration. My friends took me to my birthday dinner to a place in Venice (California) called Chaya. Then I had a bunch of boys take me out for Chinese food. It's so rare that I'm in Los Angeles for my birthday. I am on the road so much, about 44 venues a year all over the place, so it was nice to be here to spend a quiet evening.

    I don't go out at night at all. At 6 p.m., the curtain goes down. When my friends want to meet up, I always suggest lunch. That's probably because I perform a lot at night. It's one of the most wonderful parts about getting older. I am so done with the bar scene. Del Shores still goes to the bars; he's two years younger than me. I say to him, "Girl, I don't know how you do it." Then again, she didn't come out till 36.

    CM: When did you come out?

    LJ: Honey, it's hard to come out when you've never been in. I started telling people when I was in high school. I thought people would be real shocked, but they were, like, duh?!

    It was really different back then. Every town had one gay bar, usually. You would go in and see such a cross section of humanity. Now you have all kinds of bars for different groups — the twinks, the leather people, the cowboys . . . Back in my day everyone was under one roof, the lesbians, the gays, college students, blacks, whites, lawyers — everyone. No matter your socio-economic bracket, everybody was out there.

    One night, I was walking out of the gay bar, which was notorious in my town, when some girls from my high school saw me from down the street. I tried to duck back into the bar and I thought, I am fucked. The news spread like wildfire all over my school.

    I tried relationships a couple of times, but they all walked out the door saying the same thing: "Leslie, honey, I love you but it's not always about you."

    CM: Was your mother supportive?

    LJ: I have identical twin sisters two years behind me. When my mother got wind of this, she said, "Listen, I don't care if you want to sneak out to those bars and drink, that's your business. But you are not going to ruin your sisters' chances. They want to be cheerleaders and homecoming queens and they want to be popular. I don't know where you want to go but we will fund it."

    In other words, they shipped me off. I was run out of town by my own family.

    CM: Where did you go?

    LJ: I went to Knoxville for a little while, tried to go to school, but I was smoking too much pot. I ended up in Atlanta, where I really came out of the closet.

    Atlanta was a Mecca. We didn't have AIDS. I don't remember syphilis, I don't remember anything. I remember the worst thing you could get was a little dose of gonorrhea. If you got the clap, you'd have to run to the free clinic. Doctor Bobby was real handsome. All the gay boys would go to him and say, "Doc, I've had a little indiscretion." He'd give you a shot and got you up and running again.

    CM: Are you dating anyone?

    LJ: I've lived with a straight boy for eight years. He's the most beautiful boy, the closest I've ever had to a real relationship. My only relationship is with my career. I don't know how people do it. You have to be so selfish to be an actor and a performer. It's all about me, it has to be to keep a career afloat.

    I tried relationships a couple of times, but they all walked out the door saying the same thing: "Leslie, honey, I love you but it's not always about you."

    I am happier than I've ever been. I am closer to my authentic self. I am not looking. I just live with this beautiful straight boy who takes care of me.

    My big grime with theater schools is that they teach you how to act but never once do I remember them trying to teach me how to earn a living as an actor.

    CM: Has anybody every broken your heart?

    LJ: Oh my god, yes! It's usually a straight boy. I don't know what it is about me. What do I think, like they are going to wake up one morning and say, I don't like pussy anymore and I like dick today? Hello! Over the years that has been my thing. I don't know what that's about, falling in love with people who are completely unavailable. But I have that under the control.

    CM: Are you in love with the straight man with whom you live?

    LJ: I was for many, many years and it was a rough go. He's left me over the years for women, but he always ended up back with me. He's 34 years old now and so fucking gorgeous I can't bare to look at him sometimes.

    He was asleep on the couch the other night. I saw him, even after eight years, I couldn't breathe. He's so pretty. He stops traffic. I introduce him as my straight husband.

    CM: What are you most proud of in your life?

    LJ: I got off a bus in 1982 on the hills of Tennessee. I had a degree in theater. I had $1,200 sewn into my underpants (back then you didn't have ATM machines) and I had a tiny suitcase and a dream. My dream was, and I was pragmatic about things, to be able to earn a living as an actor. My big grime with theater schools is that they teach you how to act but never once do I remember them trying to teach me how to earn a living as an actor.

    On my own, without knowing anyone in business — no cousins, no uncles — I was able to carve out a successful career. After 30 some years, I feel I am relevant, that I am on the up and up.

