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    Movie Review

    DisneyNature's Penguins tries too hard to march birds into our hearts

    Alex Bentley
    Apr 19, 2019 | 10:00 am
    DisneyNature's Penguins tries too hard to march birds into our hearts
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    There is a long history of penguins' cuteness winning the day in movies. The 2005 documentary March of the Penguins grossed $127 million worldwide, the success of Happy Feet spawned a sequel, and the penguin sidekicks in the Madagascar series became so popular that they eventually starred in their own movie.

    All of which is to say that if anything should be a slam dunk, it is DisneyNature’s Penguins. Taking its cue — perhaps a bit too much — from March of the Penguins, it follows the journey of Adélie penguins as they make their annual migration to find a mate and create the next generation. Instead of focusing on the group as a whole, though, the filmmakers turn the film into a story about one specific penguin, whom they name Steve.

    Steve goes on quite the adventure, getting separated from the colony early on and trying to catch up for most of the film’s running time. He and the other penguins experience all the joys and perils of their kind, including finding a mate, making long treks for food, evading predators like leopard seals and killer whales, and more.

    The filmmakers, led by directors Alastair Fothergill and Jeff Wilson, decide to have actor Ed Helms not only narrate the film, but give voice to Steve as well. It’s an odd choice, given that the footage of the penguins is more than enough to provide all the drama and comedy you might need. Instead, Helms is required to describe the action seen on screen and then provide an inner monologue for what Steve might be thinking in certain situations.

    This technique highlights the peculiar need for some humans to anthropomorphize animals, as if doing so makes them more relatable. In this instance, it doesn’t make this one penguin any more or less interesting. In some sequences, it actually makes you question the honesty of the filmmakers, since keeping track of Steve among literally millions of other penguins would seem to be improbable, if not impossible.

    Still, the footage is as stunning as you’d hope from a good nature documentary. Given that the filmmakers have worked on series like Planet Earth, The Blue Planet, and Frozen Planet, the quality of their visual work should come as no surprise. Their commitment to documenting the birds and enduring the harsh Antarctic weather themselves comes through in every frame of the film.

    People love penguins in whatever form they are shown to us on screen, and their adorable nature is all over DisneyNature’s Penguins. It would have been nice if the filmmakers had trusted the material they had instead of trying to force the issue with some out-of-place anthropomorphizing of their subjects.

    Scene from DisneyNature's Penguins.

    Scene from DisneyNature's Penguins
    Photo courtesy of Walt Disney Studios
    Scene from DisneyNature's Penguins.
    moviesnature
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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