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    Zac Brown Band Rocks

    A surprise guest makes Rodeo's last night with Zac Brown Band extra special

    Eric Sandler
    Mar 24, 2014 | 6:49 am

    Typically, concerts follow a set formula. Start up tempo, throw in a couple hits, slow it down with a ballad or two, mix in a couple tracks from the latest album and then go up tempo for a big finish. If you have a signature closer, like "40" for U2 or "Yellow Ledbetter" for Pearl Jam, so much the better.

    Following the template is an almost surefire formula for success. The Zac Brown Band has followed it well, playing the Houston Livestock Show and Rodeo four years in a row and earning the honor of closing the event. The crowd sang along and danced in their seats to familiar favorites like "Toes," and couple snuggled during ballads like "Free" and "Annie." Just when it seemed like a cover of the Marshall Tucker Band classic "Can't You See" was going to be a highlight, a surprise guest lifted a good concert to a great one.

    Yet, even bull riding and the calf scramble were topped by an emotional moment that everyone who attended will remember for years to come.

    Up to that point, the standing room only crowd of 75,012 had already had a memorable evening, thanks to the conclusion of the Rodeo's signature Super Series that paid out $25,000 cash prizes to top performers in five events. Sound was surprisingly good for a Rodeo show, with the band's vocal harmonies coming through loud and clear.

    Yet, even bull riding and the calf scramble were topped by an emotional moment that everyone who attended will remember for years to come. Late in the set, as the band performed fan favorite "Chicken Fried" and Brown sang the lyric, "I thank God for my life / And for the Stars and Stripes / May freedom forever fly / Let it ring," a true American hero walked across the stage.

    Marcus Luttrell, the retired Navy SEAL whose harrowing story is chronicled in the book and movie Lone Survivor, made a guest appearance on stage. Luttrell didn't say anything as the crowd rose to its feet in a thunderous, prolonged ovation. He didn't have to.

    Even though HLSR COO Leroy Shafer had already introduced Luttrell and presented him with an award (also to a standing ovation) earlier in the evening, the timing of the second appearance made it even more special than the first.

    When "Chicken Fried" ended, a steady stream of attendees headed for the exits. Sure, those people missed the high-energy closer of Led Zepplin hit "Kashmir" that merged into the band's signature cover of "The Devil Went Down to Georgia," but it hardly mattered.

    The show's emotional climax had already come and gone with Luttrell's appearance and the crowd's emotional salute. What a fitting way to conclude the 21-day celebration of all things Texan.

    Set List:

    The Wind

    As She's Walking Away

    Toes

    Sweet Annie

    Day for the Dead

    Colder Weather

    Knee Deep

    Can't You See

    Free

    Keep Me In Mind

    Chicken Fried

    Goodbye In Her Eyes

    Uncaged

    Kashmir —The Devil Went Down to Georgia

    Zac Brown Band in concert on the last night of Rodeo Houston.

    5 Zac Brown Band at RodeoHouston March 2014
    Photo by © Michelle Watson CatchLightGroup.com
    Zac Brown Band in concert on the last night of Rodeo Houston.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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