    I didn't know I was popular across the pond. There's a line in Sordid Lives that goes, "Can you see my pussy now?" Well, I was walking down the street in London near Piccadilly Circus when a cab slowed down. I thought, I don't need a cab? And this guy, in a very distinctive British accent, yelled, "Can you see my pussy now!" and gave me the thumbs up.

    I started crying. I was standing there with tears down my face because I thought, "I made it. They're yelling my lines."

    ___

    The Hobby Center for the Performing Arts presents Leslie Jordan and Varla Jean Merman on Saturday, 8 p.m. Tickets start at $42.75 and can be purchased online or by calling 713-315-2525.

    Funny guy Leslie Jordan is experiencing a rise in popularity.

    2 Leslie Jordan interview May 2014
    Photo courtesy of The Hobby Center
    Funny guy Leslie Jordan is experiencing a rise in popularity.
    unspecified
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    best november art

    Where to see art in Houston now: 10 shows and exhibits opening in November

    Tarra Gaines
    Nov 12, 2025 | 2:31 pm
    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media
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    Friends and family visiting Houston during the holiday season will find art openings that appeal to every taste. Classic art and history buffs can take time traveling journeys into ancient empires with two blockbuster exhibitions from the Houston Museum of Natural Science and Museum of Fine Arts, Houston.

    Younger generations with an interest in social media will find new immersive and interactive art that's perfect for sharing. For the adventurous wanting to see art in creation, consider taking a crawl through Warehouse District studios for art. Even busy travelers can see some of our best local artists with a special showcase at IAH.

    “Art and Life in Imperial Rome: Trajan and His Times” at Museum of Fine Arts, Houston (now through January 25)
    Featuring 160 objects of antiquity, including marble sculptures, frescoes, mosaics, delicate glass vessels, and bronze artifacts, the exhibition will transport visitors back in time to the Roman Empire during a flowering of art and architecture. The MFAH partnered with the Saint Louis Art Museum to organize the exhibition, which will showcase many pieces that have never been on view in the U.S.

    While Emperor Trajan might not be the most famous — or in some cases, most infamous — of the Roman emperors, he ruled between 98 and 117 C.E. during the empire’s height and was the second of the so-called “Five Good Emperors” of the Nerva-Antonine dynasty. During his reign, he granted citizenship and rights to some peoples from conquered lands. The exhibition will explore how this time period expanded what it meant to be a Roman and how art reflected Rome’s power and promoted the empire’s values and ideals.

    “Soledad Salamé: Camouflage” at Blaffer Art Museum (now through March 7)
    This exhibition showcasing the Chilean-born, Maryland-based multimedia artist focuses on Salamé’s work with environmental themes. Using aerial photos of the Atacama Desert in northern Chile, the site where millions of pounds of disposable textiles, often called “fast fashion,” are dumped and piled, Salamé then hand embroiders the photos with needle and thread, adding weighty details to these landscapes of immense fabric fields. For other pieces in the exhibition, Salamé gives new shape to humble dresses that the artist has fashioned from recycled cotton fabric. Throughout the exhibition, Salamé finds ways to marry art, research, and re-invention.

    “Sawyer Yards 2025 Showcase” at Bush IAH (now through July 31)
    Let local artwork lighten your wait and brighten your travels at Houston's busiest airport. Bush IAH received the 2023 Best Art in the Airport international recognition from Skytrax, a status it aims to maintain with a new selection of recent pieces by Sawyer Yard artists. The works on display in Terminal A represent 15 artists from each of the five studio buildings across the Sawyer Yards campus. The range of media, including drawing, painting, assemblage, and photography, highlights the diversity of Houston artists. The display will remain on view for one year and then be rotated with new selections from Sawyer artists. The exhibition is located in Terminal A, starting at Gate A7.

    “Mario Ayala: Seven Vans” at Contemporary Arts Museum (November 14-June 21, 2026)
    Though Ayala’s paintings have been showcased in museums across the globe, “Seven Vans” becomes the acclaimed contemporary artist’s first solo museum exhibition in the U.S. Known for his unique way of depicting life on the West Coast and especially California, this CAMH show will feature seven life-sized canvases painted as realistic portraits of the back of vans. The CAMH notes that word and concept of vans came into being as an evolution of caravans, making them also representations of commerce and both working and counterculture lifestyles.

    Influenced by the diverse artistic landscapes of his Californian home, from Mexican-American mural art to body tattooing to highway signage and car culture, Ayala’s paintings of the backs of vehicles become a kind of portrait of their owners. Each one portrays an individual personality. Without ever painting their faces, Ayala offers a vivid portrait of the people of his community.

