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    hot on Galveston

    Galveston Historic Home Tour opens doors to 8 island treasures

    Holly Beretto
    May 1, 2019 | 2:22 pm

    Our coastal history’s doors are wide open in Galveston, as the island community hosts the 45th Annual Galveston Historic Homes Tour on May 4, 5, 11, and 12. Galveston lovers, architecture admirers, and preservation enthusiasts can visit eight homes highlighted in this year’s event.

    Several of these picturesque homes date back to the days before Galveston's great 1900 storm, such as the August Roemer Tenant House, built in 1873, and are located on familiar streets, such as Broadway and Ball. Others boast designs by architectural names, such as Henry Collier Cooke, who created the Cameron House in 1891. The tour is open 10 am to 6 pm each day and features the following historic homes.

    August Roemer Tenant House, built 1873
    1416 Sealy Ave.

    In 1873, August Roemer built this Gulf Coast cottage with triple dormers for use as a rental property. The center-hall house features a notable entry with double doors and transom, turned balusters, and square porch columns. Roemer sold the one-and-one-half-story house in 1879 to Julius and Elizabeth Ruhl.

    James and Amelia Byrnes House, built c. 1881
    2113 Ball St.

    Paving and roofing contractor James Byrnes purchased this property in 1883, making improvements through 1895. Ironically, the Byrnes House was held up as an example of urban decay in 1969 during a city referendum on urban renewal. The home has been in rehabilitation house since 2013.

    Conrad and Henrike Lenz House, built 1887
    1807 Avenue L

    The center-hall, side-gable home that features double dormers was a family residence for German-born Conrad Lenz, who came to Galveston with his wife, Henrike Pruessner. Lenz, a butcher, would later build a shop and smokehouse next door on the corner of 18th Street.

    Allen and Lulu Cameron House, built 1891
    1126 Church St.

    The two-story Victorian home boasts features such as an asymmetrical façade with double wrap-around galleries separated by a patterned shingle skirt, a decorative balustrade, and a widow’s walk. It was designed by Englishman Henry Collier Cooke of the firm Bourgeois Nitchner & Cooke, who emigrated from England and Italy to Galveston in 1891. Cooke's masterpiece was designed for merchant Allen Cameron and his wife, Lulu Aschoff.

    Lucas Terrace, built 1901-1908
    1407 Broadway St.
    Another Galveston structure with English roots, this complex was built by British immigrant Thomas Lucas, who erected it with salvaged bricks from his apartment building at 6th and Broadway, which was destroyed in the great 1900 storm. Lucas Terrace features two connected, gable-front, three-story buildings; a courtyard separates the main buildings from two detached two-story servant’s quarters on the south part of the property.

    Peter and Augusta Nielson House, built 1915
    1711 Rosenberg Avenue (25th St.)
    A residence slightly touched by tragedy, this two-story brick house was inspired by the Arts and Crafts movement. The abode was built by Peter Nielson, a Danish-born merchant tailor, who died suddenly a year after construction. Nielson's widow, Augusta, maintained the residence until 1929, when she moved to Houston.

    Iocopo Niccolai Tenant House, built 1922
    2416 38th St.

    In March 1938, Italian immigrant carpenter, Iacopo Niccolai, relocated this five-room bungalow, along with 11 others. Niccolai concentrated the 12 properties within the 2400 block of 38th Street, which he dubbed “Niccolai Subdivision.” The block was utilized as rentals until his death in 1947.

    Peter and Anna Serini House, built 1903, rebuilt 1923
    1810 Ave. N ½

    Another example of post-1900-storm development, this vacant lot was purchased in 1902 by Alexander McLellan, a Canadian immigrant and foreman for Southwestern Bell Telephone & Telegraph Company. McLellan relocated a house there, and in 1913, Peter and Anna Serini purchased the property. The Serinis rebuilt the home in 1923.

    Additional events
    Several other events are slated around the home tour, including a breakfast the 1892 Bishop’s Palace on May 4, 5, and 11 at 8 am. Tickets are $85 and include breakfast in the historic home’s dining room and a tour of the house.

    On May 3 and 10, for $150, guests can enjoy a multicourse chef’s dinner in one of the historic homes featured on the tour, along with a discussion about the home from its owners. Meanwhile, on May 12, celebrate mom with a jazz brunch at Menard Hall, the oldest residence on the island. Breakfast, door prizes, and more are included in the $70 ticket. All of these special events include the historic homes tour in the ticket price.

    ---

    Individual tickets are $35 each. For schedules and more details, visit the official site.

    Peter and Augusta Nielson House, 1711 Rosenberg Ave. (25th St.) interior.

    Galveston Historic Home Tour
      
    Photo courtesy of Galveston Historical Foundation
    Peter and Augusta Nielson House, 1711 Rosenberg Ave. (25th St.) interior.
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    good as gold

    Boutique Australian furniture brand opens first U.S. studio in Houston

    Emily Cotton
    Apr 18, 2025 | 11:01 am
    En Gold furniture brand
    Courtesy of En Gold
    The Houston store has the full En Gold line as well as products from other Australian brands.

    Say hello to En Gold! Diehard fans of the coveted Australian furniture brand finally have a stateside gallery, right in Houston’s Upper Kirby District (3330 Audley St.). Cool and crisp, the vintage-inspired, handcrafted collections shine a spotlight on the long-forgotten craft of Fossil Stone artistry.

