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    Top Chef episode 10 recap

    Top Chef recap: Astronauts, spacey food, and our historic farmers market take center stage

    Eric Sandler
    May 6, 2022 | 9:45 am

    It took until the season’s 10th episode, but Top Chef finally acknowledged Houston’s status as Space City. The Elimination Challenge tasked the six remaining cheftestants with creating a meal that could be served to astronauts aboard the International Space Station.

    In the Quickfire, they put their spin on fajitas at the Houston Farmers Market. In other words, they cooked Houston’s most prominent culinary contribution to international cuisine — at least until Viet Cajun crawfish really takes off globally — at a setting that’s all about food and ingredients.

    Ultimately, the restrictions related to cooking for spaceflight stymied a chef who had seemed to be among the frontrunners. She packed her knives for the final round of Last Chance Kitchen.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    As noted above, the Quickfire Challenge takes place at the Houston Farmers Market, the recently renovated property that combines produce vendors with the R-C Ranch butcher shop and two restaurants by chef Chris Shepherd’s Underbelly Hospitality, Wild Oats and Underbelly Burger. Of course, neither the restaurants nor the butcher shop had opened yet when Top Chef filmed last fall; since a sponsor contributed the challenge's proteins, they likely wouldn’t have been featured even if they had been in operation.

    Thankfully, the market looks great on TV, with prominent shots of vendor stalls loaded with produce, species, and even some ready-to-eat snacks. While the show acknowledges Mama Ninfa Laurenzo’s role in popularizing fajitas, the episode doesn’t call on anyone in the Laurenzo family or anyone currently associated with Ninfa’s to judge the results. Instead, it’s Top Chef alum Claudette Zepeda who joins Padma Lakshmi at the market.

    Similarly, celebrity chef Marcus Samuelsson and Top Chef all-star Melissa King judge the Elimination Challenge. Was there not an appropriately spacey Houston chef available to participate?

    Despite the episode's conspicuous lack of Houston culinary talent, the Johnson Space Center looks appropriately dramatic on television, and the cheftestants get some advice from astronauts Megan McArthur and Thomas Pesquet, who speak to the competitors from aboard the ISS. Space Center Houston CEO William Harris joins former NASA astronauts Susan Still Kilrain, Tony Antonelli, and Cady Coleman as the city’s non-voting representatives at the Elimination Challenge meal.

    How did Evelyn Garcia do
    The only Houston cheftestant remains one of the season’s favorites. Her papalo-seasoned fajitas are almost good enough to win the Quickfire, but chef Nick Wallace edges her out by making flour tortillas. In the Elimination Challenge, her Tex-Mex-inspired guiso rojo with pork, pumpkin seed rice, and escabeche earns praise for utilizing textural components and acidity that make the dish compelling from beginning to end.

    “It was well seasoned. It was well put together,” head judge Tom Colicchio tells her. “The escabeche really stole the show. It kept the dish interesting.”

    Who wins
    Chef Buddha Lo bounces back from a below average performance in last week’s soul food challenge to secure his first Elimination Challenge win. Taking inspiration from astronaut Alan Shepard playing golf on the moon, he created a coconut mousse sphere with a berry compote center and pieces of meringue that earned universal raves from the judges and the NASA luminaries.

    “You gave us a beautiful, creative, delicious, interactive dessert,” Lakshmi tells him. “I appreciated how much thought you put into each element of that dish. You knocked it out of the park.”

    Who goes home
    Jae Jung won last week’s episode, but she struggled with the requirements of cooking for space. The judges criticize her bulgogi with gochujang barley, sesame mushrooms, and carrots for its mushy beef and undercooked barley. She heads to Last Chance Kitchen for the chance to return in next week’s episode.

    Who exceeded expectations
    Chef Nick’s unofficial theme song is “Money (That’s What I Want). The Mississippi chef has a knack for stepping up when prize money is on the line, earning the nickname of “The Baker” for all the “bread” he’s made on the show. Nick nets another $10,000 by winning the Quickfire, and his chicken gumbo with collard greens secures him top three status in the Elimination Challenge.

    The cheftestants at the Houston Farmers Market.

    Top Chef Houston episode 10
    Photo by David Moir/Bravo
    The cheftestants at the Houston Farmers Market.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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