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    Spring ahead

    Art everywhere! Weekend guide includes blue trees, cool sculptures and "alternative forms of life"

    Tyler Rudick
    Mar 22, 2013 | 12:57 pm

    Springtime has sprung and so has a fresh season of Space City art. This weekend will see not only an explosion of gallery openings, but also the National Council on the Education of Ceramic Arts (NCECA) conference as well as the spring edition of the Bayou City Art Festival.

    Here's a look at some art scene highlights:

    FRIDAY

    The 47th annual NCECA conference — which has a slew of programming on Friday and Saturday at the George R. Brown — has inspired roughly 120 ceramics-themed shows all over town. Click here for the full list and be sure to hit up Mother Dog Studios' Friday night reception (6 to 9 p.m.) for a series of shows exploring "alternative forms of life" in clay.

    The 4411 Montrose building hosts Friday openers for pop-hued works by German artist Maxim Wakultschik at Anya Tish, cool sculptures by Andrea Bianconi at Barbara Davis and abstract works by Guus Kemp and Lucinda Cobley at Zoya Tommy and Wade Wilson, respectively.

    Contemporary Arts Museum Houston kicks off its performance art show Parallel Practices: Joan Jonas & Gina Pane with a reception from 7 to 9 p.m. Meanwhile, in the Heights, Avis Frank unveils the work of 16 new artists from 6 to 8 p.m.

    SATURDAY

    Art Palace at Isabella Court on Main will host a special 1 p.m. talk with multi-faceted artist Charlie Morris, whose exhibit Spinning Under Trees is on view through Mar. 30.

    From 6 to 8 p.m. along Colquitt, Peveto and d.m. allison host NCECA receptions, while McMurtrey, Catherine Couturier and Hooks-Epstein each highlight some rather fascinating new surreal works. From 5 to 7 p.m., Moody launches an exhibit for noted Houston artist Randy Twaddle.

    Starting at 2 p.m., Fotofest has scheduled a series of artists talks from participants in its new International Discoveries show.

    SUNDAY

    For those who like their art outdoors, check out Konstantin Dimopolous' Blue Trees installation for the Houston Arts Alliance along Memorial Drive at Waugh.

    And of course, there's also the Bayou City Arts Festival, which ends its three-day run at Memorial Park on Sunday. Tickets are $12 and free to anyone 12 and under.

    At Art League Houston, Ryan Blackwell, Spick-and-Span, 2012, ceramic, each piece 2.25 x 2.25 x 0.25 in.

    Art League Houston, Connections and Directions, NCECA, ceramics
      
    Art League Houston Facebook
    At Art League Houston, Ryan Blackwell, Spick-and-Span, 2012, ceramic, each piece 2.25 x 2.25 x 0.25 in.
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    news/entertainment

    Movie Review

    New film Love Hurts serves as vehicle for Oscar-winner Ke Huy Quan

    Alex Bentley
    Feb 6, 2025 | 3:30 pm
    Ke Huy Quan in Love Hurts
    Photo by Allen Fraser/Universal Pictures
    Ke Huy Quan in Love Hurts.

    Career revivals like the one that has happened to Ke Huy Quan are extremely rare in Hollywood. As a child, he scored two big back-to-back roles in Indiana Jones and the Temple of Doom and The Goonies. While he found occasional work after that, his career mostly went dormant starting in 2002 until he was cast in Everything Everywhere All at Once, a role that won him an Oscar.

    Now, he’s the toast of the town, including his first-ever starring role as the lead in Love Hurts. Quan plays Marvin Gable, a relentlessly positive real estate agent who’s the top seller in his area. But from the beginning of the film, it’s clear that he has a hidden backstory, as he receives a veiled threat in a note from a woman named Rose (Ariana DeBose), who is seen early on defacing many of his advertisements around town.

    When a heavy called The Raven (Mustafa Shakir) confronts Marvin at his office, he is pulled back into his old life, one where he was involved in the criminal enterprise of his brother, Knuckles (Daniel Wu). Soon he’s dodging attacks on multiple fronts, looking out for Rose, and all the while trying to keep up appearances at his day job.

    Directed by Jonathan Eusebio (a stunt coordinator making his directorial debut) and written by Matthew Murray, Josh Stoddard, and Luke Passmore, the film is one big excuse to have Quan show off the martial arts skills he demonstrated in his Oscar-winning role. While there is some semblance of a story, it’s mostly to set up the various fight scenes; there’s little attempt to make the audience care about any of the stakes.

    Instead, Eusebio and his team vacillate between moments of calmness and sequences with extreme violence. Quan and his fellow combatants (in addition to Shakir, he faces off against Marshawn Lynch, Cam Gigandet, and others) engage in a series of creative moves designed to inflict as much pain as possible. The juxtaposition of the seemingly mild-mannered Marvin with his abilities works relatively well, as does the variety of implements used as weapons (pencils, boba straws, feathers, and more come into play over the course of the film).

    But the lack of a full story catches up with the film in the end, as instead of building to some kind of grand finale, there are diminishing returns with every scene. The filmmakers try to distract with a semi-amusing romantic connection between The Raven and Marvin’s assistant, Ashley (Lio Tipton), something that works much better than allusions to a bond between Marvin and Rose. There’s also a mini-Goonies reunion with Sean Astin as Marvin’s boss that’s kind of fun, but the antipathy between Marvin and his attackers never fully develops.

    Quan is a joyful presence who does his level best to make himself into a lead actor, but he’s not served well in the film as a whole. DeBose, an Oscar winner herself, seems to be stuck in a rut of mediocre roles, ones that don’t allow her to show off her skills like West Side Story. Lynch shows again he’s reliable in comic sidekick roles, while Tipton and Shakir are the only other actors to make any kind of impact.

    The Valentine’s theme of Love Hurts is not the only part of the film that feels tacked on. While the idea of letting Quan show off his skills is a good one in theory, very little thought appears to have been put into making that showcase effective. The result is a forgettable action comedy that puts more emphasis on ultraviolence than its story.

    ---

    Love Hurts opens in theaters on February 7.

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