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Kendrick Lamar Performs

Music Festival is sheer madness as Kendrick Lamar draws massive crowd

Reid Schroder
Reid Schroder
Apr 3, 2016 | 6:22 am

Kendrick Lamar gave Houston just a few days to prepare for his arrival, but that didn’t seem to stop what seemed like just about everyone in town from making their way to Discovery Green on Saturday night for a free concert at the March Madness Music Festival.

I spoke to a number of fans on the way to the three-day live music attraction that accompanies the NCAA Final Four basketball tournament, and the only thing anyone seemed to care about was the fact that arguably the most popular rapper on the planet was going to be playing live downtown.

You can imagine the strain this put the scene.

Embed from Getty Images

When I heard earlier this week that Lamar would be headlining, I knew that I wanted to go but there was no way I was using my car to get downtown for this, ahem, madness. I decided to take METRO up on its weekend NCAA bus pass option. Good idea in theory, except for one glaring oversight on my part — this is a FREE music festival, downtown and I was at the mercy of the bus.

The first bus that neared my stop on Westheimer and Hazard passed me up because they were completely full.

As this happened, a helpful kid employed by a new Montrose apartment complex to spin an advertisement sign near my bus stop told me that the buses have looked like that all day long. While I waited hopefully for the next bus to take me downtown, me and the kid started talking about the music he listens to while he spins those advertisement signs. “Oh you know, good beats. Loud things. Run the Jewels, Kendrick Lamar, that kinda stuff.”

I asked him if he knew that Lamar was playing for free downtown in a few hours. “Yep,” he replied, “that’s why I’m quitting early today. Going to cash my check and head down there.”

My bus came shortly afterward, and I was lucky to find standing room on this one.

Embed from Getty Images

Discovery Green reached capacity around 4 pm, a full three hours before Lamar was set to take the stage. (Fire marshals reopened the gates later, but closed them again before Lamar's performance.)

Luckily I was able to make it into the grounds and scope out the scene before Lamar’s set. A crowd near the main stage was already forming during the Jason Derulo and Twenty One Pilots performances, but during the day there was still plenty of room to walk around and check out what the festival had to offer.

Food trucks such as The Waffle Bus, Koagie Hots, and The Burger Joint were doing a brisk business, alog with such attractions as a promotional area with photo booths, a mechanical bull and free Coca-Cola, and of course the ferris wheel that has become an icon of the annual March Madness Music Festival.

By the time Lamar and his band took the stage after the end of Villanova's rout of Oklahoma was showing on the big screens, there was no room to move except vertically, and the funky energy Lamar’s band brought to back up these songs made that easy.

Embed from Getty Images

Lamar ran through favorites from albums good kid, m.A.A.d. city (sic) and last year’s Grammy-award winning To Pimp A Butterfly, inciting the crowd to keep their hands up and participate. A couple of lucky fans were asked on stage to rap words to “m.A.A.d city,” a trademark of Lamar shows. “He’s doing my job for me!,” Lamar quipped as one of these fans, who proudly announced his name as David, killed it on stage.

If you were lucky enough to make it down to Discovery Green with me, I hope you enjoyed the experience as much as I did. Kendrick Lamar's performance might just go down in history as one of downtown Houston’s biggest moments.

If you missed the action today, remember that there is plenty more to come Sunday at Discovery Green as Aloe Blacc, Flo Rida, Pitbull and Maroon 5 are set to perform tomorrow starting at 3 pm.

You'd better get there early.

When Kendrick Lamar performed, there was nowhere to go but up.

Kendrick Lamar March Madness Music Festival crowd
Photo by Killy
When Kendrick Lamar performed, there was nowhere to go but up.
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Movie Review

Over-the-top thriller The Housemaid revels in camp, chaos, and excess

Alex Bentley
Dec 22, 2025 | 6:00 am
Amanda Seyfried and Sydney Sweeney in The Housemaid
Photo courtesy of Lionsgate
Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

---

The Housemaid is now playing in theaters.

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