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    Movie Review

    Hormonal teenagers journey in search of new planet in Voyagers

    Alex Bentley
    Apr 9, 2021 | 2:20 pm
    Hormonal teenagers journey in search of new planet in Voyagers
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    Plenty of films have dealt with the possibility of another habitable planet in the universe, as well as the existential need for such a place given how humans have not treated the Earth well over the course of history. While some films go the philosophical route or explore the dangers of space travel, the makers of the new film Voyagers figured they would be different and just make it about horny and angry teenagers.

    In the world of the film, humanity has come up with a plan to send a group of people to a newly discovered Earth-like planet after Earth has grown too hot and filled with drought and disease to sustain life. But because it will take 86 years to reach said planet, the group is made up almost entirely of young people, born and raised in isolation, whose children and grandchildren will be the ones to actually set foot on the new world.

    Mission leader Richard (Colin Farrell) does his best to keep the group in line, mostly through the use of a blue drink that suppresses the kids’ hormonal urges. But when two of them, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), discover the truth about the drink, they stop taking it, setting in motion a series of events that allows the young people to experience their full range of emotions for the first time, for good and for bad.

    Written and directed by Neil Burger, the film skips over a lot of ethical and practical questions about the space journey in favor of getting right to the juicy part of kids acting crazy in a confined space. The big problem is that because the group has been emotionally-stilted since birth, anyone who acts out seems supremely odd, and not in a good-for-the-story kind of way.

    Burger seems to have given his cast permission to act as strange as possible, leading to a host of awkward moments where one person is acting over the top while another is staring blankly. What’s meant to be an interesting juxtaposition between characters who are finally seeing the light and those still under the drug’s spell comes off instead as goofy, laughable interactions.

    And that’s to say nothing of Burger trying to inject a possible alien story into the mix. For kids who’ve been sheltered literally their entire lives, they sure seem to know a lot about things they’ve never seen before. The third act of the film succeeds somewhat as an action set piece, but because the film doesn’t establish many connections between characters earlier, there’s not much to hold on to in the end.

    Both Sheridan (Ready Player One) and Whitehead (Dunkirk) are actors on the rise, but neither is done any favors by the inert script. Lily-Rose Depp, whose character is in a sort of love triangle with Christopher and Zac, has a nice presence that serves her well in her first major role. Most of the rest of the actors remain as anonymous as their characters.

    Voyagers brings up a lot of questions about the future of humanity, the Earth, and space travel, but instead of trying to address those in any meaningful way, it instead throws a bunch of hormonal teenagers together merely to see what happens. The result is not exciting on any level, and should not be sought out by moviegoers desperate for a trip to the theater.

    ---

    Voyagers opens in theaters on April 9.

    Tye Sheridan and Lily-Rose Depp in Voyagers.

    Tye Sheridan and Lily-Rose Depp in Voyagers
    Photo by Vlad Cioplea
    Tye Sheridan and Lily-Rose Depp in Voyagers.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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