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    Zac Brown Band Rocks

    A surprise guest makes Rodeo's last night with Zac Brown Band extra special

    Eric Sandler
    Mar 24, 2014 | 6:49 am

    Typically, concerts follow a set formula. Start up tempo, throw in a couple hits, slow it down with a ballad or two, mix in a couple tracks from the latest album and then go up tempo for a big finish. If you have a signature closer, like "40" for U2 or "Yellow Ledbetter" for Pearl Jam, so much the better.

    Following the template is an almost surefire formula for success. The Zac Brown Band has followed it well, playing the Houston Livestock Show and Rodeo four years in a row and earning the honor of closing the event. The crowd sang along and danced in their seats to familiar favorites like "Toes," and couple snuggled during ballads like "Free" and "Annie." Just when it seemed like a cover of the Marshall Tucker Band classic "Can't You See" was going to be a highlight, a surprise guest lifted a good concert to a great one.

    Yet, even bull riding and the calf scramble were topped by an emotional moment that everyone who attended will remember for years to come.

    Up to that point, the standing room only crowd of 75,012 had already had a memorable evening, thanks to the conclusion of the Rodeo's signature Super Series that paid out $25,000 cash prizes to top performers in five events. Sound was surprisingly good for a Rodeo show, with the band's vocal harmonies coming through loud and clear.

    Yet, even bull riding and the calf scramble were topped by an emotional moment that everyone who attended will remember for years to come. Late in the set, as the band performed fan favorite "Chicken Fried" and Brown sang the lyric, "I thank God for my life / And for the Stars and Stripes / May freedom forever fly / Let it ring," a true American hero walked across the stage.

    Marcus Luttrell, the retired Navy SEAL whose harrowing story is chronicled in the book and movie Lone Survivor, made a guest appearance on stage. Luttrell didn't say anything as the crowd rose to its feet in a thunderous, prolonged ovation. He didn't have to.

    Even though HLSR COO Leroy Shafer had already introduced Luttrell and presented him with an award (also to a standing ovation) earlier in the evening, the timing of the second appearance made it even more special than the first.

    When "Chicken Fried" ended, a steady stream of attendees headed for the exits. Sure, those people missed the high-energy closer of Led Zepplin hit "Kashmir" that merged into the band's signature cover of "The Devil Went Down to Georgia," but it hardly mattered.

    The show's emotional climax had already come and gone with Luttrell's appearance and the crowd's emotional salute. What a fitting way to conclude the 21-day celebration of all things Texan.

    Set List:

    The Wind

    As She's Walking Away

    Toes

    Sweet Annie

    Day for the Dead

    Colder Weather

    Knee Deep

    Can't You See

    Free

    Keep Me In Mind

    Chicken Fried

    Goodbye In Her Eyes

    Uncaged

    Kashmir —The Devil Went Down to Georgia

    Zac Brown Band in concert on the last night of Rodeo Houston.

    5 Zac Brown Band at RodeoHouston March 2014
    Photo by © Michelle Watson CatchLightGroup.com
    Zac Brown Band in concert on the last night of Rodeo Houston.
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    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

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