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    Willie at RodeoHouston

    Life of the Rodeo: Willie Nelson keeps the music alive in legendary performance

    Tarra Gaines
    Mar 18, 2017 | 11:42 pm

    Willie Nelson didn’t have time for idle concert chit chat during his Saturday night appearance at the Houston Livestock Show and Rodeo. With over 20 songs of life, death and love to sing, it was no wonder the 83-year-old, once red-headed now beautifully grey-headed stranger, never stopped for some mindless banter with the sold-out crowd of 75,008. But who needs the requisite reminder of how many times he’s stood on that rodeo stage (10) or his status as a Texas legend and national treasure (that pretty much goes without saying). He’s Willie Nelson live in Houston and still delivering so much life to the music he makes.

    In prime Willie-ness, jeans, red bandana wrapped around his forehead and braids down to his beloved Trigger, Nelson took the stage and jumped right into his classic “Whiskey River.” Whiskey became something of a minor theme of the evening, with a set that also included “Beer for My Horses.” But then drinking, loving, losing and just living life as best as possible are the subjects of so many of his own great songs as well as some of the other classics he sang during the evening.

    With only a few pauses to thank the crowd, Nelson and his band kept the musical stories flowing from one song to the next almost as if he was reading us chapters in the book of his and all of our lives. His voice might have grown rough but wise with eight decades of living and singing, but he can still add his unique interpretation in each song to gift us a rich, true story.

    From his own 1980 hit “Angel Flying Too Close to the Ground,” about the complexities of love found and then lost when set free, to the Cajun-fun concentrate in Hank Williams’s "Jambalaya (On the Bayou)," Nelson showed us all how to spin a good musical yarn.

    The classics kept coming with little introduction except the odd tributary nod to the song’s writer or co-writer. He took us “On the Road Again,” confessed we were “Always on My Mind” and, with some laced irony for the venue, warned all the mothers in the rodeo crowd: "Mammas Don't Let Your Babies Grow Up to Be Cowboys.”

    Humor and, perhaps not so incidentally, death were also themes of the evening but with Nelson those subjects are never too far apart. Yes, he included a lovely rendition of “Will the Circle Be Unbroken” that transformed into “I’ll Fly Away” but he balanced those gospel odes with “Roll Me Up and Smoke Me When I Die” and, towards the end of the set, one of his newest songs “Still Not Dead Again Today.”

    Whether this was Nelson's last Houston rodeo or just his latest, with more appearances awaiting us in the coming years, no one in NRG Stadium will likely forget this concert even when they, too, reach 83 years young.

    Set List:
    Whiskey River
    
Still Is Still Moving to Me
    Beer for My Horses
    Good Hearted Woman
    
Mamas Don't Let Your Babies Grow Up to Be Cowboys
    
Angel Flying Too Close to the Ground 

    On the Road Again
    
Always on My Mind 

    Down Yonder
    
Georgia on My Mind
    
It's All Going to Pot 

    Roll Me Up and Smoke Me When I Die 

    Jambalaya (On the Bayou)
    
Hey Good Lookin'

    Move It On Over

    Will the Circle Be Unbroken
    
I'll Fly Away 

    I Saw the Light 

    Still Not Dead Again Today 

    Shoeshine Man 


    Willie Nelson and his band performed in front of a large electronic image of the Texas flag.

    Willie Nelson at RodeoHouston 2017
    Photo courtesy of Houston Livestock Show and Rodeo
    Willie Nelson and his band performed in front of a large electronic image of the Texas flag.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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