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    Top Chef episode 10 recap

    Top Chef recap: Astronauts, spacey food, and our historic farmers market take center stage

    Eric Sandler
    May 6, 2022 | 9:45 am

    It took until the season’s 10th episode, but Top Chef finally acknowledged Houston’s status as Space City. The Elimination Challenge tasked the six remaining cheftestants with creating a meal that could be served to astronauts aboard the International Space Station.

    In the Quickfire, they put their spin on fajitas at the Houston Farmers Market. In other words, they cooked Houston’s most prominent culinary contribution to international cuisine — at least until Viet Cajun crawfish really takes off globally — at a setting that’s all about food and ingredients.

    Ultimately, the restrictions related to cooking for spaceflight stymied a chef who had seemed to be among the frontrunners. She packed her knives for the final round of Last Chance Kitchen.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    As noted above, the Quickfire Challenge takes place at the Houston Farmers Market, the recently renovated property that combines produce vendors with the R-C Ranch butcher shop and two restaurants by chef Chris Shepherd’s Underbelly Hospitality, Wild Oats and Underbelly Burger. Of course, neither the restaurants nor the butcher shop had opened yet when Top Chef filmed last fall; since a sponsor contributed the challenge's proteins, they likely wouldn’t have been featured even if they had been in operation.

    Thankfully, the market looks great on TV, with prominent shots of vendor stalls loaded with produce, species, and even some ready-to-eat snacks. While the show acknowledges Mama Ninfa Laurenzo’s role in popularizing fajitas, the episode doesn’t call on anyone in the Laurenzo family or anyone currently associated with Ninfa’s to judge the results. Instead, it’s Top Chef alum Claudette Zepeda who joins Padma Lakshmi at the market.

    Similarly, celebrity chef Marcus Samuelsson and Top Chef all-star Melissa King judge the Elimination Challenge. Was there not an appropriately spacey Houston chef available to participate?

    Despite the episode's conspicuous lack of Houston culinary talent, the Johnson Space Center looks appropriately dramatic on television, and the cheftestants get some advice from astronauts Megan McArthur and Thomas Pesquet, who speak to the competitors from aboard the ISS. Space Center Houston CEO William Harris joins former NASA astronauts Susan Still Kilrain, Tony Antonelli, and Cady Coleman as the city’s non-voting representatives at the Elimination Challenge meal.

    How did Evelyn Garcia do
    The only Houston cheftestant remains one of the season’s favorites. Her papalo-seasoned fajitas are almost good enough to win the Quickfire, but chef Nick Wallace edges her out by making flour tortillas. In the Elimination Challenge, her Tex-Mex-inspired guiso rojo with pork, pumpkin seed rice, and escabeche earns praise for utilizing textural components and acidity that make the dish compelling from beginning to end.

    “It was well seasoned. It was well put together,” head judge Tom Colicchio tells her. “The escabeche really stole the show. It kept the dish interesting.”

    Who wins
    Chef Buddha Lo bounces back from a below average performance in last week’s soul food challenge to secure his first Elimination Challenge win. Taking inspiration from astronaut Alan Shepard playing golf on the moon, he created a coconut mousse sphere with a berry compote center and pieces of meringue that earned universal raves from the judges and the NASA luminaries.

    “You gave us a beautiful, creative, delicious, interactive dessert,” Lakshmi tells him. “I appreciated how much thought you put into each element of that dish. You knocked it out of the park.”

    Who goes home
    Jae Jung won last week’s episode, but she struggled with the requirements of cooking for space. The judges criticize her bulgogi with gochujang barley, sesame mushrooms, and carrots for its mushy beef and undercooked barley. She heads to Last Chance Kitchen for the chance to return in next week’s episode.

    Who exceeded expectations
    Chef Nick’s unofficial theme song is “Money (That’s What I Want). The Mississippi chef has a knack for stepping up when prize money is on the line, earning the nickname of “The Baker” for all the “bread” he’s made on the show. Nick nets another $10,000 by winning the Quickfire, and his chicken gumbo with collard greens secures him top three status in the Elimination Challenge.

    NASA luminaries joined the Elimination Challenge.

    Top Chef Houston episode 10
    Photo by David Moir/Bravo
    NASA luminaries joined the Elimination Challenge.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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