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    Pop Punk Heroes

    Revitalized Blink-182 revs up RodeoHouston crowd with pop-punk energy

    Johnston Farrow
    Johnston Farrow
    Mar 24, 2017 | 5:45 am

    San Diego’s Blink-182 rolled into NRG Stadium on Thursday night and brought a workmanlike attitude to their hour-long set of classic pop-punk tunes at RodeoHouston, a change of pace from the country-heavy lineup over the last few weeks. The band attracted one of the younger Rodeo audiences, comprised of a large number of attendees who grew up on the trio’s hits from the late '90s and early 2000s. Walking through the concourse before the show it was clear that fans had come out specifically to see their punk heroes as many of them were wearing official band T-shirts and hair colors every shade of hot neon.

    Like Green Day, who played the Toyota Center a few weeks ago, Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, California, which hit No. 1 last year. It’s one of seven Top 10 albums in the band’s career, contributing to over 50 million album sales worldwide.

    The trio comprised of bassist-singer Mark Hoppus, newly acquired guitarist-singer Matt Skiba (formerly of Alkaline Trio), and drummer Travis Barker, stuck to their most popular albums — a strong showing for the aforementioned California, as well as familiar tunes from 1999’s Enema of the State, 2001's Take Off Your Pants and Jacket, and songs from the 2003 self-titled set, neglecting anything from the darker Neighborhoods from 2011.

    The band kicked things off with a sweet fireworks display, in front of a crowd of 65,567, with “Feeling This.” Unfortunately, it took a few songs to find a good mix in sound quality, the drums drowning out melodic guitar hooks in the cavernous acoustics of NRG. Enema of the State single “What’s My Age Again?” brought the biggest cheers early on, with Hoppus asking afterwards, “So, how are the Texans going to do this season?” to even louder applause. “Alright, we’ll see,” he shrugged, perhaps knowing full well this team is without a starting quarterback.

    Barker got the girls screaming a few songs in when he took his shirt off to reveal a full set of tattoos, something one likely won’t see on any of the country-themed nights. A word about Barker: he’s a dynamo and simply one of the most exciting drummers to watch in any genre of music. Not that Hoppus and Skiba are slouches, it’s that Blink-182 wouldn’t be as successful or exciting without the innovative and expert timekeeping Barker brings to the table, elevating the band’s brand of adolescent flavored punk to level of mainstream respect. Throughout the night, his drum fills and solos were a joy to behold.

    Crowd interaction was minimal throughout the evening, with only Hoppus leaving the confines of his spot on the stage during songs when he wasn’t responsible for vocals. The best performances came on tracks from California, which makes perfect sense, as it is the only album with this current lineup. Skiba recently replaced former guitarist-vocalist Tom DeLonge, who quit to write books about UFOs (no, really). Songs that DeLonge would normally take vocal lead on were the ones that suffered, Skiba not having the range.

    Where the band did succeed was in playing the big hits, which got the crowd on its feet, singing along. Staples like “Rock Show,” “I Miss You,” and “All The Small Things” were met with thunderous applause. For a band that is known for its sophomoric humor, it refrained from any swearing, likely a contractual obligation of appearing at a family-oriented event like RodeoHouston. Hoppus even left out a key F-word during set closer “Dammit,” the audience more than happy to fill in the blank.

    Despite middling sound quality, Blink-182 proved they belong at RodeoHouston alongside hit makers of other genres. Once again, the talent bookers deserve credit for taking chances with their programming, proving that catering to fans of all musical tastes throughout the three-week event is a recipe for success.

    Setlist:
    Feeling This
    Rock Show
    Cynical
    Anthem Part 2
    What’s My Age Again?
    First Date
    Bored To Death
    Down
    I Miss You
    Dumpweed
    She’s Out Of Her Mind
    Violence
    Sober
    Carousel
    Los Angeles
    All The Small Things
    Brohemian Rhapsody
    Dammit

    Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, in California, which hit No. 1 last year.

    Blink 182 at RodeoHouston
    Photo courtesy of Houston Livestock Show and Rodeo
    Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, in California, which hit No. 1 last year.
    concertsrodeo
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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