SPA's new season

Society for the Performing Arts dazzles with diverse 2019 lineup

The Society for the Performing Arts has recently announced its 2019-2020 season, and it is certainly a high-calibre list of who’s-who performers. It’s quite the power lineup from Houston's leading, multidisciplinary, performing-arts presenter, which has been around for over 50 years.

“Throughout the season, we celebrate extraordinary artistic collaborations and inspirational artists,” says Meg Booth, SPA’s new CEO. “We’re proud to present many Houston debuts as we continue to introduce the next generation of virtuosic artists.”

Here is a rundown of who and what will be performing at either Jones Hall, Cullen Theater, Zilkha Hall, and Miller Outdoor Theatre.

Drama, drums, and high-flying spectacle
Of course, SPA will offer up some serious Broadway fare. The Tony-winning musical version of Alice Walker's The Color Purple (January 3-4) will come to Houston in an all-new revitalized production, and STOMP (January 23-25) will celebrate 25 years of being in NYC with an inventive and invigorating stage show.

Internationally acclaimed percussion crew Drum TAO (March 27) returns to SPA with a new modern, high-energy show that showcases the ancient art of Japanese drumming, while The Peking Acrobats (February 22), a troupe of China’s most gifted tumblers, contortionists, jugglers, cyclists, and gymnasts, will mesmerize folks with their death-defying antics.

SPA will also have Chicago-based Manual Cinema performing, for the first time in Houston, with its multimedia production of Mary Shelley's Frankenstein (October 30). Handmade shadow puppetry, cinematic techniques, and innovative sound and music will be used to create an immersive visual retelling of the monster story for the stage and screen.

Divine dance
A host of shows will wow audiences with the art of dance this season. MacArthur “genius” Kyle Abraham and A.I.M (Abraham in Motion), his phenomenal contemporary dance company in their Houston debut, will perform the world premiere of An Untitled Love (June 4-5), SPA’s first commission in five years.

Bon Iver & TU Dance will come through with Come Through (February 20-21), a fusion of contemporary dance and brand-new music, performed live by Bon Iver. Martha Graham Dance Company (October 18) returns to Houston for the first time in 15 years, performing Chronicle and other works from The EVE Project, which celebrates the hundredth anniversary of the 19th Amendment.

And Mark Morris Dance Group will present Pepperland (January 30-31), a unique tribute to the 50th anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band.

Much music
This season's Music Series has a diverse collection of heavy hitters. The whole season kicks off with legendary, eccentric actor Jeff Goldblum performing jazz standards with his band, The Mildred Snitzer Orchestra (September 20).

Latin Grammy winner Lila Downs (March 6) will be singing songs in Spanish, English, and the languages of the Mixtec, Zapotec, Maya, and Mahuati cultures. Chamber Music Society of Lincoln Center will give us French Enchantment (January 16), a program that begins and ends with early works by Saint-Saëns and Fauré.

The Brubeck Brothers Quartet (May 16) will honor the centennial of their iconic father, Dave Brubeck, and Black Violin (April 7) will come with an electrifying mix of hip hop and classical music. And let's not forget that Broadway legend Bernadette Peters (November 2) will show up and woo the crowd for an evening.

Serious laughs
SPA will also bring in some funny people. Former Tonight Show host and recent John Oliver target Jay Leno (December 6) will be in town for a show. TV vets Jane Lynch (Glee) and Kate Flannery (The Office) will team up for Two Lost Souls (November 8), their comedy/cabaret show. Longtime Carol Burnett cohort Vicki Lawrence will do Vicki Lawrence & Mama: A Two-Woman Show (May 8) for Mother's Day weekend.

And for all y'all who love straight-up witty folk, famed author and essayist David Sedaris (November 1) will be discussing his latest book, Calypso.

Kids only
There will be several, elaborate shows in store for the kiddies. Wild Kratts LIVE 2.0 - Activate Creature Power! (January 26), the theatrical production based on the Emmy-nominated PBS Kids series, will bring audiences along on a wild ride with a mix of live-action and animation.

After the whole fam has celebrated Christmas, y'all can check out Rudolph the Red-Nosed Reindeer: The Musical (December 26-27). And fresh off of Broadway, the award-winning The SpongeBob Musical (June 23-28) will make its Houston debut for eight shows, ending the season on a very fun note.

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For more information, tickets, and showtimes, visit the Society for the Performing Arts.

David Sedaris brings his dry, rapier wit.

Photo courtesy of David Sedaris

David Sedaris brings his dry, rapier wit.

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Movie Review

Masters of the Universe reboot mistakes nostalgia for good filmmaking

Photo courtesy of Amazon MGM Studios

Nicholas Galitzine in Masters of the Universe.

Most children who grew up in the '80s were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest IP to get a nostalgic reboot in the form of a new blockbuster film.

Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

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Masters of the Universe opens in theaters on June 5.

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