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    Movie Review

    The Bad Guys is a very good new animated franchise for Dreamworks

    Alex Bentley
    Apr 20, 2022 | 2:20 pm
    The Bad Guys is a very good new animated franchise for Dreamworks
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    Though shunned by some moviegoers, animated films are where you can find some of the best creativity in filmmaking. Unrestrained by the rules of the real world, they can offer up any number of extraordinary scenarios without audiences blinking an eye since literally anything can happen. Naturally, some movies use this freedom in better ways than others, as the new animated film The Bad Guys demonstrates.

    Based on the popular kids’ graphic novel series by Australian author Aaron Blabey, the film features a criminal group made up of the suave Wolf (Sam Rockwell), cantankerous Snake (Marc Maron), techy Tarantula (Awkwafina), master-of-disguise Shark (Craig Robinson), and muscular Piranha (Anthony Ramos). The group is known far and wide for their burglary skills, to the point that normal citizens just get out of their way whenever they show up.

    When one of their heists doesn’t go as planned, they attempt to wriggle out of trouble by convincing local hero/good Samaritan/guinea pig Professor Marmalade (Richard Ayoade) and Governor Diane Foxington (Zazie Beetz) that they can be rehabilitated under Marmalade’s guidance. Of course, that’s just a scheme to get what they really want … until they discover that being good can actually make you feel good, too.

    Directed by Pierre Perifel and written by Etan Cohen, the film is inventive in a number of ways. The world of the film is one in which humans and talking animals live side-by-side as if that’s completely normal. Yes, the bad guys are animals, but so too are Professor Marmalade and Gov. Foxington, so it’s not as if there’s some natural separation between the species. To add to the mixture are non-talking animals like cats and smaller guinea pigs being subjected to experiments, which raises several questions that the film glides over.

    A blend of 2D and 3D animation, the film is a visual delight from beginning to end. Most notable is the eyes of the many of the characters, which have a different style from the rest of their faces, making for a unique contrast that draws the viewer in. The animators do similar tricks on other elements throughout the film that complement the story extremely well.

    Most of all, though, the film is just plain fun. The film riffs on the Ocean’s series in a way that adults will recognize but doesn’t alienate kids. The ridiculous nature of animals, especially an enormous shark, disguising themselves with a mere change of clothes can’t help but amuse. And there are a number of sight gags and callbacks to earlier jokes that show the filmmakers know how to please viewers of all ages.

    The main quintet is comprised of actors who fit their roles very well, especially Rockwell and Maron, whose real-life personas are similar to those of their respective characters. Awkwafina, thanks to her instantly recognizable voice, will work for years in animated films if she wants to. Robinson and Ramos aren’t as distinctive, but they each bring their own flair to their roles.

    The Bad Guys is a boon for Dreamworks Animation, whose other current franchises (Trolls, The Croods, Boss Baby) haven’t fully lived up to expectations. With 14 books and counting in the series, there is plenty of source material from which to draw new stories, so we can expect to see much more of these bad/good guys for years to come.

    ---

    The Bad Guys opens in theaters on April 22.

    Gov. Diane Foxington and Wolf in The Bad Guys.

    Gov. Diane Foxington and Wolf in The Bad Guys
    Photo courtesy of DreamWorks Animation LLC
    Gov. Diane Foxington and Wolf in The Bad Guys.
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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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