    En Gold furniture brand
      

    Courtesy of En Gold

    The Houston store has the full En Gold line as well as products from other Australian brands.

    CultureMap caught up with En Gold founder Steffanie Ball in her new gallery space to talk vintage, Fossil Stone, and how En Gold has revitalized an all-but-extinct pocket industry in Cebu, The Philippines.

    What began as a maternity-leave-induced search for quality vintage led to instantly-sold-out Instagram pop-up sales and a lively cult following that demanded more. The vintage Fossil Stone phenomenon drove En Gold founder Steffanie Ball to seek out the original artisans that produced these iconic pieces in the first place. Now, 45 years after making its debut, Fossil Stone furniture is being produced once again — by the same artisans who produced it the first time around. Only this time, the artisans are finally getting their flowers.

    En Gold is the only brand in the world producing Fossil Stone furniture, and with their exclusive partnership with the artisans, it’s looking to stay that way. A form of limestone, Fossil Stone is native to the Philippines and contains organic inclusions that give it the appearance and character it’s known for. Quarried by hand, it’s then cut by hand into thin layers before being painstakingly sanded repeatedly until it is applied to a timber frame.

    En Gold is all about sustainability, so any potential waste that comes from breakage is turned into a powder, then a putty, before finding new life as a decorative vessel, like the Laguna Vase or becoming a Paradis Mirror frame. “This craft is actually so beautiful because it has minimal wastage,” says Ball.

    In 2018, the interior designer, turned industrialist, found herself in somewhat of a “nesting” quandary. “In Australia at the time, [furniture] was either mass-produced flat-pack, or crazy expensive and unattainable — there was nothing in the middle,” says Ball. “I couldn’t find anything interesting that had any kind of character to it, so that’s why I started to look at vintage.”

    After more and more of the same pieces continued popping up on the secondhand market, questions about these beautiful stone works arose: “I couldn’t understand it,” she says. “Was it solid stone, was it faux marble? It was really hard for me to get any information about it.” All Ball knew was that she loved it, and kept buying all that came available. “I couldn’t pass them up! It needed a home. It needed to go where it’s appreciated,” she says.

    Before long, Ball’s home started to resemble a warehouse. At the behest of a friend, the decision to part ways with some of these pieces had been made. She created an Instagram account to showcase vintage Fossil Stone pieces, and then two collections were dropped per week.

    “The whole collection would sell out in three seconds — it was madness,” says Ball. “It grew into this engaged community with two-way communication. Customers would ask if we had more of certain things coming up. I could hear the things that they were looking for and really understand what I needed to be searching for.”

    After countless hours of research, and discovering some dodgy European import practices of the 70s and 80s, Ball learned that every piece of Fossil Stone furniture had been made by skilled artisans in the Philippines, then stamped with either “Made in France” or “Made in Italy” once it had been unpacked abroad. Of the 80 Fossil Stone factories operating in Cebu during their heyday, only one remained.

    “I found the last standing workshop that was creating furniture [back then]. He was not producing at all, but kind of still there — he said he didn’t know what he was still even holding on for,” says Ball. “Meanwhile, I’m searching all of Australia for this Fossil Stone furniture!”

    For Ball, whose mother is Filipino, the discovery was kismet. Imagine the artisan’s surprise to learn that his creations were as popular today as they had been so many decades before. Ball struck an exclusive deal to get the factory operational once more and revitalize the industry, only this time with the craft as the main focus.

    “Let’s tell the story about it. Where it comes from, whose hands make it. Let’s shine a light on the artisans who have been creating it this whole time,” she says.

    They decided to reproduce three key pieces: the Tierra Petite, Isla Dining Table, and the best-selling Arena Coffee table. “We launched it online and the entire container sold out in one hour.”

    Since that time, En Gold has expanded its offerings to include wooden, seagrass, and upholstery collections, but the ethos remains the same: “Always handmade, always traditional in its method. We try to use all natural materials,” says Ball. “All the timbers are native to The Philippines — native mahogany, seagrass, and another light timber called Gmelina.”

    Ball is currently working on an iron collection as well. Fans of En Gold flock to the brand for its focus on craftsmanship, as well as the inherent individuality of each piece. Ball enjoys the love that En Gold clients have for the brand.

    “When you’re working with handmade products and natural materials, there is an appreciation for the perfectly imperfect….you can see where they [artisans] were sanding,” she says. “When we talk about the fingerprints of our makers, that’s what we mean.”

    The brand’s new Upper Kirby outpost will offer the entire En Gold line, as well as other female-owned Aussie favorites for shoppers to explore. Paintings and sculptures by Adele Naidoo, Karv Studio, White on Walls, and Denise Quah will be available for purchase, plus linen bedding by Cultiver. Australian-made skincare brand Gracious Minds will line the shelves along with top-tier Turkish linen bath sheets by En Gold’s luxe self-care sister-brand Yōli. Find dry-brushes next to Tiger’s Eye Gua Sha, essential oil dryer droppers, and hand-poured candles with En Gold’s signature blend of neroli, cedar leaf, and teak wood. A collection of Bordam candles will be on offer as well — everything one needs to tune into the Yōli playlist on Spotify and unwind at home.

    En Gold has already opened their doors to fans looking to say hello, and invites fellow creatives, designers, and lovers of thoughtful design to celebrate the opening of their first U.S. gallery space on Friday, April 25 from 6-9 pm.

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