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    Movie Review

    The Bad Guys is a very good new animated franchise for Dreamworks

    Alex Bentley
    Apr 20, 2022 | 2:20 pm
    The Bad Guys is a very good new animated franchise for Dreamworks
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    Though shunned by some moviegoers, animated films are where you can find some of the best creativity in filmmaking. Unrestrained by the rules of the real world, they can offer up any number of extraordinary scenarios without audiences blinking an eye since literally anything can happen. Naturally, some movies use this freedom in better ways than others, as the new animated film The Bad Guys demonstrates.

    Based on the popular kids’ graphic novel series by Australian author Aaron Blabey, the film features a criminal group made up of the suave Wolf (Sam Rockwell), cantankerous Snake (Marc Maron), techy Tarantula (Awkwafina), master-of-disguise Shark (Craig Robinson), and muscular Piranha (Anthony Ramos). The group is known far and wide for their burglary skills, to the point that normal citizens just get out of their way whenever they show up.

    When one of their heists doesn’t go as planned, they attempt to wriggle out of trouble by convincing local hero/good Samaritan/guinea pig Professor Marmalade (Richard Ayoade) and Governor Diane Foxington (Zazie Beetz) that they can be rehabilitated under Marmalade’s guidance. Of course, that’s just a scheme to get what they really want … until they discover that being good can actually make you feel good, too.

    Directed by Pierre Perifel and written by Etan Cohen, the film is inventive in a number of ways. The world of the film is one in which humans and talking animals live side-by-side as if that’s completely normal. Yes, the bad guys are animals, but so too are Professor Marmalade and Gov. Foxington, so it’s not as if there’s some natural separation between the species. To add to the mixture are non-talking animals like cats and smaller guinea pigs being subjected to experiments, which raises several questions that the film glides over.

    A blend of 2D and 3D animation, the film is a visual delight from beginning to end. Most notable is the eyes of the many of the characters, which have a different style from the rest of their faces, making for a unique contrast that draws the viewer in. The animators do similar tricks on other elements throughout the film that complement the story extremely well.

    Most of all, though, the film is just plain fun. The film riffs on the Ocean’s series in a way that adults will recognize but doesn’t alienate kids. The ridiculous nature of animals, especially an enormous shark, disguising themselves with a mere change of clothes can’t help but amuse. And there are a number of sight gags and callbacks to earlier jokes that show the filmmakers know how to please viewers of all ages.

    The main quintet is comprised of actors who fit their roles very well, especially Rockwell and Maron, whose real-life personas are similar to those of their respective characters. Awkwafina, thanks to her instantly recognizable voice, will work for years in animated films if she wants to. Robinson and Ramos aren’t as distinctive, but they each bring their own flair to their roles.

    The Bad Guys is a boon for Dreamworks Animation, whose other current franchises (Trolls, The Croods, Boss Baby) haven’t fully lived up to expectations. With 14 books and counting in the series, there is plenty of source material from which to draw new stories, so we can expect to see much more of these bad/good guys for years to come.

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    The Bad Guys opens in theaters on April 22.

    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys.

    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys
    Photo courtesy of DreamWorks Animation LLC
    Shark, Snake, Piranha, Wolf, and Tarantula in The Bad Guys.
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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

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    You, Me & Tuscany opens in theaters on April 10.

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