    “Ayala’s impactful engagement with car culture encourages a fresh look at both vehicles and the spaces they occupy,” describes exhibition curator Patricia Restrepo, who makes the case that the show will have great resonance for Houstonians. “Seven Vans is designed to resemble a parking garage, with each vehicle frozen like a performer mid-scene. This eerie stillness may feel all too familiar in Houston, where more than a quarter of downtown is paved with parking lots and garages.”

    “Phenomenomaly” at Meow Wolf Houston's Radio Tave (November 15-January 4)
    Visual and performance art meet in the time and universe tripping dimensions of Meow Wolf’s Radio Tave, with live performances from Houston dancers, musicians, and storytellers every weekend. These live performances will help tell “Phenomenomaly,” an immersive, new sci-fi story about the mysterious Flickerwerms.

    Depending on the day or time, visitors will encounter different characters in this ongoing tale with the chance of spotting the story reaching its crescendo as Mama Flickerwerm emerges in a dazzling sequence of dance and performance. Some of the eclectic featured live performances in November and December will be from the contemporary Bollywood dance company, T2 Dance, Houston’s own poetry superstar, Outspoken Bean, the sizzling Hot City Brass Band, the beer loving opera divas and divos of Hopera, and the always vibrant Mariachi Oro de mi Tierra.

    “Pop Air – Art Is Inflatable” presented by The Balloon Museum (November 15-April 19)
    Already a hit in Dallas and Austin, the Balloon Museum will arrive in Houston with a different show than our neighbor cities. “Pop Art” features immersive air art from 14 international artists all creating work with themes about the power of play and human connections.

    Together, these large-scale installations will span more than 65,000 square feet, creating luminous spaces for visitors to interact with the art. From inflatable sculptures of humans, monsters, and geometric shapes to colorful virtual reality worlds to simulated cloud rooms to landscape installations that move thanks to the energy generated by biking power, “Pop Air” art really is inflatable, interactive, and very Instagramable.

    “World of the Terracotta Warriors: New Archaeological Discoveries in Shaanxi in the 21st Century” at Houston Museum of Natural Science (opens November 15)
    Ancient art marches into town to conquer our imagination once again with the return of the Terracotta Warriors. The HMNS has previously presented exhibitions of these burial sculptures depicting the armies of Emperor Qin Shi Huang, but this new show will also deliver over 100 newly unearthed artifacts to North America for the very first time.

    These latest archaeological discoveries tell the story of the people and culture that helped to give rise to the Qin dynasty. Included in the exhibition are jade pieces, gold ornaments, bronze vessels, and ceremonial horse fittings uncovered in the tombs of kings and noblemen, along with rare artifacts from the 4,000-year-old city of Shimao, China’s first walled city. The exhibition will include the Warriors in a variety of forms and roles including archers, kneeling figures, a high-ranking military official, and a even the figure of the emperor’s personal afterlife entertainer.

    “This exhibit presents the latest archaeological discoveries that rewrote history,” says Dr. Dirk Van Tuerenhout, curator of anthropology for HMNS. “China’s advanced civilization did not start where once thought it did. This is a story of over two millennia with kingdoms waxing and waning. It ends with the reign of Emperor Qin Shi Huang. His mausoleum still stands, undisturbed. His army and servants have awoken and await your visit.”

    "Back in Black” at Laura Rathe Fine Art (November 20-December 31)
    The group show represents a a new chapter for the Colquitt location of Laura Rathe Fine Art, reintroduced with a striking black façade to honor its legacy while embracing contemporary refinement. Featuring a curated selection of new works by LRFA artists, the exhibition celebrates individuality and collective vision alike. Each artist has spent months of dedicated work in the studio, refining their craft and creating pieces that reflect both personal evolution and shared purpose. Together, the art and the space tell a story of continuity, transformation, and the legacy of Laura Rathe Fine Art.

    “ArtCrawl Houston” throughout the Downtown Warehouse District (November 22)
    Take a pre-Thanksgiving crawl through some of the studios and artist spaces in the historic Warehouse District at the 33rd annual free event. Wander through open studios, exhibitions, and installations, all while catching pop-up performances in some of the spaces. Artists and visitors alike can expect a celebration of contemporary art in all its forms — abstract, figurative, digital, performance, and more — accompanied by food, music, and family-friendly programming.

    Meow Wolf presents Phenomenomaly
    Photo by Eric Scire/Atlas Media

    Meow Wolf presents Phenomenomaly.

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